In 1942, Doris and Tom Homewood vowed to honour each other in sickness and in health. Today, 54 years later, Doris is determined to keep the man she loves by her side. Doris insists on caring for Tom at home even though a massive
stroke has left him unable to walk or speak. Despite her 78 years, she displays remarkable strength in feeding, bathing and transporting her husband from bed to wheelchair and back.
Doris has learned to accept the isolation that Tom's silence brings. However, like all of the heroes in the Caregivers series, she is still a vibrant person. Never away from Tom for more than an hour, she goes for walks, helps her daughter with the farm work, and feeds the horses.
Produced with the help of individual caregivers and community agencies, this is a 'how-to' series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care
system's strengths and weaknesses.
After a bout with pneumonia, Tom dies in hospital and Doris is left to
cope with her loss. As she says, 'I guess it just takes time... but I'll get a hold. And I'll get there.'
The strain of caring for his mother shows in the face of Kurt Weitz. He's alone, with no family available to help him provide the constant supervision she requires. Elizabeth, 88, suffers from a variety of illnesses, including Alzheimer's. Her dementia drains Kurt of all his energy. Even ordinary housework seems overwhelming.
However, like all of the heroes in the Caregivers series, Kurt carries on. Just before Kurt's father died, he left his son simple instructions: "Take care of mum." For eight years, Kurt has been doing his best to respect his father's whishes--but as Elizabeth only gets worse, he clearly needs some relief.
Produced with the help of individual caregivers and community agencies, this is a "how-to" series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care system's strengths and weaknesses.
Elizabeth cared for Kurt most of his life, and this son's love for his mother is obvious. Yet when Elizabeth dies, he admits to a strong sense of freedom. Kurt's mixed feelings are in fact common to everyone who faces the emotional challenges of caregiving. As he says, "I hate to say it, but the relief off my shoulders is just tremendous."
Meet Madeleine Fergus. Like all of the heroes in the Caregivers series, she is an ordinary person with extraordinary heart. For the last five years, Madeleine's life has been consumed by caring for her partially paralyzed mother, Rose. Madeleine took early retirement in order to care for Rose full-time. It's a job with long hours and little recognition. Yet despite the hardship and frustration, she finds caring for her mother naturally rewarding. When we first meet Rose in April, she is full of mischief. Although she is confined to a wheelchair, she likes to sing, go out, and get her hair done. By December, Rose is still able to help Madeleine decorate the Christmas tree. However, after battling a series of infections over the next six months, Rose deteriorates into total dependency. Madeleine, who makes do on two small pensions, must now seek more help from a system which can be difficult to access. Produced with the help of individual caregivers and community agencies, this is a "how-to" series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care system's strengths and weaknesses. To Madeleine, Rose is not only her mother but her best friend. When Rose dies, Madeleine's heart is broken but her spirit isn't. She knows she has no choice but to go on. As she says, "You've got to float with the tide."
When she was a student nurse, Pat Tucker received training in bedside care. Today, she puts those skills to good use in caring for her mother. Molly, 95, is confined to her bed for most of the day and requires round-the-clock attention. Like all of the heroes in the Caregivers series, Pat offers loving and conscientious care. Despite her nursing experience, she nevertheless feels exhausted by the incredible demands of looking after Molly.
Pat acknowledges the support of her family--especially her husband; she knows that without their help, she would be hard-pressed to carry on. At Molly's 95th birthday party, we see just how important this charming "wee soul" is to all the people who love her. Even if she's too frail to blow out the candles, Molly is still the link that keeps this family together.
Produced with the help of individual caregivers and community agencies across Canada, this is a "how-to" series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care system's strengths and weaknesses.
When Molly eventually dies, Pat is devastated. But through her tears she is clear about one thing: she would do it all over again. "Memories," she says, "last longer than dreams."
Sometimes Paul Oliver has to laugh to keep from crying. He's placed his mother, Jean, in a nursing home that cares for Alzheimer's patients. With bewildered fellow residents constantly interrupting and Jean's own erratic behaviour, Paul finds it hard to have a quiet moment with his mother. Yet he knows that his company and attention are vital to her.
