Come to your senses

When COVID protocols impose restrictions on human interaction, Millefiore Clarkes seizes the opportunity to reflect on the nature of love itself, juxtaposing her own existential quest with those of a teenager grappling with identity and self-worth in a time of social distancing, and a woman who finds surprising new romance despite pandemic isolation.

When the superstitious Zeb finds a spider in her apartment, she must do everything in her power to keep the unwanted guest’s appetite satisfied, or risk being eaten herself.  This stop-motion cautionary tale examines the discomfort of the human experience when a superstitious outlook becomes a self-fulfilling prophecy.

Theodore Ushev, the auteur behind a number of renowned animated shorts, reveals his inner universe, formed by a half-century of personal experience acquired in a constantly changing world.

When society shifts abruptly into pandemic low gear, a lone cyclist embarks on a tour that begins with shuttered shops and empty streets, and ends with a city opening up to a new reality.

Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .

This feature documentary is a portrait of Montreal political cartoonists Aislin and Serge Chapleau. In the pages of The Montreal Gazette and La Presse, respectively, they’ve been skewering politicians for 30 years. But who are these biting satirists? The film seeks to answer this question through interviews with the cartoonist's friends, families, colleagues, and even a few of their favourite victims, including Gilles Duceppe and Louise Beaudoin. Featuring many of their classic cartoons, Nothing Sacred pays tribute to gifted iconoclasts whose hilarious characters have seeped into our collective consciousness.

Lean into loneliness — and know you’re not alone in it. Filmmaker Andrea Dorfman reunites with poet Tanya Davis to craft tender and profound animation on the theme of isolation, providing a wise and soaringly lyrical sequel to their viral hit How to Be Alone.

Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .

All across Canada, at every level, national life is being enriched and strengthened by the talents and skills, as diverse as the countries from which they come, which are being poured into their adopted land by immigrants from the British Isles and Europe. This film travels to many places from coast to coast to present a visual inventory of the many ways in which Canada's expansion is being helped by the newcomers, who see fresh opportunities to develop existing resources--both economically and culturally--and who also arrive as the purveyors of specialized knowledge from abroad.

With the distance between Canada and Russia, China and India cut by high-speed planes, new international links are being forged. In this Pacific world, British Columbia is a unit of growing importance. In a brief survey of the province, this film covers the people, natural resources, industries, and some of the social problems of British Columbia - specifically the imprisonment of Japanese citizens and brief references to the lives of Chinese and Indian migrants. Located on the Pacific Coast, it is the jumping-off place for planes bound for East Asia, and a vital link between the rest of Canada and her neighbours across the Pacific.

A veritable demolition artist, Alain saves what he can from the wrecking ball, salvaging disused and discarded items and magically infusing them with new life. The scrap yard is his treasure trove. Based only on his fertile imagination, eschewing any kind of preconceived plan, he creates wondrous objects and edifices. An old warehouse becomes his home. A mothballed shipyard serves as a gigantic movie set, further feeding his dreams... until his lease is up and the authorities insist the buildings must come down. But Alain is already off searching for another abandoned structure vast enough to accommodate his soaring vision.

This feature documentary is a portrait of Peter Watkins, an Oscar®-winning British filmmaker who, for the past 4 decades, has proved that films can be made without compromise. With the proliferation of TV channels, documentaries are enjoying an unprecedented boom fuelled by audiences seeking an alternative to infotainment. But now documentary filmmaking, too, finds itself constrained by the imperatives of television. However, there is a rebel resisting this uniformity of the spirit. Pre-eminent among today's documentary filmmakers concerned about this mind-numbing standardization, Peter Watkins has never strayed from either his principles or the cause.

A documentary about the self-taught painter William Kurelek, told through his paintings. There are scenes of village life in the Ukraine and the early days of struggle on a prairie homestead and the growing comfort of family life. In Ontario, Kurelek paints the present life of Canada with the same pleasure he painted the old.