La caméra nous montre Henri Gagnon, organiste à la cathédrale de Québec, à son domicile, aux orgues de la cathédrale, dans les salles de cours au milieu de ses élèves. Vues nombreuses de Québec sous la neige.
This bilingual film features the Commissioner of Official Languages and two intermediate school students. The Commissioner explains, in English and in French, the Official Languages Act, his duties and the activities of his Office under the Act. A number of light-hearted situations simulated in the film demonstrate how individual efforts can put Canada's two official languages on an equal basis.
Borrowing from classical mythology, this very short film illustrates the story of Syrinx, the nymph who attempts to escape the goat-god Pan’s amorous advances by fleeing to a nearby river for help, only to be transformed into hollow reeds. Syrinx is the first film by Ryan Larkin, an Oscar®-nominated director who began his animation career in Norman McLaren’s student group. The technique employed is charcoal sketches on paper; the accompanying music is Claude Debussy’s “Syrinx” for solo flute.
An allegory of mankind heading for disaster, this animated short is a tragic vision inspired by the 4th movement of Mussorgsky’s Pictures at an Exhibition. Drawing on the composer’s brilliant ability to evoke work and labour in his music, animator Patrick Bouchard brings earth to life through animated clay sculptures, creating a tactile nightmare in which man is his own slave driver.
This short film is an edgy, searing portrait of an ex-gang member trying to make peace with his past. Rapper Shawn Bernard raps about the various struggles in his life, the choices he's made and their consequences, while poignantly recounting the loss of his sister. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND. e an impressive debut - one wrought with emotion and hope.
An investigation into how language is changing in the age of COVID-19. The complete upheaval of social relationships today is leading to the reinterpretation of certain terms, which have suddenly taken on a fatal connotation. This film is a funeral mass in memory of the word “contact.”
Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .
This short documentary follows three Indigenous women as they practice ancestral forms of worship: drumming, singing, and using sweetgrass. These ancient spiritual traditions may at first seem at odds with urban life, but to Indigenous people in Canada who are used to praying in natural settings, the whole world is sacred space.
The NFB’s 71st Oscar®-nominated film.
In keeping with their Sunday tradition, after mass a family flocks to grandma and grandpa’s house, where the chaotic discussion soon begins to resemble a raucous gathering of crows on power lines. The local factory has shut its doors and, naturally, the adults can’t stop fretting about their money woes. On this particular grey Sunday, a young boy drops a coin on some nearby train tracks out of sheer boredom. Picking the coin up after a train has run over it, he discovers to his astonishment that an amazing transformation has taken place... Sunday, Patrick Doyon’s first film, is a magical tale that imparts important lessons about life as seen through the eyes of a child.
Why bother dragging around one's shadow? A man agrees to a pact with a magician and swaps his shadow for riches. He soon discovers that the absence of a shadow can be a humiliating handicap. After fleeing to the far corners of the earth, he ends up in Bali, in a theatre of shadow puppets, where he discovers the true worth of shadows.
Swiss filmmaker Georges Schwizgebel animates this adaptation of Adelbert von Chamisso's The Strange Story of Peter Schlemil (1814), a fantastic tale inspired by Goethe's Faust. His film L'homme sans ombre is a reflection upon human nature and an allegory celebrating the magic of performance. Virtuoso Georges Schwizgebel's images are wonderfully mobile and textured, his composition formally elegant. (Each cel is freshly repainted with the characters and settings.) He is a master conjurer whose images become a bewitching choreography. The animator's eye guides the painter's hand, and vice versa. A film without words.
This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.
Filmed in the Indian Himalayas and in Canada, A Song for Tibet tells the dramatic story of the efforts by Tibetans in exile, including the Dalai Lama, to save their homeland and preserve their heritage against overwhelming odds. Since the invasion of their territory by China in the late 1950s, Tibetans have been struggling for cultural and political survival.
This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.