This animation short is an adaptation of Michel Tremblay's short story "The Devil and the Mushroom." A tale of supernatural power, greed and violence, it involves a sinister stranger who single-handedly transforms a quiet village into the scene of a phantasmagoric nightmare.
This animated short is a visual representation of Goethe's poem, The ErlKing that uses sand-on-glass animation set to the music of Franz Schubert. The moving images, resembling woodcuts, capture the haunting, nightmarish quality of the tale of the ErlKing who steals and kills a little boy.
This animated short tells the tale of a vampire forced go out every night to separate children from their heads. The reason? His vain wife wants to replace her wrinkled head with one that is young and pretty. What a horror! Especially since the lady of the house is never satisfied and the heads keep piling up on the floor. How will our reluctant vampire ever get out of this vicious cycle?
The NFB’s 70th Oscar®-nominated film.
This stop-motion animated film takes viewers on an exhilarating existential journey into the fully imagined, tactile world of Madame Tutli-Putli. As she travels alone on the night train, weighed down with all her earthly possessions and the ghosts of her past, she faces both the kindness and menace of strangers. Finding herself caught up in a desperate metaphysical adventure, adrift between real and imagined worlds, Madame Tutli-Putli confronts her demons.
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Borrowing from classical mythology, this very short film illustrates the story of Syrinx, the nymph who attempts to escape the goat-god Pan’s amorous advances by fleeing to a nearby river for help, only to be transformed into hollow reeds. Syrinx is the first film by Ryan Larkin, an Oscar®-nominated director who began his animation career in Norman McLaren’s student group. The technique employed is charcoal sketches on paper; the accompanying music is Claude Debussy’s “Syrinx” for solo flute.
This award-winning animation is a poignant interpretation of a short story by Montreal author Mordecai Richler. It makes a strong statement about how many families respond to their old and infirm members. In washes of watercolour and ink, filmmaker Caroline Leaf illustrates reactions to a dying grandmother, capturing family feelings and distilling them into harsh reality.
This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual's past experiences. Film without words.
Based on a Jewish folk tale adapted by playwright John Lazarus, this animated short tells the story of Shmendrik, a simpleton living in a small Polish village. Weary of daily life in his native Chelm, Shmendrik sets out on a quest for knowledge that brings him to a new Chelm, a place eerily reminiscent of his old Chelm. An amusing take on our tendency to romanticize what we don't have.
This short animated film follows Antoine, a young boy fascinated by his mysterious neighbour, a man rumoured to have once been a big game hunter. Antoine is eager to learn about hunting, but the lesson he learns from the wise older man is not at all what he had expected: Antoine is left with a profound reverence for life. The film is based on Jacques Godbout’s book Une leçon de chasse, which was nominated for a 1997 Governor General's Award for children's literature.
This short animation artfully revisits the Greek myth of Icarus. The son of the master craftsman Daedalus, creator of the Labyrinth, Icarus attempts to escape the island of Crete by means of a pair of wings constructed by his father. Upon receiving these wings, made from feathers and wax, he is told to fly neither too low, where the sea’s dampness would clog his wings, nor too high, where the sun’s heat would melt them -- precious advice the hubristic Icarus tragically won’t heed.