This full-length documentary examines the work of Krzysztof Wodiczko, an artist who has taken his art out of museums to project it onto the sides of buildings. The film explores Wodiczko’s philosophy of art as social contract and shows examples of his provocative work, which has lit up walls from London's Trafalgar Square to Zion Square in Jerusalem.
This Colin Low documentary from 1959 depicts Venice in all its splendor. In the tradition of Venetian painter Canaletto, the film captures the great Italian city’s elusive beauty and fabled landscapes, where spired churches and turreted palaces soar into a blue Mediterranean sky. Narration by William Shatner.
This short documentary focuses on prairie sculptor Joe Fafard. If there's one thing Joe knows, it's cows. He knows the way they tuck in their forelegs to lie down to ruminate and the way a calf romps in the barnyard. He also knows his friends and neighbours in the farming community of Pense, Saskatchewan—and he sculpts them all in clay, as eloquent and quirky miniatures. Joe's work has been exhibited throughout Canada as well as in Paris and New York, and this film offers a glimpse into his process, his aesthetic, and the charming prairie community in which he lives.
Set against a background of her paintings and the Yarmouth, Nova Scotia, landscapes they depict, this short documentary is a portrait of the life and work of one of Canada's foremost primitive painters, Maud Lewis. Emerging from her youth crippled with arthritis, Lewis escaped into her painting at the age of 30. She had never seen a work of art and had never attended an art class but her paintings captured the simple strength, beauty and happiness of the world she saw - a world without shadows.
This short documentary is a portrait of Frederick Varley, Canadian painter and member of the Group of Seven. In the film, Varley returns to his studio in Toronto after a sketching trip. The camera moves about the studio selecting examples of his canvases and watches him as he begins a new painting.
Bryan Adams is one of world’s most enduringly popular singer/songwriters. He is most at home in his Vancouver studio, surrounded by his collection of vintage microphones and guitars. Adams calls it “a very analog space in a very digital world.” In this short documentary, we witness an intimate rendition of his song “One World, One Flame” and hear him speak of his audience-centred approach to performance: “I want it to be fun, I want it to be real.”
This informal black-and-white portrait of Leonard Cohen shows him at age 30 on a visit to his hometown of Montreal, where the poet, novelist and songwriter comes "to renew his neurotic affiliations." He reads his poetry to an enthusiastic crowd, strolls the streets of the city, relaxes in this three-dollar-a-night hotel room and even takes a bath.
In this short film, sculptor and textile artist Kai Chan shares his artistic philosophy of economy and repetition with young artists who build extraordinary, complex 3D structures using simple materials and basic techniques. Part of the I Can Make Art ...series.
This short documentary chronicles the Cirque du Soleil’s 1988 United States tour. As the fledgling Quebec circus sets up its big top in New York City, where it garners rave reviews, circus artists discuss what it means to be a part of this success and the price they pay for taking part in the American Dream.
This short documentary is a portrait of Andrew Qappik, a world-renowned Inuit printmaker from Pangnirtung, Nunavut. Originally inspired by images in the comic books he read as a child, Andrew now finds his subjects in the stories, traditions and day-to-day events of his world.
In I Can Make Art Like Andrew Qappik, he captivates his student audience by creating a soapstone relief print before their very eyes. Then it's the kids' turn. They explore Andrew's symbolic imagery - and their own - as they each create a self-portrait relief point.
The NFB’s 8th Academy-Award winning film. This short film is an impressionistic record of a flamenco dance class given to senior students of the National Ballet School of Canada by two great teachers from Spain, Susana and Antonio Robledo. The film shows the beautiful young North American dancers—inspired by the flamenco rhythms and mesmerized by Susana's extraordinary energy—joyously merging with an ancient gypsy culture.
The NFB's 11th Oscar®-nominated film.
This short film depicts how a small Canadian city, bearing the name of Stratford and by a river Avon, created its own renowned Shakespearean theatre. The film tells how the idea grew, how a famous British director, international stars and Canadian talent were recruited, and how the Stratford Shakespearean Festival finally became a triumphant reality.
For more background information about this film, please visit the NFB.ca blog.
Ages 12 to 17
Diversity - Diversity in Communities
Diversity - Identity
Ethics and Religious Culture - Religious Diversity/Heritage
Indigenous Studies - Identity/Society
Wodiczko uses his giant projections to comment upon or subvert states of authority. Have students discuss some of his projections and the contexts in which they are used. How successful are they? What is he trying to say in, for example, Boston, or Israel, Scotland or even Montreal? What does he say about identity in, for example, San Diego? Or war in Madrid? In the pre-Internet, pre-digital era, what is the impact of such projections?