Like all of the heroes in the Caregivers series, Paul is doing his best. Although he works full-time and lives an hour away, he still visits twice a week. Jean does not like the nursing home and she is often depressed. Her anger is vented on anyone near, including Paul. At other times Jean can be lucid and make Paul laugh with her sharp comments about fellow residents.
Produced with the help of individual caregivers and community agencies, this is a 'how-to' series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care
system's strengths and weaknesses.
What Paul finds most difficult is his mother's increasing memory loss. He's aware that, in time, she won't remember him at all, and he's determined to make the most of his visits. As Paul says, 'I try to make her laugh. I try to make whatever length of time she has left enjoyable.'
In a moving conversation with Dr. Balfour M. Mount, friend, colleague and treating physician, cancer victim Jean Cameron, a one-time volunteer social worker in the Palliative Care Unit of Montréal's Royal Victoria hospital, discusses how she has come to terms with her own illness and the perspective it has given her on the meaning of life. What she has to say is relevant to all. The depth of her insight and the grace of her being leave viewers moved and open to thinking more carefully about the meaning of their own lives.
The Priory is a public extended-care hospital in Victoria, British Columbia, for people suffering from chronic geriatric illnesses. Treatment is innovative. It is based on the theory that even the ordinary activities of a patient's life contain elements of therapy. The film shows us how patients are encouraged to do as much as they can for themselves despite their confinement to wheelchairs.
In this feature-length documentary, acclaimed filmmaker Dorothy Todd Hénaut chronicles a critical two-year period in the lives of her parents, Mildred and Bob Todd. The Todds, retired octogenarians, live a simple but full life by the river in rural Ontario until a sudden change in their health forces a change in their lives. Their old routine of tending the garden and visiting with friends is replaced by hospital stays and home care. And even though the couple’s tenderness and mutual care soften the reality of diminishing strength, Hénaut’s film reveals a gritty, sensitive look at the human aging process.
This award-winning documentary presents Mark Nowaczynski, a physician who photographs the lives of many of his elderly patients. "Who in the world would want to see a bunch of pictures of me? Junk," says Connie, 93. Yet "Dr. Mark" has been photographing her and other patients to raise awareness about the lack of home care in this growing segment of the population. His black-and-white pictures reflect faces that convey fragility and vulnerability but also quiet strength as these seniors struggle to live with dignity.
This documentary introduces us to Stephen Jenkinson, once the leader of a palliative care counselling team at Toronto's Mount Sinai Hospital. Through his daytime job, he has been at the deathbed of well over 1,000 people. What he sees over and over, he says, is "a wretched anxiety and an existential terror" even when there is no pain. Indicting the practice of palliative care itself, he has made it his life's mission to change the way we die - to turn the act of dying from denial and resistance into an essential part of life.
This feature documentary is a portrait of Luke Melchior (1973-2021) who, at 26, had already lived longer than most people with Duchenne Muscular Dystrophy, a progressive wasting of the muscles. Knowing his life would be relatively short had made Luke feel an urgency about making a lasting contribution. Living independently, with the help of 3 homecare workers, he ran a web-based business selling outdoor gear, and chaired the board of the Disability Resource Centre in Victoria, BC, where he was a passionate advocate for the rights of the disabled.
Bearing Witness consists of 3 films, each approximately one hour long, on people with life-threatening illnesses. The series also profiles Jocelyn Morton, who died of liver cancer at 44, and Robert Coley-Donohue, who died of ALS (also known as Lou Gehrig's Disease) at age 74.
This Oscar®-nominated short explores the genesis of cancerous cells and the mid-20th century state of research into the fight against cancer. The film questions the differences between normal cell growth in the human body and the subversive growth of cancerous cells. Cures have been found for a succession of once invincible diseases, but cancer still presented an enigma at the time of the making of this film—and continues to do so today. The collaboration of a global network of scientists is portrayed in the film, as they painstakingly following every clue that may lead to an eventual solution.
Study Guide - Guide 1