Le film se veut une enquête sur le journalisme politique au Québec. Il ressort de ce document, principalement centré sur les journalistes anglophones de la tribune de la presse à l'Assemblée nationale et sur leur perception de l'actualité, que le sens de l'objectivité en matière de journalisme est avant tout une question de culture.
This feature length documentary by Jacques Godbout tackles a topic all too rarely explored in the media: terrorism in Canadian society. From Montreal to Vancouver, and Quebec City to Toronto, exasperated individuals find a new calling as self-style saviours of humanity and decide to mete out their own justice. Part reportage, part essay and part critical analysis of the phenomenon, this film includes first-hand accounts by Serge Daoust, Franco Piperno, François Schirm, Pierre Vallières and young militants from the journal Révoltes.
This short Guy Maddin film tells the story of inventor Nihad Ademi, who harnesses the power of the aurora borealis in Winnipeg in 1939. Ademi uses this power to broadcast images of Canada to its own citizens from coast to coast, but in the process angers he the government.
This feature documentary is a portrait of Montreal political cartoonists Aislin and Serge Chapleau. In the pages of The Montreal Gazette and La Presse, respectively, they’ve been skewering politicians for 30 years. But who are these biting satirists? The film seeks to answer this question through interviews with the cartoonist's friends, families, colleagues, and even a few of their favourite victims, including Gilles Duceppe and Louise Beaudoin. Featuring many of their classic cartoons, Nothing Sacred pays tribute to gifted iconoclasts whose hilarious characters have seeped into our collective consciousness.
This short documentary profiles Sophie Wollock and the newspaper she founded for the western suburbs of Montreal in l963, The Suburban. A weekly paper distributed free to some 45,000 homes, most of them anglophone, The Suburban became famous for the strongly worded editorials written by Wollock, mainly on the subject of Québec nationalism. The film looks at the paper, then under the guidance of her son, and sums up some of Wollock's more impassioned editorials.
In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.
Against the backdrop of the camera’s meditative wandering through the places that created Quebec, Where the Land Ends explores and questions the historical narrative, as a group of young people who were not old enough to vote in the 1995 referendum express their views. They seem to have decided, on their own, to create a new “Terre des Hommes” (Man and His World).
The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.
This documentary brings together a group of long lost classmates who used to belong to an after-school film club. Formed at the initiative of a Grade 8 teacher eager to pass along his love of cinema, the club attracted a klatch of immigrant kids eager to embrace their new country. Stimulating and creative, the club was a complete departure from anything they had known and provided a safe haven from the harsh world around them. Together, they made a tiny 8mm award-winner called Ohh Canada.
Twenty-five years later, the group looks back to marvel at their childhood dreams and the bond they share with the teacher who brought them together.
This film was produced as part of the Reel Diversity Competition for emerging filmmakers of colour. Reel Diversity is a National Film Board of Canada initiative in partnership with CBC Newsworld.
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
Two well-known Quebec artists (filmmaker Jacques Godbout and playwright René-Daniel Dubois) look at the Battle of the Plains of Abraham. Whose version of this historic event should prevail? Is history best served by documentary or fiction? We also meet Baron Georges Savarin de Marestan and Andrew Wolfe-Burroughs, direct descendants of Montcalm and Wolfe, both of whom died in the battle that would give birth to Canada and to the province of Quebec. In French with English subtitles.