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  • Acts of Defiance
    Acts of Defiance
    Alec MacLeod 1992 1 h 44 min
    This feature-length documentary recounts the events that surrounded and led to the Oka Crisis of the summer of 1990. The film focuses on the Mohawk territory of Kahnawake, in Quebec, but also reflects on the relationship between Canada and Indigenous peoples at a particular time in history.
  • The City
    The City
    Abraham Côté 2007 7 min
    In the picturesque setting of the Kitigan Zibi community, an Algonquin and his family try to flee before the White people?s sprawling city takes over their territory.

    Since 2004, Wapikoni Mobile has been giving young Aboriginals the opportunity to speak out using video and music. This short film was made with the guidance of these travelling studios and is part of the 2007 Selection - Wapikoni Mobile DVD.
  • Dancing Around the Table, Part One
    Dancing Around the Table, Part One
    Maurice Bulbulian 1987 57 min
    Dancing Around the Table: Part One provides a fascinating look at the crucial role Indigenous people played in shaping the Canadian Constitution. The 1984 Federal Provincial Conference of First Ministers on Aboriginal Constitutional Matters was a tumultuous and antagonistic process that pitted Prime Minister Pierre Elliot Trudeau and the First Ministers—who refused to include Indigenous inherent rights to self-government in the Constitution—against First Nations, Inuit and Métis leaders, who would not back down from this historic opportunity to enshrine Indigenous rights.

    In a now infamous exchange, Kwakwaka’wakw lawyer and lead negotiator Bill Wilson states that he has two children who want to become lawyers and prime minister. When he says that they are Indigenous women, the male audience bursts into laughter, and Trudeau replies, “Tell them I’ll stick around until they’re ready.” Over 30 years later, Bill Wilson’s daughter, Jody Wilson-Raybould, became Canada’s first Indigenous minister of justice and attorney general in the government of Prime Minister Justin Trudeau. The conference was Pierre Elliott Trudeau’s last constitutional meeting before he resigned and the process was handed over to his successor, Brian Mulroney.
  • Dancing Around the Table, Part Two
    Dancing Around the Table, Part Two
    Maurice Bulbulian 1987 50 min
    Dancing Around the Table: Part Two charts the battle to enshrine Indigenous rights in the Canadian Constitution, capturing a key moment in Canada’s history from the perspective of Indigenous negotiators. The 1985 conference, chaired by Prime Minister Brian Mulroney, was the fourth and final meeting to determine an amendment to Indigenous rights as defined in the Constitution. The provincial premiers again refuse to reach an agreement with the First Nations, Metis and Inuit leaders, even though the majority of Canadians supported the inclusion of Indigenous rights to self-government.

    Director Bulbulian captures the pride and determination of Indigenous leaders and community members who refuse to back down on this historic opportunity to enshrine their rights, and the arrogance of the First Ministers who are fighting to keep power within the federal and provincial governments. The film takes us to Indigenous communities, where ceremony and traditional practices affirm the connection to the earth and its animals, and are the source of the strength and resilience shown by the Indigenous people around the table.
  • Fort Good Hope
    Fort Good Hope
    Ron Orieux 1977 47 min
    Shot during the Berger Inquiry into the Mackenzie Valley pipeline, this short documentary brings us the perspective of Canada’s First Nations communities. The majority feel that the pipeline would destroy their ancient hunting grounds and upset the balance of nature, and that Canada’s title to the land is far from settled. Though made in the late seventies, Fort Good Hope seems more relevant than ever, and raises important questions about northern development in general.
  • Generation Mobilisation
    Generation Mobilisation
    Mélanie Kistabish Eza Paventi , … 2008 10 min
    One hundred years after signing Treaty 9 with the federal government, the Abitibiwinni of the Algonquin Nation are calling for respect for their lands, history, culture and rights.

