Eastern Graphic

This short documentary profiles Sophie Wollock and the newspaper she founded for the western suburbs of Montreal in l963, The Suburban. A weekly paper distributed free to some 45,000 homes, most of them anglophone, The Suburban became famous for the strongly worded editorials written by Wollock, mainly on the subject of Québec nationalism. The film looks at the paper, then under the guidance of her son, and sums up some of Wollock's more impassioned editorials.

This feature documentary is a portrait of Montreal political cartoonists Aislin and Serge Chapleau. In the pages of The Montreal Gazette and La Presse, respectively, they’ve been skewering politicians for 30 years. But who are these biting satirists? The film seeks to answer this question through interviews with the cartoonist's friends, families, colleagues, and even a few of their favourite victims, including Gilles Duceppe and Louise Beaudoin. Featuring many of their classic cartoons, Nothing Sacred pays tribute to gifted iconoclasts whose hilarious characters have seeped into our collective consciousness.

This documentary examines the media's coverage of the federal election of May 1979. Filmed over a 3-week period, it takes a fascinating look at journalists in action and the politicians who attempt to manipulate the media.

This short documentary is a portrait of a tiny town, Lakefield, Ontario, and its independent weekly, the Herald. Across North America, newspapers are dying, but in Lakefield, Terry McQuitty, the town paper’s publisher, carries on a rich, 150-year-old tradition. Set to the pace of small-town life, Unheralded is a testament to the vital role newspapers can still play, and the close bond between reporter and reader.

This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.

This short film from 1948 takes an in-depth look at local newspapers and their relationship to the community they serve. Following the weekly editor of one such hometown paper for a day, the film tracks the local events that will be news tomorrow. In town, we meet the people whose names are scattered through the pages: the mayor and his hope of a new city hall, the local angler who breaks a record and even the lacrosse team, sharing spectators with the band concert in the park.

This documentary offers a witty and engaging view of Canada's history through the unique perspectives of its political cartoonists. Duncan Macpherson, Robert LaPalme, Aislin, and others chime in on the most notable cartoons from more than 50 artists while we also enjoy the reactions of the targets. As one cartoonist proclaims, "A picture is worth a thousand words. A cartoon, well done, is worth a thousand pictures."

This short film from 1945 demonstrates how broadcasters and journalists relayed war news back to Canada. It includes glimpses of the complex organization behind them - the military PR directors, the censors, dispatch riders, engineers and the Canadian Press and British United Press offices.

Part 2 of this 3-part documentary series about Pierre Elliott Trudeau and René Lévesque covers the years between 1967 and 1977, a colourful decade that saw Trudeau win three federal elections, the 1970 October Crisis and the sweeping rise to power of the Parti Québécois.

In Part 1 of this 3-part documentary series, director Donald Brittain chronicles the early years of Pierre Elliott Trudeau and René Lévesque. From their university days in the 1950s to 1967 when Lévesque left the Liberal Party and Trudeau became the federal Minister of Justice, Brittain attempts to get at the heart of what makes these men so fascinating.

The final instalment of this 3-part documentary series about Pierre Elliott Trudeau and René Lévesque spans the decade between 1976 and 1986. The film reveals the turbulent, behind-the-scenes drama during the Quebec referendum and the repatriation of the Canadian Constitution. In doing so, it also traces both Trudeau's and Lévesque's fall from power.