This short film by Norman McLaren is a slow-motion study of the pas de deux adagio, one of the most exacting dances of classical ballet. A ballet originally choreographed by the Russian ballet master Asaf Messerer is performed for this film by the internationally known Canadian pair David and Anna Marie Holmes, to the music of Albinoni's Adagio.
The NFB's 24th Oscar®-nominated film.
This short film by Norman McLaren is a cinematic study of the choreography of ballet. A bare, black set with the back-lit figures of dancers Margaret Mercier and Vincent Warren create a dream-like, hypnotic effect. This award-winning film comes complete with the visual effects one expects from this master filmmaker.
The NFB’s 8th Academy-Award winning film. This short film is an impressionistic record of a flamenco dance class given to senior students of the National Ballet School of Canada by two great teachers from Spain, Susana and Antonio Robledo. The film shows the beautiful young North American dancers—inspired by the flamenco rhythms and mesmerized by Susana's extraordinary energy—joyously merging with an ancient gypsy culture.
In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skillfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
This short film addresses the revolving cycles of human conflict through contemporary dance. Celebrated choreographer Crystal Pite and dance filmmakers Marlene Millar & Philip Szporer commemorate the fading legacies of WWI, while also creating a moving homage to Pite’s mentors and contemporaries, whose lives and short careers are pitted against the fleeting nature of the dance art form. Featuring Theodore Ushev’s haunting and distinct artwork, the film explores the themes of conflict, loss, and rescue we all experience as we cycle through states of love and war.
Warning: Although this film was shot in 3D, the streaming and downloadable versions are available in 2D only.
In this short film from the Canada Vignettes series, a map of Canada morphs into human forms that share the country's natural resources to the rhythm of a dance.
Framed against archival stills from Brian Macdonald's considerable career, this short film is a testimony to the eclecticism and brilliance of Macdonald's creative vision. As a dancer, director, choreographer and teacher, Macdonald has worked with The Royal Winnipeg Ballet, Les Grands Ballets Canadiens and The National Ballet of Canada, helping to shape the careers of many of the country's most celebrated dancers.
This short documentary is a portrait of Sylvie Mazerolle, a young woman for whom dance is as vital and fundamental as breathing. Tracking her process, the film also takes a look at dance in her home province of New Brunswick. In French with English subtitles.
This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.
This 1959 feature documentary is a foray into Canada’s art milieu. What is it like to be a Canadian artist? Answering this central question are Teresa Stratas, winner of Metropolitan Opera auditions; acclaimed lyric tenor Léopold Simoneau and his talented wife, soprano Pierrette Alarie; the National Ballet Company of Canada’s artistic director, Celia Franca and leading male dancer, David Adams; as well as jazz pianist Oscar Peterson, whom we visit at 3 o'clock in the morning at Boston's Storyville Club. The film also includes interviews with radio and television actor John Drainie, Christopher Plummer and Jean Gascon, director of Montreal's Théâtre du Nouveau Monde.
In this short film, Margie Gillis becomes the very embodiment of modern dance - she steps into the light, lifts her arms and unleashes her extraordinary mane into the air.
Four decades into a remarkable career, Gillis is a beacon of compassion and creativity. Watch as high-speed cameras capture the delicate and savage joy of Canada's own Isadora Duncan.
Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2011 Governor General's Performing Arts Awards.
ORA is a stunning meeting between the artistic worlds of choreographer José Navas and filmmaker Philippe Baylaucq. It is the first film to use 3D thermal imaging, producing visuals like none that have ever been seen before: the luminous variations of body heat seen on skin, bodies emitting a multitude of colours, a space filled with movement that transforms itself.
Warning: Although this film was shot in 3D, the streaming and downloadable versions are available in 2D only.
Filmed from the point of view of its young subjects, A Delicate Balance takes an introspective look at the lives of four aspiring ballet dancers who candidly tell their stories and share their hopes and dreams.
Ages 14 to 17
Arts Education - Dance
Family Studies/Home Economics - Relationships
Health/Personal Development - Healthy Relationships
Consider the film’s “bareness”– costumes, stage, music, slow-motion photography. What purpose does it serve? How is the “pas de deux” a metaphor for partnership and relationships? Have students perform simple movements using balance to hold poses; try other activities in partners using balance or weight-bearing. How do these activities require trust? Discuss how dance portrays aspects of femininity/ masculinity. Create art using themes of balance, symmetry, contrast. Compare with McLaren’s other film, “Pas de deux”.