Délia 9 to 5

From a family of nomads, the filmmaker writes a magnificent, poetic letter to her children in which the bicycle becomes a powerful symbol of heritage, transference, and coming together.

The The Third edition of 5 Shorts Project features, for the first time, five female directors, two of whom hail from the Kitcisakik Anicinape Community.

The first edition can be found here.
The second edition can be found here.

In this humorous “experiential” documentary, the words of four overworked Abitibi women encourage viewers to reflect on work/family balance and the dangers of exhaustion.

The The Third edition of 5 Shorts Project features, for the first time, five female directors, two of whom hail from the Kitcisakik Anicinape Community.

The first edition can be found here.
The second edition can be found here.

Richard Cardinal died by his own hand at the age of 17, having spent most of his life in a string of foster homes and shelters across Alberta. In this short documentary, Abenaki director Alanis Obomsawin weaves excerpts from Richard’s diary into a powerful tribute to his short life. Released in 1984—decades before the Truth and Reconciliation Commission—the film exposed the systemic neglect and mistreatment of Indigenous children in Canada’s child welfare system. Winner of the Best Documentary Award at the 1986 American Indian Film Festival, the film screened at New York’s Museum of Modern Art in 2008 as part of an Obomsawin retrospective, and continues to be shown around the world.

Thirty people from different generations come together in a community hall to learn line dancing with the dynamic instructor Lorraine Camirand.

The The Third edition of 5 Shorts Project features, for the first time, five female directors, two of whom hail from the Kitcisakik Anicinape Community.

The first edition can be found here.
The second edition can be found here.

Narrated by a six-year-old girl, the making of a rainbow cake takes on the magical power of bringing generations together.

The Third edition of 5 Shorts Project features, for the first time, five female directors, two of whom hail from the Kitcisakik Anicinape Community.

The first edition can be found here.
The second edition can be found here.

This short film portrays the experiences of Rhonda Gordon and her daughter, Angela, when a simple bus ride changes their lives in an unforeseeable way. When they are harassed by three boys, Rhonda finds the courage to take a unique and powerful stance against ignorance and prejudice. What ensues is a dramatic story of racism and empowerment.

This short experimental documentary challenges stereotypes about Indigenous people in the workplace. Featuring portraits set to a powerful poem by Mohawk writer Janet Marie Rogers, the film urges viewers to go beyond their preconceived notions. As I Am is a celebration of Indigenous people's pride in their work and culture. This film is part of the Work For All series, produced by the National Film Board of Canada, with the participation of Human Resources and Skills Development Canada.

This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.

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In this deeply moving feature-length documentary, three sisters and a brother meet for the first time. Removed from their young Dene mother during the infamous Sixties Scoop, they were separated as infants and adopted into families across North America.

Betty Ann, Esther, Rosalie, and Ben were only four of the 20,000 Indigenous Canadian children taken from their families between 1955 and 1985, to be either adopted into white families or live in foster care. As the four siblings piece together their shared history, their connection deepens, and their family begins to take shape.

Released in 1968 and often referred to as Canada’s first music video, The Ballad of Crowfoot was directed by Willie Dunn, a Mi’kmaq/Scottish folk singer and activist who was part of the historic Indian Film Crew, the first all-Indigenous production unit at the NFB. The film is a powerful look at colonial betrayals, told through a striking montage of archival images and a ballad composed by Dunn himself about the legendary 19th-century Siksika (Blackfoot) chief who negotiated Treaty 7 on behalf of the Blackfoot Confederacy. The IFC’s inaugural release, Crowfoot was the first Indigenous-directed film to be made at the NFB.

In this short film, filmmaker Jobie Weetaluktuk mixes archival and new footage to make a statement about the appropriation of Inuit culture throughout history.