Marco, un bébé raton laveur, s'évade en tapinois de la maison paternelle pour la plus charmante des promenades! Ses aventures, ses rencontres surprenantes, ses réflexions ingénues et sa cocasserie réjouiront tous les enfants et tous les adultes en quête de fraîcheur.
Film sans paroles sur l'athlète David Murray, alors qu'il s'attaque à une épreuve de ski à Kitzbühel, en Autriche, en vue de la Coupe du Monde. Spectaculaire à tout point de vue, une telle descente requiert beaucoup de préparation mentale et physique et réserve bien des surprises: personne n'est à l'abri d'une forte tension ou d'une chute malencontreuse.
Who is Monsieur Pug? Why, a dog with bad cholesterol and high blood pressure! And a dog who loves his pie and ice cream. Who relaxes by making origami. In other words, definitely not your ordinary pooch! For he’s also a paranoiac, convinced he’s the target in a vast conspiracy, and pretending to be a pet, the better to hide from his pursuers. Schizoid, perhaps? Hmm… but is Monsieur Pug even a real dog to begin with?
A delirious fable about a particular brand of modern madness—that brought on by the omnipresence of smartphones in our lives—Monsieur Pug is directed with verve by Janet Perlman, whose The Tender Tale of Cinderella Penguin was nominated for an Academy Award as Best Animated Short in 1982.
Monsieur Pug is one strange film about the life of one strange dog!
When an extraordinary new resident – Balakrishna, an Indian elephant – arrived in the town of East River, Nova Scotia, in 1967, no one was more in awe of the creature than young Winton Cook, who became inseparable from his mammoth new friend. Using painterly animation, photographs and home-movie treasures, Balakrishna transmits the wistfulness of childhood memories, while evoking themes of friendship and loss, and issues of immigration and elephant conservation.
This film is about the building of a traditional log cabin in Québec. It starts with the tree and finishes with the housewarming. While it is not a realistic housing option for many Canadians, it does provide encouragement for all of us to re-examine the resources around us that we may not be using effectively, if at all.
In this children’s film, a white mouse cavorts about the forest, mostly on the back of a bumbling black bear, creating such a stir that other forest creatures (a deer, a tortoise, a hawk and a hound) have to put a stop to it. Animals speak with human voices and “act” out their parts.
This short animation is a visual fantasy, a gripping tale that is "larger-than-life" in its themes: life, death and rebirth; creation and destruction; permanence and impermanence, spontaneity and control. Bold swoops of liquid colour surge with variations on Mozart's Requiem to a startling denouement. Alchemists will provoke reflection on creativity, relationships and the environment. Without words.
The NFB’s 11th Academy-Award winning film. This short animation follows Kasper, a poet whose creative well has run dry, on a holiday to Norway to meet the famous writer Sigrid Undset. Kasper attempts to answer some pretty big questions: can we trace the chain of events that leads to our own birth? Is our existence just coincidence? Do little things matter? As Kasper's quest for inspiration unfolds, it appears that a spell of bad weather, an angry dog, slippery barn planks, a careless postman, hungry goats and other seemingly unrelated factors might play important roles in the big scheme of things after all.
This short animation adapted from a short story by Heather O’Neill, who also narrates the film, follows three fallen angels seeking companionship in Montreal’s red-light district. The survivor of traumatic childhood experiences, Johnny is a handsome thief who finds himself drawn to Mia’s fragile beauty. Both have a soft spot for Johnny’s best friend and partner in crime, Pinky. But when one of Pinky’s endearing quirks sets off a tragicomic chain of events, Johnny plots his revenge with methodical detachment. Peopled with characters living on the margins of society, this film casts light on the frailty of human relationships. The film features hand-drawn pencil and pastel animation rendered in stereoscopic 3D.
Ages 6 to 11
English Language Arts - Children's Stories/Fables
Media Education - Body Image
Before viewing the film, have students predict what they think this film might be about based on the title. Brainstorm what students already know about the habitat, diet and temperament of the raccoon. Do they make good pets? Suggest reasons why or why not. Direct students to retell the film's story in simple prose.