Ce court métrage documentaire suit plusieurs familles de réfugiés pendant les 19 premiers jours de leur aventure en sol canadien, alors qu’elles tentent de trouver leurs repères sur un terrain inconnu qui devient désormais leur patrie. Situé dans le paisible quartier Bridgeland de Calgary, le centre de réinstallation Margaret Chisholm offre un nouveau départ aux réfugiés parrainés par le gouvernement qui arrivent en ville. Durant la période de 19 jours établie par le gouvernement fédéral, on procède à une première évaluation des réfugiés et on leur vient en aide en les accueillant dès l’aéroport, puis en leur offrant divers services d’orientation, notamment en ce qui touche l’obtention de documents officiels et le soutien psychologique.
19 jours montre l’aspect humain du processus de réinstallation des réfugiés. Posant un regard unique sur la crise mondiale des migrants et sur une étape particulière de l’arrivée en terre d’asile, le documentaire révèle sans détour les réalités auxquelles se heurtent les exilés dans leur difficile parcours vers l’intégration.
This short documentary follows several refugee families during their first 19 days in Canada, as they navigate an unfamiliar terrain that has suddenly become their home. Located in the quiet Calgary neighbourhood of Bridgeland, the Margaret Chisholm Resettlement Centre is the starting point for government-assisted refugees who arrive in the city. During the 19-day timeline established by the federal government, an initial assessment is done and refugees are assisted with everything from airport reception and orientation to referrals, documents, and counselling.
19 Days reveals the human side of the refugee resettlement process. A unique look at the global migration crisis and one particular stage of asylum, it lays plain the realities faced on the difficult road towards integration.
Afros, braids or corn-rows--hairstyles have always carried a social message, and few issues cause as many battles between Black parents and their daughters. To "relax" one's hair into straight tresses or to leave it "natural" inevitably raises questions of conformity and rebellion, pride and identity.
Today trend-setting teens proudly reinvent themselves on a daily basis, while career women strive for the right "professional" image, and other women go "natural" as a symbol of comfort in their Blackness. Filmmaker Nadine Valcin meets a range of women as they reveal how their hairstyles relate to their lives and life choices.
Black, Bold and Beautiful celebrates the bonds formed as women attend to each other's hair, while exploring how everyday grooming matters tap into lively debates on the position of Black people within Canada.
This documentary features Black women active in politics as well as community, labour and feminist organizing. They share their insights and personal testimonies on the double legacy of racism and sexism, linking their personal struggles with the ongoing battle to end systemic discrimination and violence against women and people of colour.
In their predominantly white high school in Halifax, a group of black students face daily reminders of racism, ranging from abuse (racist graffiti on washroom walls), to exclusion (the omission of black history from textbooks). They work to establish a Cultural Awareness Youth Group, a vehicle for building pride and self-esteem through educational and cultural programs. With help from mentors, they discover the richness of their heritage and learn some of the ways they can begin to effect change.
Many Black, racialized and immigrant women work with elderly patients as healthcare providers. Their jobs, already arduous and underpaid as it is, have become even more exhausting during the COVID-19 pandemic. While some public commentators have described them as overrepresented in this sector because of their culture, and hailed them as “guardian angels,” what do they themselves have to say? This cross-sectional portrait of some of these women takes the form of a meditative essay.
Part of THE CURVE, a collection of social distancing stories that bring us together. Enjoy more works from this series here .
This 1996 documentary takes a nostalgic ride through history to present the experiences of Black sleeping-car porters who worked on Canada's railways from the early 1900s through the 1960s. There was a strong sense of pride among these men and they were well-respected by their community. Yet, harsh working conditions prevented them from being promoted to other railway jobs until finally, in 1955, porter Lee Williams took his fight to the union.
Claiming discrimination under the Canada Fair Employment Act, the Black workers won their right to work in other areas. Interviews, archival footage and the music of noted jazz musician Joe Sealy (whose father was a porter) combine to portray a fascinating history that might otherwise have been forgotten.
Being young is tough, especially if you're Black, Latino, Arab or Asian. In a city like Montreal, you can get targeted and treated as a criminal for no good reason. Zero Tolerance reveals how deep seated prejudice can be. On one side are the city's young people, and on the other, its police force. Two worlds, two visions. Yet one of these groups is a minority, while the other wields real power. One has no voice, while the other makes life-and-death decisions.
When a policy of zero tolerance to crime masks an intolerance to young people of colour, the delicate balance between order and personal freedom is upset. A blend of cinéma vérité and personal testimonies, this hard-hitting film will broaden your mind and change your way of thinking. In French with English subtitles.
Exploring the question of Armenian identity, My Son Shall Be Armenian follows filmmaker Hagop Goudsouzian, who travels with five Montreal men and women of Armenian descent to the land of his ancestors in search of survivors of the 1915 genocide. Through interviews with elders and the touching accounts of his fellow travellers, Goudsouzian has crafted a dignified and poignant film on the need to make peace with the past in order to turn toward the future. In French with English subtitles.
This documentary recounts filmmaker Pierre Sidaoui’s immigration journey from the small Lebanese town of Abey to Montreal, the city he now calls home. Sidaoui had a carefree childhood, but civil war forced him and his family to flee Lebanon in 1982, the first in a series of moves that would ultimately separate him from his parents, brother and sisters. Two decades later, Sidaoui pauses to reflect. His precious family photos, carefully kept in a shoebox, bring forth a flood of memories - of family, landscapes, music and war. A touching meditation on the pursuit of happiness and the immigrant experience.