    Since 2004, Wapikoni Mobile has been giving young Aboriginals the opportunity to speak out using video and music. This short documentary was made with the guidance of these travelling studios and is part of the 2007 Selection - Wapikoni Mobile.
  • Hunters and Bombers
    Hunters and Bombers
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    Hugh Brody  &  Nigel Markham 1991 53 min
    The hunters are the Innu people and the bombers are the air forces of several NATO countries, which conduct low-level flights over the Innu's hunting terrain. The impact of the jets is hotly debated by peace groups, Indigenous people, environmentalists and the military. But what is often overlooked are the many complex changes underway in Innu society, as social and technological changes confront a traditional hunting culture.
  • Honour of the Crown
    Honour of the Crown
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    Tom Radford 2001 47 min
    François Paulette has devoted more than 25 years of his life to resolving a battle that is more than a century old. Senior negotiator for the Smith's Landing First Nation, Paulette is determined to see the Canadian government honour promises made to the Thebatthi (Chipewyan) people in an 1899 treaty. Shot in northern Alberta and Ottawa, Honour of the Crown is a fascinating behind-the-scenes look at the turbulent final years of this fight.

    Plunged into seemingly endless negotiations, Paulette and his brother, Chief Jerry Paulette, struggle to reclaim nine tracts of land and $33 million in compensation. Featuring interviews with tribal, provincial and federal government representatives, this documentary provides a rare glimpse into one community's success in settling a 100-year-old treaty obligation of the Crown.
  • Is the Crown at war with us?
    Is the Crown at war with us?
    Alanis Obomsawin 2002 1 h 36 min
    In this feature-length documentary by Alanis Obomsawin, it's the summer of 2000 and the country watches in disbelief as federal fisheries wage war on the Mi'kmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Casting her cinematic and intellectual nets into history to provide context, Obomsawin delineates the complex roots of the conflict with passion and clarity, building a persuasive defence of the Mi'kmaq position.
  • The Invisible Nation
    The Invisible Nation
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    Richard Desjardins  &  Robert Monderie 2007 1 h 33 min
    The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.
  • Incident at Restigouche
    Incident at Restigouche
    Alanis Obomsawin 1984 45 min
    On June 11 and 20, 1981, the Quebec Provincial Police (QPP) raided Restigouche Reserve, Quebec. At issue were the salmon-fishing rights of the Mi’kmaq. Because salmon has traditionally been a source of food and income for the Mi’kmaq, the Quebec government’s decision to restrict fishing aroused consternation and anger. Released in 1984, this groundbreaking and impassioned account of the police raids brought Alanis Obomsawin to international attention. The film features a remarkable on-camera exchange between Obomsawin herself and provincial Minister of Fisheries Lucien Lessard, the man who’d ordered the raid. Decades later, Jeff Barnaby, director of Rhymes for Young Ghouls, cited the film as an inspiration. “That documentary encapsulated the idea of films being a form of social protest for me... It started right there with that film.”
  • Inconvenient Indian
    Inconvenient Indian
    Michelle Latimer 2020 1 h 28 min
    In this time of radical change and essential re-examination, Inconvenient Indian brings to life Thomas King’s brilliant dismantling of North America’s colonial narrative, reframing this history with the powerful voices of those continuing the tradition of Indigenous resistance.

    Please note: This film was temporarily withdrawn from active distribution after the director’s Indigenous identity was called into question in late 2020, when the Kitigan Zibi Anishinabeg, an Algonquin First Nation, denied any connection to her during a CBC investigation. After 2022 series of meaningful consultations involving all the Indigenous participants whose stories the film presents, as well as the NFB’s Indigenous Advisory Committee, the NFB, 90th Parallel Productions and producer Jesse Wente arrived at an accountable path forward for the film, one that acknowledges the collective contribution of the on-screen Indigenous participants. Inconvenient Indian premiered on APTN on April 8, 2022, and it has been made available on APTN’s online viewing platform.

