This short 1969 documentary follows acclaimed innovator and composer R. Murray Schafer as he visits a Grade 7 music classroom to teach students that all the sounds of life are a part of music. Schafer’s provocations help these curious learners discover music without instruments or painfully learned notes and scales. Schafer encourages the students to listen to every sound around them and then transform what they hear—voices, steps, breath—into music. The fun-filled result is a convincing illustration for educators: children learn best when it’s from the inside out.
Here is what happened in a Toronto classroom when teachers occupied the children's desks and children became the teachers. The film grew out of another, Mrs. Ryan's Drama Class, where young children found their way into creative drama. There is food for thought in this impromptu reversal of roles.
This short documentary focuses on one day in a kindergarten classroom. We watch the teacher encouraging children to turn their curiosity into questions and organizing group activities and play periods. Filmed at Van Horne Public School in Montreal.
In this short film from Oscar® winner Beverly Shaffer, 9-year-old prodigy Xin Ben takes lessons from Daniel Mergler, a piano teacher at the end of his career. In this remarkable story about a student and her mentor, Xin Ben and Mergler meet 26 times over the course of one year. During this time, Xin Ben illuminates Mergler's final months as an instructor with her youthful talent, and he, in return, lovingly guides her towards a life in music.
Education is increasingly affected by technological advance. How the changes affect the child are shown in this far-ranging study of what is new in educational theory and practice. Appearing in the film are several leading educators and innovators, including Dr. Jerome Bruner of Harvard University and host-narrator Dr. Marshall McLuhan.
This animated short is the visual enactment of the year-long obstacle course run by a teacher trainee. Rich in humor and anecdote, it is a comedy of educational manners seen through the autobiographical and unflinching eye of the trainee-turned-filmmaker.
This short film from 1958 compiles 3 short reportages on different ways kids are schooled in remote areas. To School by Boat follows children of isolated fishing hamlets along a stretch of British Columbia coastline as they travel to school by sea-going bus. In Classroom on Rails, we hop along a railway coach that brings school to children in a logging area of northern Ontario. Northern Schooldays introduces us to First Nations children educated in a residential school in Moose Factory.
Please note that this film was produced in 1958 and reflects the attitudes and thinking of its era. To modern audiences, parts of the film may be perceived as offensive, but it must be seen as a cultural product of the era in which it was produced. The perspectives of Canadians (and the NFB) have evolved and become more conscious of Indigenous rights, realities and points of view since the making of the film. Through its rich collection of Indigenous-made films, available at Indigenous Cinema, the NFB continues to strive to challenge stereotypes about Indigenous people and accurately depict the diverse experiences of Indigenous communities.
This feature documentary about education explores the mid-century state of learning in the classrooms of North America. New approaches to learning and the emerging technologies that facilitate them are explored, including the new roles of the computer, tape recorder and television. Directed by Quebec cinema giant Claude Jutra (Mon Oncle Antoine), the film was produced with the collaboration of researchers studying all forms of education, from infancy to adulthood.
This short film pays tribute to Toronto philanthropist Earlaine Collins, recipient of the 2012 Ramon John Hnatyshyn Award for Voluntarism in the Performing Arts. Generous and thoughtful, Collins speaks of her bond with performers, the importance of giving, and how much has music meant to her and her late husband from their very first days together.
Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2012 Governor General's Performing Arts Awards.
This short documentary is about a young Cuban band that has recently moved to Canada. The members spend their days learning English and their nights playing and rehearsing their own blend of Cuban salsa music in clubs. The film follows the musicians, capturing their constant discussions about the political situation at home and the problems of citizen engagement in both communist Cuba and democratic Canada.
This documentary is an informal portrait of the great modern composer Igor Stravinsky. Proudly American, though still very much an Old World figure with a long and alert memory for people and events in music, literature and art, Stravinsky is depicted here conducting the CBC Symphony Orchestra in a recording of his Symphony of Psalms.
Combining the music of Chopin with digital animation, this short film artfully defines pianist Janina Fialkowska’s imprint in the world of classical music and beyond. Particles of light choreograph themselves to reveal otherworldly beauty, channelling the pianist’s explosive performance.
Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2012 Governor General's Performing Arts Awards.
Ages 6 to 12
Arts Education - Music
Family Studies/Home Economics - Adolescent Development
Family Studies/Home Economics - Child Development
What reasons might exist for why adults and children identify different sounds? Murray Schafer uses the phrase, “Teach on the verge of peril.” What do you think this means? Implement one of Doug Friesen’s* lessons using Murray Schafer’s concepts. For example, study the soundscapes of your daily commute. Attempt to avoid sounds that you don’t like by changing your path or adjusting your departure time. Consider modifying your commute so you only listen to sounds you enjoy. Or, search for the interesting sound objects (boing, click clack, etc.) and use them to compose an ABA piece (opening section, a new section, and back to the opening). If possible, record your piece and share it.
*Note: Doug Friesen is a contemporary of Schafer and has worked closely with him. He is a PhD candidate at the University of Toronto/OISE.