Vision personnelle d'un cinéaste, ce documentaire traite des juifs nord-africains forcés de quitter leurs pays dans les années 1950. Le réalisateur y relève leurs difficultés d'adaptation au sein de la communauté juive anglophone et d'un Québec en pleine évolution.
Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.
When a policy of zero tolerance to crime masks an intolerance to young people of colour, the delicate balance between order and personal freedom is upset. A blend of cinéma vérité and personal testimonies, this hard-hitting film will broaden your mind and change your way of thinking. In French with English subtitles.
This documentary is the story of two Mennonite brothers from Manitoba who were forced to make a decision in 1939, as Canada joined World War II. In the face of 400 years of pacifist tradition, should they now go to war? Ted became a conscientious objector while his brother went into military service. Fifty years later, the town of Winkler dedicates its first war memorial and John begins to share his war experiences with Ted.
This documentary celebrates the vibrant culture and tenacious struggle of the Canadian Gypsy and introduces a new generation of Roma who claim their roots with pride. They call themselves by their rightful name, the Roma. Almost 80,000 call Canada home. Meet Julia Lovell, a passionate defender of Roma human rights, whose father is slowly gaining the confidence to reveal his heritage; and Karen Gray Boothroyd, a flamenco dancer just beginning to reclaim her Gypsy roots.
This documentary reveals some of the hidden history of Blacks in Canada. In the 1930s in rural Ontario, a farmer buried the tombstones of a Black cemetery to make way for a potato patch. In the 1980s, descendants of the original settlers, Black and White, came together to restore the cemetery, but there were hidden truths no one wanted to discuss. Deep racial wounds were opened. Scenes of the cemetery excavation, interviews with residents and re-enactments—including one of a baseball game where a broken headstone is used for home plate—add to the film's emotional intensity.
Against the backdrop of the camera’s meditative wandering through the places that created Quebec, Where the Land Ends explores and questions the historical narrative, as a group of young people who were not old enough to vote in the 1995 referendum express their views. They seem to have decided, on their own, to create a new “Terre des Hommes” (Man and His World).
This sharp and funny mockumentary uses role reversal to illustrate the realities of overt and systemic racism in the workplace.
This film is part of the Work For All series, produced by the National Film Board of Canada, with the participation of Human Resources and Skills Development Canada.
Muslim women are disconcerting, intriguing, polarizing—and straitjacketed by conflations of ideas in front-page stories. While the media tend to portray them as submissive and silenced, filmmaker Saïda Ouchaou-Ozarowski has chosen to distance herself from that caricature, with which she does not identify. She sat down with six Muslim Canadian women eager to talk about what shapes their identities. The resulting documentary, In Full Voice, offers an intimate perspective on the journey of these women, who have a common desire to share their visions of Islam.
Many Black, racialized and immigrant women work with elderly patients as healthcare providers. Their jobs, already arduous and underpaid as it is, have become even more exhausting during the COVID-19 pandemic. While some public commentators have described them as overrepresented in this sector because of their culture, and hailed them as “guardian angels,” what do they themselves have to say? This cross-sectional portrait of some of these women takes the form of a meditative essay.
Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .
Filmmaker Paul Émile d'Entremont's documentary presents Reema, a lively and sensitive young girl confronted with difficult questions about her identity. After spending the first 16 years of her life with her Canadian mother, Reema re-connects with her Iraqi father by spending 2 months with him in Jordan. On returning home to Nova Scotia, she realizes she will always have a double identity, and that it is both a burden and a treasure.
This short drama from the Playing Fair series recounts the shaky beginnings of a friendship between Allison and Mela, a girl who recently immigrated to Canada from India. Mela is trying hard to make friends and get used to her new surroundings, but Peter and other classmates make her feel unwelcome and out of place. Though Allison initially goes along with the group, the film shows that differences in skin color and country of origin need not be an obstacle to friendship or self-esteem.
Ages 12 to 17
Diversity - Identity
Ethics and Religious Culture - Religious Diversity/Heritage
History and Citizenship Education - Population and Settlement (1608-present)