    Inconvenient Indian is available for educational distribution and community screenings, along with supplementary resource material that has been created to encourage reflection and discussion. Please contact the NFB Client Relations and Support team to find out how to obtain the film as an educational resource (classroom use) and for community screenings.
  • Kanehsatake: 270 Years of Resistance
    Kanehsatake: 270 Years of Resistance
    Alanis Obomsawin 1993 1 h 59 min
    In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protestors, the Quebec police and the Canadian army. Released in 1993, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. Jesse Wente, Director of Canada’s Indigenous Screen Office, has called it a “watershed film in the history of First Peoples cinema.”
  • Kanehsatake 270 Years of Resistance (Mohawk Version)
    Kanehsatake 270 Years of Resistance (Mohawk Version)
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    Alanis Obomsawin 1993 1 h 59 min
    In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protestors, the Quebec police and the Canadian army. Released in 1993, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. Jesse Wente, Director of Canada’s Indigenous Screen Office, has called it a “watershed film in the history of First Peoples cinema.”
  • My Name Is Kahentiiosta
    My Name Is Kahentiiosta
    Alanis Obomsawin 1995 29 min
    This short documentary by Alanis Obomsawin tells the story of Kahentiiosta, a young Kahnawake Mohawk woman arrested after the Oka Crisis' 78-day armed standoff in 1990. She was detained 4 days longer than the other women. Her crime? The prosecutor representing the Quebec government did not accept her Indigenous name.
  • Mary Two-Axe Earley: I Am Indian Again
    Mary Two-Axe Earley: I Am Indian Again
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    Courtney Montour 2021 34 min
    Mary Two-Axe Earley: I Am Indian Again shares the powerful story of Mary Two-Axe Earley, who fought for more than two decades to challenge sex discrimination against First Nations women embedded in Canada’s Indian Act and became a key figure in Canada’s women’s rights movement.
  • Mary Two-Axe Earley: Skonkwehón:we á:re (Kanien’kéha Version)
    Mary Two-Axe Earley: Skonkwehón:we á:re (Kanien’kéha Version)
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    2021 34 min
    Mary Two-Axe Earley: Skonkwehón:we Á:re kaká:raton ne Mary Two-Axe Earley akoká:ra, ísi’ nón: ne teiohseráhsen iakohskehnhà:’on taié:tahste’ tsi shakotikenhrón:nis konnonkwehón:we né:ne í:kare’ Kakoráhsera’ aoianerénhsera’ Indian Act nok tsi wa’ehsennowáhnha’ né: Canada’s women’s rights movement.

    Né:ne iah nonwén:ton ónhka teiakotkáhthon kí:ken wateweièn:ton karahstánion nok kawennarahstánion wátston, Ienien’kehá:ka iekararáhstha’ Courtney Mountor teiotíhthare’ ne Ienien’kehá:ka iakonkwe’kénha né:ne iakohskehnhà’:on taié:tahste’ tsi shakotikenhrón:nis tsonathonwí:sen nok Kakoráhsera’ tsi nihotiianerenhserò:ten’ tsi ronte’niéntha’ ahonwanáhton’te’ nonkwehón:we. Nè:’e arihón:ni wahónhton’te’ ne onkwehón:we ahontatena’tónhkhwake’ ne konnonkwehón:we nok ronwatiien’okòn:’a tsi wahotíniake’ ne iah tehonnonkwehón:we.

    Montour teiotíhthare’ Iehrhakón:ha iakorihwahskéhnhen Nellie Carlson, ne Mary akwáh ákta tsi ionátshi tánon’ iakotahsnié:nen tsi tionatáhsawe’ ne Indian Rights for Indian Women, nok áhsen nikahwatsiratátie’ tehonatátken ne Mary tsi iekhonnià:tha’ ne Kahnawà:ke, né: ká:ti’ ahshakotihsennakará:tate’ ní:kon iakoterihwakanonnì:’on tsi tiakotenenhratáhsawe’ aontahontén:rohwe’ akaia’takehnhahtsherénhawe’ aonsonteríhsi’ tsi rotirihón:ni ne tóhsa ahontatena’tónhkhwake’ onkwehón:we ne ioshentsheró:ton nihá:ti konnonkwehón:we nok ronwatiien’okòn:’a.
  • Our Nationhood
    Our Nationhood
    Alanis Obomsawin 2003 1 h 36 min
    In this feature-length documentary, Indigenous filmmaker and artist Alanis Obomsawin chronicles the determination and tenacity of the Listuguj Mi'kmaq people to use and manage the natural resources of their traditional lands. The film provides a contemporary perspective on the Mi'kmaq people's ongoing struggle and ultimate success, culminating in the community receiving an award for Best Managed River from the same government that had denied their traditional rights.
  • Rocks at Whiskey Trench
    Rocks at Whiskey Trench
    Alanis Obomsawin 2000 1 h 45 min
    Stories of resistance, strength and perseverance are laid bare in this examination of a dark day in Canadian history. At the height of tensions at Oka, Quebec, in 1990, Kanien’kehá:ka (Mohawk) women, children and Elders fled their community of Kahnawake out of fear for their safety. Once past the Canadian Army that surrounded their home, they were assaulted by angry non-Indigenous protesters who pelted their convoy with rocks. This visceral display of hatred and violence – rarely seen so publicly in Canada – shocked the nation and revealed the severity of the dangers that faced the Kanien’kehá:ka in their struggle to defend a sacred site.

