Moving Pictures

This short film pays tribute to director, screenwriter and actress Sarah Polley. Her latest film, Stories We Tell, a feature length documentary about her family history, premiered at the 2012 Venice Film Festival, then screened to unanimous acclaim at the Telluride Film Festival, the Toronto International Film Festival, and the Sundance Film Festival. It was called “a brilliant film: an enthralling, exquisitely layered masterpiece” by Maclean’s film critic Brian D. Johnson. Here, a whimsical, playful film tells the story of the kinds of stories Polley tells. Using humorous, simple line animation, the film comments on the messiness of life and art.

Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2013 Governor General's Performing Arts Awards.

In this film Keaton rides across Canada on a railway scooter and, between times, rests in a specially appointed passenger coach where he and Mrs. Keaton lived during their Canadian film assignment. This film is about how Buster Keaton made a Canadian travel film, The Railrodder. In this informal study the comedian regales the film crew with anecdotes of a lifetime in show business. Excerpts from his silent slapstick films are shown.

This short documentary presents Flash William Shewchuck, a one-man movie industry operating in the Canadian wilderness. Combining the roles of film producer, director, cameraman, actor, promoter, projectionist and ticket taker, Flash finances his company by working on road gangs in the Yukon, or in the oil fields and pulp mills between projects. In this film, he discusses his latest feature, Dawson City Joe, and reveals some aspects of his style and technique.

This feature film is a portrait of John Grierson, the first Canadian Government Film Commissioner and founder of the National Film Board in 1939. Interweaving archival footage, interviews with people who knew him and footage of Grierson himself, this film is a sensitive and informative portrait of a dynamic man of vision.

Grierson believed that the filmmaker had a social responsibility, and that film could help a society realize democratic ideals. His absolute faith in the value of capturing the drama of everyday life was to influence generations of filmmakers all over the world. In fact, he coined the term "documentary film."

In this award-winning animation-documentary, we meet two unusual artists. Ryan Larkin was once a brilliant filmmaker who ended up on the streets in Montreal. Chris Landreth is a rising star in animation beginning to experience the kind of adulation Larkin received decades earlier.

With excerpts from both men's Oscar®-nominated works, this film delves into the tale of Larkin’s descent and the fascinating relationship that developed between the two men. It is a poignant study of artists, addiction and creativity.

This short film pays tribute to filmmaker Jean Pierre Lefebvre. A seminal figure in Canadian cinema, Lefebvre has received international acclaim for his innovative, thoughtful and fiercely independent films. Here, a montage consisting entirely of excerpts from his films offers a brief foray into the depths of a body of work that is ironic, critical, intuitive, sensual, and “political” in the broadest sense of the term.

Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2013 Governor General's Performing Arts Awards.

This feature documentary is an inspired, genre-twisting film directed by Oscar®-nominee Sarah Polley. Polley's playful investigation into the elusive truth buried within the contradictions of a family of storytellers paints a touching and intriguing portrait of a complex network of relatives, friends, and strangers.

With quiet intelligence and wry humour, retired documentary filmmaker Kathleen Shannon takes us through the arc of her life and career. Beginning with childhood, moving through her formative years, to her overwhelming desire to give women a chance to tell their stories, this film paints a vibrant portrait of one woman who blazed the way. It's a story of struggle, persistence, and success… and of course, of the NFB's Studio D.

This revealing portrait of NFB filmmaker Alanis Obomsawin was shown at a gala ceremony in 2008, where Obomsawin received the Governor General's Performing Arts Award for Lifetime Artistic Achievement. Her work has captured some of the most startling events in Canadian history, including the armed standoff between the Canadian Army and Mohawk warriors in 1993. Her films cross a spectrum of social issues, but they are always human. Obomsawin explains in the interview, "For me, a real documentary is when you're really listening to somebody; they are the ones that will tell you what the story is, not you."

This documentary film is an exploration of Québec’s feature film industry. The film takes a look at the people who have succeeded in this unique milieu (Geneviève Bujold is one) or failed; at its movies, which run the gamut from hard-core skinflicks to such highly acclaimed films as Mon Oncle Antoine, and at its audiences, which number in the millions.

Alanis Obomsawin, an Indigenous woman who earns her living by singing and making films, is the mother of an adopted child. She talks about her life, her people, and her responsibilities as a single parent. Her observations shake some of our cultural assumptions.