This short docu-fiction film illustrates how traditionally dogs were used by the Netsilik Inuit, in winter and summer. We see puppies and sled dogs used as pack animals. Eskimo dogs were also used for hunting, being particularly skilful at sniffing out seal blowholes when deep snow covered the winter sea ice.
This short docu-fiction film tells the story of Tuktu, who is taken on a fishing trip to the ancient stone weir. There, he sees his father and other hunters spear fish in great numbers, and watches his father and his uncle make fire with an Inuit fire drill.
Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.
In this short docu-fiction film, strong and hardy Inuit hunters demonstrate and test their strength in boxing, tug-of-war, and other strenuous activities. We see and hear the drum dance, a demonstration of Inuit poetry and rhythm.
Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.
This short documentary is a portrait of Inuit hunter and artist Lypa Pitsiulak, who decided to return to the land several years ago. His goal was to rediscover his culture, teach his family survival skills in the harsh Arctic environment, and pull himself and his family away from the negative influences of white culture. The film portrays his lifestyle, his love for his family, and some of the sources of his artistic inspiration. It also highlights his beautiful prints and sculptures, with their fantastic interweaving of figures from the animal, spirit and human worlds.
The Games included many sports seen in Olympic competition, plus others--for example, pirautaqturniq, the Inuit skill of hitting an object with a ten meter-long sled dog whip. This film captures the all-out participation in the week-long events hosted by Whitehorse, capital of the Yukon, with competitors from all over the Arctic including Alaska, and with observers from the Soviet Union.
Released in 1977, this beautifully paced short was photographed, directed, edited and narrated by Mosha Michael — one of Canada’s first Inuk filmmakers. Michael offers a first-hand account of a three-week Arctic hunting excursion, a rehabilitative trip undertaken by young offenders and their families. Dropping anchor at various points throughout Frobisher Bay, they fish for cod, hunt for seal and caribou, and renew family and community ties. Shooting on a Super 8 camera and providing his own narration, Michael crafts an engaging document of Inuk life in the 1970s. An original score features performances by Kowmageak Arngnakolak and Michael himself.
Shark Hunt: Canadian Fisheries Patrol in the Pacific brings in a huge basking shark. Stringing a Line: A power line is strung by helicopter over mountains in Banff National Park. Arctic Town: Inuvik, a new town built on stilts inside the Arctic Circle.
This documentary short depicts the traditional games of the Inuit as they are practised 800 km north of the Arctic Circle by youth in competition from communities across the North. The film describes the skills required to play them, the traditions behind the games, and the spirit of co-operation, as opposed to hard competition, that inspires the participants.
This short film from 1946 presents an outline of the fur trade's history and the commercial use of fur in Canada. A thirst for fur by the kings and courts of the Old World positioned the fur trade as part of the country's industrial economy. Fur farming and conservation became increasingly important, although the lonely life of the trapper remained the same. This film offers a view of both.
This animated film uses the Arctic landscape and the traditional Inuit characters of the Bear, the Seal and the Owl to raise young people's awareness about the harmful effects of substance abuse. A polar bear experiences hallucinations after inhaling fumes from an abandoned gas can. A nearby owl and seal help to show the bear the error of his ways, thus preventing him from falling further into addiction. This film was an initiative of the Natives of the Institution La Macaza to warn children of the dangers of inhaling toxic chemicals.
This animated short by Evelyn Lambart is a visual adaptation of the famous Aesop fable "The Lion and the Mouse," in which a mouse proves to a lion that the weak and small may be of help to those much mightier than themselves.
This animated short tells the story of a young boy who finds an injured snow goose and nurses it back to health. Constant companions through the sun-filled days of summer, the two sadly separate in the fall when the bird obeys the call to join its flock for the annual flight south. Will the friendship endure?