The NFB is committed to respecting your privacy

We use cookies to ensure that our site works efficiently, as well as for advertising purposes.

If you do not wish to have your information used in this way, you can modify your browser settings before continuing your visit.

Learn more
Skip to content Accessibility
My List
Your request could not be processed.
This film is already in your list
New release
Coming 
None

Self-Portrait: Part 4

1961 31 min
Leaving soon

This short compilation, the fourth of a five-part series, features excerpts from memorable NFB films produced from 1939 to 1960. Commentary between excerpts notes the significant characteristics of each film's style and subject. Included in this volume are excerpts from Corral, The Grievance, Jolifou Inn, Monkey on the Back, Blinkity-Blank, World in a Marsh, Canadian Profile, The Sceptre and the Mace and City of Gold.

We're sorry, this content is not available in your location.
Your rental expires on
None
You've already purchased this film.
Download it from My purchases.
Not available
Share
Self-Portrait: Part 4

Details

This short compilation, the fourth of a five-part series, features excerpts from memorable NFB films produced from 1939 to 1960. Commentary between excerpts notes the significant characteristics of each film's style and subject. Included in this volume are excerpts from Corral, The Grievance, Jolifou Inn, Monkey on the Back, Blinkity-Blank, World in a Marsh, Canadian Profile, The Sceptre and the Mace and City of Gold.
  • director
    Guy Glover

Enjoy the NFB experience on your favourite device

Education

Ages 17 to 17
School subjects
What do these pioneering films have to teach us about culture, customs and politics? What connections can we make with our current period? Which filmmaking approach do students find the most striking? Which one is the most outdated? Ask the class to analyze the content of these films as if they were on an archaeological dig. Music, narration, dramatic techniques—the students should use every aspect in evaluating the various social qualities of the films.