«C'est ben beau l'amour»

This documentary profiles the tiny Ojibway community of Hollow Water on the shores of Lake Winnipeg as they deal with an epidemic of sexual abuse in their midst. The offenders have left a legacy of denial and pain, addiction and suicide. The Manitoba justice system was unsuccessful in ending the cycle of abuse, so the community of Hollow Water took matters into their own hands. The offenders were brought home to face justice in a community healing and sentencing circle. Based on traditional practices, this unique model of justice reunites families and heals both victims and offenders. The film is a powerful tribute to one community's ability to heal and create change.

On the verge of being evicted, Theresa heads out to work panhandling on a familiar patch of concrete in downtown Toronto. Confiding in her caseworker, Bouchra, Theresa blames herself for her eviction and delivers a startling revelation.

This short film is a chapter from Here At Home, a web documentary about mental health and homelessness that takes us inside the Mental Health Commission of Canada's At Home pilot project.

Mr. MadDogg gives the lowdown on drugs, friendship and the street as he whips up breakfast for 100 fellow residents at the Bosman Hotel.

This short film is a chapter from Here At Home, a web documentary about mental health and homelessness that takes us inside the Mental Health Commission of Canada's At Home pilot project.

When movie cameras were put in the hands of a few young people, they made this film about themselves and their world. The footage they gathered is presented in feature film with very little editing. There are sit-ins, love-ins, animated discussions among themselves about almost everything, and encounters with adults on a bus and on the street. The film is a revealing portrait of a dissenting generation and its rationale.

In this animated short, the traditional folklore tale of Pinocchio takes a wry turn. This time around, the hero, a carved wooden puppet named Spinnolio, is totally devoid of mobility and human consciousness. Noted for his "cool head" and unruffled personality, he makes a totally passive, though quite successful go at life, until his employer decides to replace him with a computer. A reflection on consciousness, the work ethic, interpersonal relationships and the citizen in society.

A film of playful observation, without commentary, catching in a few simple animated line drawings the images people project of themselves in the way they dress or move. Different types of people--plump dowager, curvaceous dancer, kilted Scot, ancient Egyptian--all make their bid for attention, metamorphosing one from the other in surprising ways. Film without words.

An animated allegory densely packed with fast-moving images, this film is about fear. A dissenter masks his true colors. Chameleon-like, he blends in with his surroundings. Because he lacks the courage to act on his beliefs, he cheats himself and others. He dies as he has lived, unnoticed.

From a quiet, neglected corner of Nova Scotia, a meeting with the Black community that shows both the traditional attitudes of the older generation and the more alert, resolved stance of the young. The old still pin their hopes on the church and the preacher, while the young look more towards the Black United Front and its roving director. For both generations change is a challenge. The common hope is for a fuller life.

In this animated film for five- to eight-year-olds, a group of schoolchildren are amazed to discover that one of their classmates does not have enough to eat. With the help of their teacher, the children come to understand that his hardship affects them all and that the fight against poverty requires solidarity and sharing. Film without words.

This short film from the late 1950s looks at peer pressure among adolescents, using the example of a 13-year-old boy who collects butterflies. While the boy adores his passion, his friends laugh at him, making him question whether he should pursue his interest or conform to fit in with the crowd.

This short film is a dramatization of Canadian author W.O. Mitchell's penetrating story about the racial prejudice encountered by a Polish immigrant farmer in a rural Saskatchewan community. Presented with the incisiveness characteristic of Mitchell's Jake and the Kid radio series, this film story employs homespun events of a farming community to lay bare some universal truths about the unthinking discrimination practiced against a man who is different from his English-speaking fellow farmers.