Québexit is a multi-lingual (English, French, Cree) ensemble political comedy: when a transnational pipeline leads to a successful third Québec sovereignty referendum, a small road at the Québec-New Brunswick border becomes a lightning rod of conflict between the new Québec military, the Canadian Armed Forces and two indigenous women who traverse the border frequently.
In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protestors, the Quebec police and the Canadian army. Released in 1993, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. Jesse Wente, Director of Canada’s Indigenous Screen Office, has called it a “watershed film in the history of First Peoples cinema.”
This feature-length documentary recounts the events that surrounded and led to the Oka Crisis of the summer of 1990. The film focuses on the Mohawk territory of Kahnawake, in Quebec, but also reflects on the relationship between Canada and Indigenous peoples at a particular time in history.
In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protestors, the Quebec police and the Canadian army. Released in 1993, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. Jesse Wente, Director of Canada’s Indigenous Screen Office, has called it a “watershed film in the history of First Peoples cinema.”
This short documentary by Alanis Obomsawin tells the story of Kahentiiosta, a young Kahnawake Mohawk woman arrested after the Oka Crisis' 78-day armed standoff in 1990. She was detained 4 days longer than the other women. Her crime? The prosecutor representing the Quebec government did not accept her Indigenous name.
This film is a reconstruction of Robert Baldwin’s involvement in the Upper Canada Rebellion of 1837. Though bound to the cause of constitutional reform by principle, Baldwin’s heart was with the rebels and in the midst of armed revolt, he withdrew to fight a lonely battle with himself.
I Hear You is a non-conforming medical drama about a group of gender oppressed women and non-binary people, who each struggle with sexual health issues, and the newly graduated doctor who believes she can help them as they all navigate the frustrations of the Western medical system and their own personal limitations to find hope and help on the other side.
In this installment of a documentary series from the late 1960s, we survey the period between 1840 and 1860. Canada considers its options—annexation, continentalism, free trade, and economic nationalism—while the "one continent, one nation, one flag" ideology enjoys strong support on both sides of the border.
This documentary introduces us to Italian-Canadians whose lives were disrupted and uprooted by seclusion in internment camps during the Second World War. On June 10, 1940, Italy entered WWII. Overnight, the Canadian government came to see the country's 112,000 Italian-Canadians as a threat to its national security. The RCMP rounded up thousands of people it considered fascist sympathizers. Seven hundred of them were held for up to three years in internment camps, most of them at Petawawa, Ontario. None were ever charged with a criminal offence. Remarkably, the former internees are not bitter as they look back on the way their own country treated them.
This installment of a documentary series from the late 1960s presents a fascinating study of the great and enduring principles of international relations. Through this close look at Canada and the American Civil War, and the relationship between Canada, Britain, the North and the South, we get a sense of the delicate balance between war and peace, and the diplomacy involved.
From the beginning of the Second World War in 1939, Mackenzie King tried to avoid conscription. Most English Canadians thought young men should be sent to fight, while most French Canadians vehemently disagreed. This same division had nearly torn the country apart during the First World War. King had to make a decision in the final year of the war. This docudrama combines archival footage with excerpts from The King Chronicles, a dramatic series written and directed by Donald Brittain.
Some scenes contain graphic language.
This short documentary looks at Governor General Georges Vanier: his military service in two world wars, his diplomatic service between the wars and his investiture as Canada's 19th Governor General.