Two Countries, One Street

This short documentary chronicles the Cirque du Soleil’s 1988 United States tour. As the fledgling Quebec circus sets up its big top in New York City, where it garners rave reviews, circus artists discuss what it means to be a part of this success and the price they pay for taking part in the American Dream.

This documentary is about Canadian artist Deryk Houston, who in 1999, had a life-altering journey to Baghdad. Unable to remain an outside observer of the crisis in Iraq, Deryk travelled to witness first-hand the impact of international sanctions on the Iraqi people. Compelled to speak out, the artist embarked upon a unique nature art project designed to call attention to the situation of the children of Iraq. Using rocks, gravel and hay, Deryk began to create large-scale art installations in the image of a mother and child against diverse landscapes around the world.

This visual love letter crafted by filmmaker Luc Bourdon uses clips from 120 NFB films to pay tribute to the city of Montreal in the '50s and '60s, with hat tips to its famous figures, places and residents.

This documentary features outdoorsman Bill Mason and his family as they camp and canoe in the wilderness. The film fosters an appreciation for the art of canoeing while celebrating the sheer joy and beauty of nature. Along their trip, the Masons experience countless adventures and some breathtaking scenery, including indigenous rock carvings by Lake Superior.

This animated short tells the story of Seraphim "Joe" Fortes, one of Vancouver's most beloved citizens. Born in the West Indies, Joe Fortes swam in English Bay for over than 30 years. A self-appointed lifeguard at first, he became so famous that the city of Vancouver finally rewarded him with a salary for doing what he loved best. He taught thousands of people to swim and saved over a hundred lives. Yet there were some who did not respect him because of his skin colour. Through his determination, kindness and love for children, Joe helped shift attitudes.

This short documentary focuses on prairie sculptor Joe Fafard. If there's one thing Joe knows, it's cows. He knows the way they tuck in their forelegs to lie down to ruminate and the way a calf romps in the barnyard. He also knows his friends and neighbours in the farming community of Pense, Saskatchewan—and he sculpts them all in clay, as eloquent and quirky miniatures. Joe's work has been exhibited throughout Canada as well as in Paris and New York, and this film offers a glimpse into his process, his aesthetic, and the charming prairie community in which he lives.

Seeing Miami... is a cinematic allegory of the modern U.S. at the time of the Cuban Missile Crisis. Gilles Groulx’s masterfully poetic montage aesthetic evokes Quebecers’ simultaneous aversion and attraction to the El Dorado that is Florida—both a giant nursing home and an ideal of progress, American style.

This short documentary illustrates what to do when you're lost in the bush. Filmed in 1954, an NFB producer and a Native guide allow themselves to be marooned in the bush with only an axe and their wits as means of survival. They eat off the land, build their own birchbark canoe and make their way out.

This feature-length documentary tells the incredible story of Ernest Dufault, a.k.a. Will James, a French-Canadian man who became one of the most legendary cowboys of the American West. For over 30 years, as he went from cattle rustler to ex-convict, he managed to keep his secret. And when he took up the pen, he became a Hollywood legend. Watch this compelling exploration of the powerful attraction the West still holds for young adventurers.

This feature documentary studies the automobile and its pervasive effect on the history of North America. Focusing on the Ford dynasty, from the original Henry car through to Henry II, the film demonstrates how society has adapted to fit the needs of the automobile.

This short film introduces us to the "automatistes," followers of an abstract art form that developed in Montreal. The movement, initiated by Paul-Émile Borduas, is explained by the artists themselves when narrator Bruce Ruddick drops in at their cooperative studio. The film also captures painter Paterson Ewen at his home and joins the crowd at L'Échouerie, the artists' rendezvous spot. Dr. Robert Hubbard, chief curator of the National Gallery of Canada, comments on non-objective art in general and automatism in particular.