    This film is the fourth in Alanis Obomsawin’s landmark series on the Mohawk resistance at Oka that would become a pivot point in contemporary relationships between Indigenous nations and Canada.
  • Six Miles Deep
    Six Miles Deep
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    Sara Roque 2009 43 min
    This short documentary offers a portrait of a group of women who led their community, the largest reserve in Canada, Six Nations of the Grand River Reserve, in an historic blockade to protect their land.

    On February 28, 2006, members of the Iroquois Confederacy blockaded a highway near Caledonia, Ontario to prevent a housing development on land that falls within their traditional territories. The ensuing confrontation made national headlines for months. Less well-known is the crucial role of the clan mothers of the community who set the rules for conduct. When the community's chiefs ask people to abandon the barricades, it is the clan mothers who overrule them, leading a cultural reawakening in their traditionally matriarchal community.
  • Spudwrench - Kahnawake Man
    Spudwrench - Kahnawake Man
    Alanis Obomsawin 1997 57 min
    This documentary by acclaimed filmmaker Alanis Obomsawin introduces us to Randy Horne, a high steel worker from the Mohawk community of Kahnawake, near Montreal. As a defender of his people's culture and traditions, he was known as "Spudwrench" during the 1990 Oka crisis.

    Offering a unique look behind the barricades at one man's impassioned defense of sacred territory, the film is both a portrait of Horne and the generations of daring Mohawk construction workers that have preceded him.
  • Trick or Treaty?
    Trick or Treaty?
    Alanis Obomsawin 2014 1 h 24 min
    Covering a vast swath of northern Ontario, Treaty No. 9 reflects the often contradictory interpretations of treaties between First Nations and the Crown. To the Canadian government, this treaty represents a surrendering of Indigenous sovereignty, while the descendants of the Cree signatories contend its original purpose to share the land and its resources has been misunderstood and not upheld. Enlightening as it is entertaining, Trick or Treaty? succinctly and powerfully portrays one community’s attempts to enforce their treaty rights and protect their lands, while also revealing the complexities of contemporary treaty agreements. Trick or Treaty? made history as the first film by an Indigenous filmmaker to be part of the Masters section at TIFF when it screened there in 2014.
  • Upstairs With David Amram
    Upstairs With David Amram
    Alanis Obomsawin 2021 16 min
    Before her storied career as one of Canada’s foremost documentary filmmakers, Alanis Obomsawin was an acclaimed singer and musician at the forefront of the Indigenous rights movement in North America. During this unprecedented time, she befriended fellow musician and activist David Amram, often described as the “Renaissance man of American music.” A legendary talent and multi-instrumentalist, David embodies the passion and love musicians have for their artform. In this remarkable conversation recorded in 2008 at Montreal’s celebrated Upstairs jazz bar, Alanis and David reflect on their shared history and a time when music was a powerful tool for social change.
  • You Are on Indian Land
    You Are on Indian Land
    Michael Kanentakeron Mitchell 1969 36 min
    Released in 1969, this short documentary was one of the most influential and widely distributed productions made by the Indian Film Crew (IFC), the first all-Indigenous unit at the NFB. It documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases—a right established by the Jay Treaty of 1794—Kanien’kéhaka protesters blocked the international bridge between Ontario and New York State. Director Michael Kanentakeron Mitchell later became Grand Chief of Akwesasne. The film was formally credited to him in 2017. You Are on Indian Land screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.