In this short animation a little creature watches the transformation of a feather and follows a whale to where icebergs melt, leaving birds with nowhere to land. The materials used include old gloves, costume jewellery and Plasticine. Technique: puppet and object animation with drawn animation.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
In this short animation film a prairie landscape undergoes a metamorphosis from rural idyll to over-urbanized dystopia. Director Anne Koizumi laments the changing face of her hometown of Calgary in this critique of the bacteria-like spread of suburbia and exurbia.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
In this short animation Damien Hess attempts to connect with the tragedy of the First World War, a conflict that helped define Canada. In this film he uses imagery of the Canadian National Vimy Memorial monument in northern France to summon up names, faces and shadows that are fading from our memory.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
In this short animated film a robot rambles about frenetically, receiving countless electronic messages through his antenna every second. Despite his fatigue and stress, he never slows down. The only thing that might bring his frantic journey to an end is a traffic accident.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
In this whimsical animated short, filmmaker Rachel Peters asks: "what if the laws of physics suddenly ceased to apply?" Peters explores this question through the tale of a man and his two goldfish as they prepare for the end of the world. Technique: drawn animation, digitally coloured and composited.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
In this animated short a figure floats in landscapes and spaces without a ground plane. There is only water. The reflected skies are endless and mirrored interiors are doubled in height. This film explores experiences within environments that are recognizable but surreal.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
A look into the creative process and frenzy behind the third edition of the NFB Animation Hothouse. This zippy, mini-documentary reflects the youthful iconoclasm of the six emerging filmmakers and Jason Lee, the documentary director.
This film was produced as part of our Hothouse emerging filmmaker’s program
This short animation film is an “epic” adventure and a magical environmental fairy tale. Amy Lockhart uses cutouts, drawings and collage (captured and manipulated as digital multi-plane animation) to conjure up her whimsical world.
Produced as part of the second edition of the NFB’s Hothouse apprenticeship.
This is a combination of stop-motion puppet and drawn animation. We observe a forlorn woman on a Halifax dock, whose loneliness is lifted by the passing of a fishing trawler. A metaphor on the connectiveness of water and water's capacity as a medium of freedom.
Produced as part of the first edition of the NFB’s Hothouse apprenticeship. Theme was "Water and Our Relationship to It".
In this short animation, a polar bear must try his luck finding a job in the big city when the last of his Arctic ice environment disappears. It’s hard fitting into the human world, however, so this bear finds a more creative solution to his predicament.
Produced as part of the 8th edition of the NFB’s Hothouse apprenticeship.
In this short animation film Marielle Guyot uses her computer skills with great artistic sensibility to bring the sea to life, death, and hopefully, life again.
Produced as part of the second edition of the NFB’s Hothouse apprenticeship.
This short animation film is a pithy critique of society's commercialization of water, abetted by an utter disregard for the future. The film is a mixed media whirlwind of hyperactive animated collage.
Produced as part of the first edition of the NFB’s Hothouse apprenticeship. Theme was "Water and Our Relationship to It".