This short documentary presents highlights of the 1954 British Empire and Commonwealth Games. In Vancouver, top-ranking athletes from the far corners of the British Commonwealth competed for new records. The film records outstanding feats in racing, jumping, pole-vaulting, swimming as well as the "miracle mile" duel between John Landy and Roger Bannister.
This 1957 documentary short offers an analysis of South Africa's acute race problem, an issue that causes dissension not only within its borders but within the Commonwealth and beyond. In South Africa, a country of 14 million people, 4 out of 5 people are black. The film gives a dispassionate appraisal of the motivations behind the policy of apartheid and of whether the practice of segregation provides a satisfactory, long-term solution.
A vignette on the travelling calliope (also known as steam organ), a musical instrument that produces sound by sending steam through large locomotive whistles.
This short biopic profiles Montreal lawyer-turned-politician George-Étienne Cartier as he campaigns to unite English and French Canada under Confederation. The political world of a century ago comes to life as we hear debates in the Parliament of Upper and Lower Canada amidst political strife and personal feuds. Ultimately, Cartier skilfully allays the fears of party and sectional leaders, convincing them that federal union would protect, rather than weaken, Quebec’s cherished rights of language and religion. The eloquent and enigmatic Cartier was instrumental in shaping the Canada that was soon to emerge.
Atikamekw elder Cézar Néwashish continues to recount the history of the community of Manawan that first began in The History of Manawan: Part One. As Christianity and European customs take deeper root in the community – abetted by residential schools and aggressive assimilationist government policies – seemingly irreversible changes to significant customs begin to unfold. Despite these struggles, the people carry on.
This short is part of the Manawan series directed by Alanis Obomsawin.
Atikamekw elder Cézar Néwashish continues to recount the history of the community of Manawan that first began in The History of Manawan: Part One. As Christianity and European customs take deeper root in the community – abetted by residential schools and aggressive assimilationist government policies – seemingly irreversible changes to significant customs begin to unfold. Despite these struggles, the people carry on.
This short is part of the Manawan series directed by Alanis Obomsawin.
This documentary is a portrait of modern-day Pondicherry, an ancient city near the southern tip of India. For several centuries an outpost of France, the city is now home to Auroville, a spiritual community growing on its periphery. There, European and North American devotees of Sri Aurobindo, a Bengali poet and mystic, come to live the contemplative life. Their guru is a 94-year-old woman from France. This mecca of sorts is seen through the eyes of Albert Jordan, a professor from Concordia University, in Montreal, who spent a year there with his family in 1971.
This short drama is a portrait of Nova Scotian journalist and politician Joseph Howe (1804-1873) and his battle for freedom of press. When, in 1835, Howe was accused of seditious libel, no lawyer dared defend him. Choosing to defend himself, he addressed the jury for over 6 hours, urging jurors to leave an unshackled press as a legacy to their children. Though the judge instructed the jury to find Howe guilty, jurors took only 10 minutes to acquit him - a landmark event in the evolution of press freedom in Canada.
This short fiction film tells the story of John A. MacDonald’s rise to power. Canada’s first Prime Minister and one of the Fathers of the Confederation, MacDonald didn’t enjoy an easy political career. When he first shared his vision of a Dominion reaching from sea to sea – an audacious proposal regarded as uncertain even by his supporters – his opponents derided him. “The fox is out of tricks," they taunted. "Bankrupt of ideas, he offers us clouds." This film offers us a memorable flashback
This is a short documentary about winter railroading in the Canadian Rockies and the men who keep the lines clear. The stretch between Revelstoke and Field, British Columbia, is a snow-choked threat to communications. The film shows the work of section hands, maintenance men, train crews and telegraph operators.
In a pounding critique of Canada's colonial history, this short film draws parallels between the annihilation of the bison in the 1890s and the devastation inflicted on the Indigenous population by the residential school system.
This film is part of Souvenir, a series of four films addressing Indigenous identity and representation by reworking material in the NFB's archives.
This documentary from the Shining Mountains series explores the discovery of the Rockies by retracing the footsteps of its earliest European visitors. At first nothing more than an obstacle to fur trading, the Rockies became, with the arrival of the first CPR train, an all-too accessible Shangri-La, a playground for Easterners armed with easels, cameras and climbing gear. Here, the filmmaker joins modern-day adventurers and historians to relive these early explorations. It's a journey by dog team, locomotive, canoe and climbing party to the roof of the Canadian Rockies. From there, one can almost see forever, and that's the problem. The future is cause for concern.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
This film recreates the true story of Tom Sukanen, an eccentric Finnish immigrant who homesteaded in Saskatchewan in the 1920s and 1930s. Sukanen spent ten years building and moving overland a huge iron ship that was to carry him back to his native Finland. The ship never reached water.
Released in 1969, These Are My People… was the first NFB film made entirely by an Indigenous crew. It was co-directed by Roy Daniels, Willie Dunn, Michael Kanentakeron Mitchell and Barbara Wilson—members of the Indian Film Crew (IFC), an all-Indigenous unit established in 1968 as part of Challenge for Change, a broader organizational initiative to use media to effect social change. One of the first Canadian documentaries to foreground an Indigenous perspective on the history of Indigenous–settler relations, it features Standing Arrow and Tom Porter, from the Kanien’kéhaka (Mohawk) community of Akwesasne, who discuss longhouse religion, culture, government and the impacts of settler arrival on their way of life.
This short documentary examines the state of Canada at the end of the 19th century, with a look at the fashions, politics, technologies, and cultural trends that dominated the turn of the century. Equally dramatic, funny, and fascinating, the film puts both past and present into perspective through old photographs and silent film footage.
This documentary short is a portrait of Scottish-born journalist, politician, and rebellion leader William Lyon McKenzie. The first mayor of Toronto, he was an important leader during the 1837 Upper Canada Rebellion. This film portrays his election, his later defeat, his exile, and his fight for responsible government.
In 1903, a unique and magnificent Whaler's shrine was shipped from Friendly Cove, on the far northwest coast of Canada, to the Museum of Natural History, New York. The shrine had lain at the cultural heart of the Mowachaht, whale hunters and fishermen who had lived at Friendly Cove for thousands of years. In the 1960s and '70s, all but one family left their ancient village--they
moved to Vancouver Island, to a new site under the walls of a pulp mill. They suffered extremes of pollution, violence, alcohol.... Then, in the 1990s, in defiance of the agony of their history and to overcome the grief of the present, the Mowachaht and their neighbours, the Muchalaht, revived their songs and dances, revisited their shrine and rediscovered their pride.
This short film was created by a group of Indigenous filmmakers at the NFB in 1972 and is essentially a song by Willie Dunn sung by Bob Charlie and illustrated by John Fadden: "Who were the ones who bid you welcome and took you by the hand, inviting you here by our campfires, as brothers we might stand?"
The song expresses bitter memories of the past, of trust repaid by treachery, and of friendship debased by exploitation upon the arrival of European colonists.