Talking at Night

This feature documentary profiles four residents of the Brockville Mental Health Centre, a forensic psychiatric hospital for people who have committed violent crimes. Four patients—two men and two women—struggle to gain control over their lives so they can return to a society that often fears and demonizes them. Shrouded in stigma, institutions like this one are places into which patients disappear from public view for years.

Four-time Emmy winner John Kastner was granted unprecedented access to the Brockville facility for 18 months, allowing 46 patients and 75 staff to share their experiences with stunning frankness.

For more background information on this film, please visit the NFB.ca blog.

This documentary looks at how children deal with a parent who has died by suicide. Meet 3 people who lost their fathers to suicide at an early age but learned the truth much later, after years of confusion, grief and guilt. In French with English subtitles.

Directed by John Kastner, this feature documentary about violence, mental illness, and the rights of victims tells the story of a troubled young man who stabbed a complete stranger 6 times in a crowded shopping mall while gripped by psychosis. Twelve years later, his victim, who miraculously survived, is terrified to learn that he’s out, living in the community under supervision. He’s applying for an absolute discharge, and if he succeeds, he’ll no longer be required to take the anti-psychotic drugs that control his mental illness. With unprecedented access to the patient, the victim, and the mental institution, the film looks at both sides of the debate and puts a human face on the complex ethical issues raised.

WARNING: This film discusses the topic of OCD. Viewer discretion is advised.

This feature documentary explores the daily lives of individuals living with Obsessive Compulsive Disorder (OCD), a misunderstood anxiety disorder characterized by intrusive thoughts, nagging fears and ritualistic behaviour. From the outside, its sufferers have no physical disabilities and have every appearance of being as functional as the next person. But inside, a daily war is waged for survival.

When Phillip Wong died by suicide, his family thought that silence would end their pain. But his sister, filmmaker Michelle Wong, needed to make sense of her brother's death. What drove him to end his life at age 36?

Weaving together intimate conversations with those closest to Phillip, as well as her own candid reflections, Wong embarks on a personal journey. Gently peeling away layers of silence, she uncovers her brother's story of gambling addiction and his lonely spiral into desperation, isolation and depression.

Filmed against the backdrop of the noisy casinos of Las Vegas and the quiet town of St. Paul, Alberta, the documentary lays bare the grief of family and friends. Sifting through feelings of guilt, sadness and shame, the once-fragmented family begins to discover a new closeness. This heart-wrenching film is a sister's uncompromising search for the truth and healing--for herself, her family, and others struggling with addiction.

This feature-length documentary from Inuvialuit filmmaker Dennis Allen is an emotional and revealing exploration of addiction among Indigenous people in Canada.

After years of struggle and shame, 5 Indigenous Canadians bravely come forward with their stories of substance abuse, presenting the sensitive topic of alcoholism in an honest and forthright manner. Alex, Paula, Desirae, Stephen, and Dennis himself maintain a deep and devoted commitment to their traditional culture to achieve long-term sobriety. Through their voices, this insightful doc offers an inspirational beacon of hope for others.

In this feature documentary, director Hélène Choquette sheds light on the phenomenon of early-onset puberty in girls. Today, it isn't unusual to see the earliest signs of puberty in girls younger than the age of 9, though this was not the case a few decades ago. A number of causes are suspected: could obesity and exposure to environmental contaminants, for instance, be to blame? The physical, psychological and psychosocial repercussions on young girls results in a disconnect between their physical and emotional maturity. Far from being a marginal issue, early-onset puberty is fast becoming a worldwide public health concern. Little Big Girls alerts us to the need to adapt, as a society, so as to minimize the impact of this phenomenon on our children.

This feature documentary follows Canadian actress Babz Chula to Kerala, India, where she is to undergo treatment by a renowned Ayurvedic healer in an effort to manage her 6-year battle with cancer. The bare-bones Indian clinic at first disappoints, but Babz is uplifted as her condition seemingly shows marked signs of improvement following treatment and introspection. Returning home, however, it is revealed that her cancer has actually advanced. Amazingly, the irrepressible actress invites filmmaker Anne Wheeler to continue bearing witness to her journey into the unknown.

Musician Catherine MacLellan—the daughter of Canadian singer/songwriting legend Gene MacLellan—grew up surrounded by her father’s music. He died by suicide when she was 14. Two decades after his loss, Catherine is finally ready to confront the hurtful mystery of her absent parent and embrace his musical legacy.

The Song and the Sorrow follows Catherine as she journeys to understand her father and face her own struggles with mental illness. Through archival footage and intimate interviews with friends, family members, and musicians who knew and played with Gene—including Anne Murray, Lennie Gallant, and the late Ron Hynes—the film reveals a troubled and loving man who was never at ease with fame or money.

Catherine is determined to lift the oppressive burden of silence that accompanies the stigma of mental illness and hopes that others can take strength and solace from her story.

When death haunts a high school in a small town in the late 1990s, everyone is forever transformed. In this gentle, prismatic film, Samara returns to the town she fled as a teen to re-immerse herself in the memories still lurking there, in its spaces and within the dusty boxes of diaries, photos and VHS tapes. 1999 is not a ghost story, but the ghosts are palpable at every turn. The snow-covered streets, the school’s hallways and lockers are preserved as in a dream. The absences left by the relentless teenage suicides still shimmer with questions, trauma and regret. Samara encounters people who are as breathtaking as they are heartbroken, and, finally, 16 years later, the community strengthens itself by sharing the long-silenced memories. Ultimately the film weaves together multiple voices in a collective essay on how grief is internalized—and how, as children, we so painfully learn to articulate our desire to stay alive.

After being diagnosed with borderline personality disorder, a young mother writes a letter to her daughter about their family’s collective journey to acceptance.