Les aboiteaux

A dramatized presentation of the work of the Maritime Marshland Rehabilitation Administration in the reclaiming of flooded agricultural regions along the Bay of Fundy. Through the account of a dike-keeper, the film describes the destruction that follows the breaking of long-neglected dikes during autumn rains and shows how M.M.R.A. engineers are cooperating with New Brunswick land-owners in the big task of keeping at bay the inundations of the sea.

This short documentary profiles a community engaged in developing sustainable living methods, including food production and small-scale solar and wind technology, on a farm in Massachusetts in the 1970s. Well before sustainability was a mainstream concern, these prescient innovators attempted to create a vision of a greener, kinder world. "Think small," say the New Alchemists. "Look what thinking big has done."

These vignettes from 1949 cover various aspects of life in Canada and were shown in theatres across the country. Subjects included here are: Man-Made Niagara: the construction of the Des Joachims hydro plant on the Ottawa River adds to Ontario's power resources. Irrigation Revitalizes Dust Bowl: In the southern Alberta drylands, the St. Mary's River is being harnessed to provide life-giving irrigation for prairie crops. Underwater Harvest: Lobster season in New Brunswick provides choice seafoods for epicurean tables.

Set to beautiful, pastoral images, We Are What We Eat introduces us to people bringing together their love of good food and passion for environmental protection. We meet wheat and strawberry producers, along with a wine grower and a chef — each doing things at their own pace, while resisting the demands of agribusiness.

This short documentary examines how 7 farm families in Lestock, Saskatchewan, have pooled their resources so that rising operating costs will not drive them off their land. By pooling their land, their equipment, their livestock, and farming as a cooperative, they are able to live as they choose, to maintain their standard of living, and even to have some spare time left over to enjoy. An engaging look at a novel approach to big-scale farming.

Viewer Advisory: This film contains scenes of animal slaughter.

In a rural setting, the bleeding of a pig is depicted plainly, as an autumn ritual. A just and moving tribute to the handing down of actions that, shared across families and generations, also perpetuate true social solidarity.

This second edition was created in partnership with La bande Sonimage, a Saguenay-based organization that supports cinema and video production in the Saguenay–Lac-Saint-Jean region. All shot with Bolex digital cameras, these 5 fascinating shorts are both stunningly beautiful and retro-looking.

The first edition can be found here

The third edition can be found here

More than a decade after the worldwide financial crisis of 2007–08, what does globalization mean today? Filmmaker-philosopher Jean-Daniel Lafond takes us behind the scenes of the International Economic Forum of the Americas, a massive annual gathering at which economists, financiers and politicians hold forth on the key issues of the day. Featuring first-hand testimonials by nearly two dozen influential men and women, The End of Certainties unfolds as a multi-voice meditation on the state of the world. This observational documentary offers a cogent assessment of globalization—and its ideals, disillusionment, fears and hopes—and the quest for a new humanism, characterized by greater inclusiveness and fairness.

With a little bit of resourcefulness, people can confront the greatest challenges. And when the environment is under threat, a peaceful resistance springs to life.

Through the coming of age of a twenty-year-old man, this film symbolizes the political coming of age of the people of Québec. In French with English subtitles.

Soundtrack album, John's Coltrane's Blue World, available from Impulse! / Universal Music Enterprises.

In this feature-length documentary by Alanis Obomsawin, it's the summer of 2000 and the country watches in disbelief as federal fisheries wage war on the Mi'kmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Casting her cinematic and intellectual nets into history to provide context, Obomsawin delineates the complex roots of the conflict with passion and clarity, building a persuasive defence of the Mi'kmaq position.

Based on the last recording by one of Newfoundland's foremost traditional music performers, Emile Benoit's tender delivery of the 18th century French song is the heart of Vive la rose. The story of unrequited love and tentative obsession throughout the beloved's life, sickness and early death is the narrative focus, accompanied by an emotional interpretation of Benoit's strong Newfoundland French accent and wavering old man's voice. Vive la rose is animation on location, rooting the film in a location that evokes the past, and combines ink drawings with a variety of romantic and associative elements and objects.