Ginette Laurin : au centre de la pièce

Éblouissante démonstration de la technique de l'adagio du pas de deux. Ce court métrage expérimental tourné au ralenti souligne la maîtrise des danseurs, la précision de leurs gestes, l'équilibre de chaque pirouette, arabesque ou jeté. Document de travail unique pour les élèves des cours de danse classique, ce film révélera aux autres spectateurs une dimension inconnue du ballet. L'Adagio d'Albinoni forme la trame sonore sur laquelle évoluent David et Anna Marie Holmes, danseurs canadiens de réputation internationale.

Seated in the middle of a square room, choreographer Ginette Laurin looks back at revealing key aspects of her artistic process. What initially seems like a simple filmed interview takes a twist when a young dancer explores the same work, seeming to defy gravity. O Vertigo !

Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2018 Governor General's Performing Arts Awards.

A group of civilians embark on 12 weeks of intensive training that will see them gradually transformed into soldiers of the Canadian Armed Forces. For the third instalment in his documentary series about the different stages of life, Jean-François Caissy offers a compelling portrait of the military experience, charting the paths of young adults who have made this singular career choice.

This feature documentary explores the world of adolescence in rural teenagers' interactions with various authority figures. Outside the classroom, though, the teens enjoy more control of their world; in this playground, they can test the limits of their temporary freedom. A work of patient observation relying mostly on uninterrupted long takes,Guidelines emphasizes the contrast between adult and adolescent, between the regulated classroom and the great outdoors, gradually revealing the interior drama of adolescence with its shifts from fragility to reckless abandon.

In this short film, Margie Gillis becomes the very embodiment of modern dance - she steps into the light, lifts her arms and unleashes her extraordinary mane into the air.

Four decades into a remarkable career, Gillis is a beacon of compassion and creativity. Watch as high-speed cameras capture the delicate and savage joy of Canada's own Isadora Duncan.

Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2011 Governor General's Performing Arts Awards.

Two short Norman McLaren films in which animation technique is employed with live actors. In the first, entitled On the Lawn, a male dancer waltzes to synthetic music. The second is a fast march, In the Backyard, accompanied by an old-fashioned calliope.

This short documentary profiles the traditional music and pageantry of Polish-Canadians in Manitoba. The heritage and national traditions of Poland were brought to Canada by immigrants and sustained across generations. The colourful traditional dress and lively music of Polish-Canadians is captured by ethnomusicologist Laura Boulton, a pioneering woman in the educational documentary film movement whose goal was to “capture, absorb, and bring back the world’s music.”

The spectacular annual powwow at Manawan. Gilles Moar once saw a bear dancing, and this inspired him to pass his culture on to his daughter and the young in his community.

Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile DVD.

A virtual prisoner of the winter snows that block its roads, the village of St.Hilarion, to justify its name, revels in the joys of the jig and the "turlutte", the lilting songs that tell the humorous tale, ever new and yet essentially always the same, about the sorry fate of the one who gives into temptation.

Les Feux Follets (Will-o'-the-Wisps) was founded as an amateur dance group in Montréal. It grew into a professional company. In this film the group performs two dances that demonstrate the dancers' virtuosity: the first, an interpretation by the non-Indigenous troupe of a First Nations dance described as a "Plains betrothal dance"; the second, a more frenetic exhibition of go-go dancing.

(Please note that this film was produced in 1966 and reflects the attitudes and thinking of its era. To modern audiences, parts of the film may be perceived as offensive, but it must be seen as a cultural product of the era in which it was produced. The perspectives of Canadians (and the NFB) have evolved and become more conscious of Indigenous rights, realities and points of view since the making of the film. Through its rich collection of Indigenous-made films, available at Indigenous Cinema , the NFB continues to strive to challenge stereotypes about Indigenous people and accurately depict the diverse experiences of Indigenous communities. )

In this early film Norman McLaren shot crystal formations through a low-power microscope, using polarized light with the lower part of the picture masked off. The film was then rewound and a scene of dancers was filmed.