Lancés dans une formation intensive de 12 semaines, des civils se voient progressivement transformés en soldats des Forces armées canadiennes. Pour le troisième volet de sa série documentaire traitant librement des étapes de la vie, Jean-François Caissy propose une immersion captivante dans le monde militaire, en suivant le parcours de jeunes adultes dans ce choix de carrière singulier.
A group of civilians embark on 12 weeks of intensive training that will see them gradually transformed into soldiers of the Canadian Armed Forces. For the third instalment in his documentary series about the different stages of life, Jean-François Caissy offers a compelling portrait of the military experience, charting the paths of young adults who have made this singular career choice.
This feature documentary explores the world of adolescence in rural teenagers' interactions with various authority figures. Outside the classroom, though, the teens enjoy more control of their world; in this playground, they can test the limits of their temporary freedom. A work of patient observation relying mostly on uninterrupted long takes,Guidelines emphasizes the contrast between adult and adolescent, between the regulated classroom and the great outdoors, gradually revealing the interior drama of adolescence with its shifts from fragility to reckless abandon.
This installment of the Eye Witness series focuses on Indigenous children at Fort Simpson; a miniature naval battle between radio-operated vessels attended by the Royal Canadian Sea Cadets in Montreal; a drive-in theatre near Ottawa used to provide church services to passing motorists; and how Toronto's subway system is starting to take shape.
This short documentary depicts the return of Canadian WWII veterans to civilian life, including those who, because of war injuries or lack of training, require special treatment or courses before taking on jobs. Throughout the program, emphasis is laid on individual adjustment to normal peacetime life and work. Part of the Canada Carries On series.
Seated in the middle of a square room, choreographer Ginette Laurin looks back at revealing key aspects of her artistic process. What initially seems like a simple filmed interview takes a twist when a young dancer explores the same work, seeming to defy gravity. O Vertigo !
Produced by the National Film Board of Canada in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2018 Governor General's Performing Arts Awards.
Who is Monsieur Pug? Why, a dog with bad cholesterol and high blood pressure! And a dog who loves his pie and ice cream. Who relaxes by making origami. In other words, definitely not your ordinary pooch! For he’s also a paranoiac, convinced he’s the target in a vast conspiracy, and pretending to be a pet, the better to hide from his pursuers. Schizoid, perhaps? Hmm… but is Monsieur Pug even a real dog to begin with?
A delirious fable about a particular brand of modern madness—that brought on by the omnipresence of smartphones in our lives—Monsieur Pug is directed with verve by Janet Perlman, whose The Tender Tale of Cinderella Penguin was nominated for an Academy Award as Best Animated Short in 1982.
Monsieur Pug is one strange film about the life of one strange dog!
Through a duet of poetry and self-reflection, choreographer Crystal Pite finds language to describe the wordless artform of dance. Glimpses into a rehearsal for her acclaimed work Revisor combined with images of natural and industrial forms, mirror the states of tension and connection within the human body.
In this animated short, Oscar® winner John Weldon (Special Delivery) spins a tall tale about young Dorothy and her myriad troubles: absentee parents, bad hair and a menagerie that devours her homework. But when her pet squid rampages through town and people finally realize that the homework-eating creatures aren't a figment of her imagination, Dorothy realizes that it's time to get the situation under control.