This animated short is a visual representation of Goethe's poem, The ErlKing that uses sand-on-glass animation set to the music of Franz Schubert. The moving images, resembling woodcuts, capture the haunting, nightmarish quality of the tale of the ErlKing who steals and kills a little boy.
This animation short is an adaptation of Michel Tremblay's short story "The Devil and the Mushroom." A tale of supernatural power, greed and violence, it involves a sinister stranger who single-handedly transforms a quiet village into the scene of a phantasmagoric nightmare.
In this animated short, two chimney sweepers clear all the memories from their victim's brain in a quest to determine what goes on in a man's head. A chilling film filled with fearsome puppets inhabiting a world of strange objects.
The NFB’s 70th Oscar®-nominated film.
This stop-motion animated film takes viewers on an exhilarating existential journey into the fully imagined, tactile world of Madame Tutli-Putli. As she travels alone on the night train, weighed down with all her earthly possessions and the ghosts of her past, she faces both the kindness and menace of strangers. Finding herself caught up in a desperate metaphysical adventure, adrift between real and imagined worlds, Madame Tutli-Putli confronts her demons.
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A vain and arrogant youth dares to enter Baba Yaga’s living house of bones. What emerges will forever fill our nights with terror.
Borrowing from classical mythology, this very short film illustrates the story of Syrinx, the nymph who attempts to escape the goat-god Pan’s amorous advances by fleeing to a nearby river for help, only to be transformed into hollow reeds. Syrinx is the first film by Ryan Larkin, an Oscar®-nominated director who began his animation career in Norman McLaren’s student group. The technique employed is charcoal sketches on paper; the accompanying music is Claude Debussy’s “Syrinx” for solo flute.
The NFB's 51st Oscar®-nominated film.
In this short animation film, a magnificent bird performs for the Emperor inside a glittering palace. Its plumage is a blaze of colour. A blackbird, watching enviously, strives to acquire what he so desperately covets, only to discover that a golden cage can’t compete with the open skies.
In this animated short, the selfishness of the bourgeoisie and the oppression and exploitation of its servants take centre stage as a puppet show presents the tragicomedy of a society in its death throes.
Based on a Jewish folk tale adapted by playwright John Lazarus, this animated short tells the story of Shmendrik, a simpleton living in a small Polish village. Weary of daily life in his native Chelm, Shmendrik sets out on a quest for knowledge that brings him to a new Chelm, a place eerily reminiscent of his old Chelm. An amusing take on our tendency to romanticize what we don't have.
This short animation artfully revisits the Greek myth of Icarus. The son of the master craftsman Daedalus, creator of the Labyrinth, Icarus attempts to escape the island of Crete by means of a pair of wings constructed by his father. Upon receiving these wings, made from feathers and wax, he is told to fly neither too low, where the sea’s dampness would clog his wings, nor too high, where the sun’s heat would melt them -- precious advice the hubristic Icarus tragically won’t heed.
In this animated short, Sleeping Betty is stuck in bed, victim to a strange bout of narcolepsy. The King calls on his subjects to rescue her and they all respond to the call: Uncle Henry VIII, Aunt Victoria, an oddly emotional alien, a funky witch and a handsome prince. But will a kiss really be enough to wake the sleeping princess? The film, drawn in ink, is a classic example of the anachronistic and playful world of Claude Cloutier.
This short animation adapted from a short story by Heather O’Neill, who also narrates the film, follows three fallen angels seeking companionship in Montreal’s red-light district. The survivor of traumatic childhood experiences, Johnny is a handsome thief who finds himself drawn to Mia’s fragile beauty. Both have a soft spot for Johnny’s best friend and partner in crime, Pinky. But when one of Pinky’s endearing quirks sets off a tragicomic chain of events, Johnny plots his revenge with methodical detachment. Peopled with characters living on the margins of society, this film casts light on the frailty of human relationships. The film features hand-drawn pencil and pastel animation rendered in stereoscopic 3D.