Ce long métrage documentaire de Mathieu Roy et d'Harold Crooks est un requiem cinématographique à « la routine de l’évolution » inspiré du succès en librairie Brève histoire du progrès, de Ronald Wright. Au fil de l’histoire humaine, des innovations associées au progrès se sont souvent révélées destructrices. Certains des intellectuels, des militants, des banquiers et des scientifiques les plus éminents du monde nous mettent au défi d’échapper aux « pièges du progrès », qui ont eu raison des civilisations antérieures et menacent insidieusement la nôtre.
This feature documentary follows the development of Canadair's super-executive jet. A totally new type of aircraft, it is faster, cheaper to fly, and more comfortable than any other business jet. Would it make it off the drawing board and into the air? The film captures the spirit of the Canadian air transport industry and its attempt to compete with its American counterparts.
For more background info on this film, visit the NFB.ca blog.
Crisis, Lonely Boy, Chronicle of a Summer. You may not know these films, but you see their influences every day--in everything from TV news to music videos to Webcams. The cinéma vérité (or direct cinema) movement of the '50s and '60s was driven by a group of rebel filmmakers tired of stilted documentaries. They wanted to show life as it really is: raw, gritty, dramatic. Rich in excerpts from vérité classics, Cinéma Vérité: Defining the Moment is the first film to capture all the excitement of a revolution that changed movie-making forever. Director Peter Wintonick's Manufacturing Consent: Noam Chomsky and the Media is one of the bestselling documentaries of all time; co-producer Éric Michel won the Cannes Palme d'or for 50 ans, by director Gilles Carle, and co-producer Adam Symansky won an Oscar for Flamenco at 5:15.
In this feature documentary, a Chilean filmmaker returns to the motherland for the first time in 23 years. Time is passing. A generation of young Chileans has grown up with no knowledge of the facts surrounding the military coup of September 11, 1973. In his suitcase, The Battle of Chile his 3-part cinéma vérité chronicle of the political tensions in Chile in 1973 and of the violent counterrevolution against the democratically elected government of Salvador Allende. His documentary toured the world but was never seen in Chile. Discreetly, he shows it to his friends and a small group of students. After the screening, the young people are in a state of shock. They have an urgent need to know the truth, for it is they who must build the Chile of tomorrow. In Spanish with English subtitles
These vignettes from 1952 covered various aspects of life in Canada and were shown in theatres across the country. Subjects included a floating laboratory ship from the National Research Council, a visit by a group of Canadian veterans revisiting Normandy plus events at Toronto's Maple Leaf Gardens.
These vignettes from 1949 cover various aspects of life in Canada and were shown in theatres across the country. Subjects included here are: Man-Made Niagara: the construction of the Des Joachims hydro plant on the Ottawa River adds to Ontario's power resources. Irrigation Revitalizes Dust Bowl: In the southern Alberta drylands, the St. Mary's River is being harnessed to provide life-giving irrigation for prairie crops. Underwater Harvest: Lobster season in New Brunswick provides choice seafoods for epicurean tables.
This is a short documentary about winter railroading in the Canadian Rockies and the men who keep the lines clear. The stretch between Revelstoke and Field, British Columbia, is a snow-choked threat to communications. The film shows the work of section hands, maintenance men, train crews and telegraph operators.
This feature film is a portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision.
Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term "documentary film."