Jeu

Le 26e film de l’ONF à être nommé aux Oscars®

Court métrage d’animation sur la marche et ses plaisirs. Les couleurs en détrempe sont l'une des techniques impressionnantes utilisées dans ce film par Ryan Larkin. Pas de commentaires. Une trame sonore qui comble le silence.

In this animation film, Norman McLaren imparts unusual activity to an old French-Canadian nonsense song. Simple white cut-outs on pastel backgrounds, many by Evelyn Lambart, provide lively illustrations. The folksong "Mon Merle" is sung in French by the Trio Lyrique of Montreal.

Court métrage d'animation dont le héros, espiègle petit bonhomme né de papiers découpés, se prête à plusieurs métamorphoses qui reflètent le côté humain et humoristique d'un enfant devant la vie. Pas de parlé, mais les seuls accents d'une guitare enjouée...

Watch an early experiment using computers to animate film. The result is a dazzling vibration of geometric forms in vivid colour, an effect achieved by varying the speed at which alternate colours change, so producing optical illusions. In between these screen pyrotechnics there appears a simple line form gyrating in smooth rhythm. Sound effects are created by registering sound shapes directly on the soundtrack of the film.

Le 41e film de l’ONF à être nommé aux Oscars®

Documentaire plus vrai que nature sur la fabrication des clous. Les bruits naturels rendent saisissantes ces images vivantes de feu et d'eau. Forgé sur l'enclume, coupé mécaniquement ou produit de façon industrielle, on découvrira ce petit objet, universellement utile, à travers les étapes de sa fabrication.

While on an airplane, a traveller's spirit plunges into a dream world. Here, under the influence of the unknown, the logic of his desires prevails, and a romantic saga takes shape. This animated film by Georges Schwizgebel masterfully transports us into a swirling world. Set to the twists and turns of a Rachmaninoff scherzo, Romance exuberantly marries music and movement, erasing the boundary between dreams and reality.

Why bother dragging around one's shadow? A man agrees to a pact with a magician and swaps his shadow for riches. He soon discovers that the absence of a shadow can be a humiliating handicap. After fleeing to the far corners of the earth, he ends up in Bali, in a theatre of shadow puppets, where he discovers the true worth of shadows.

Swiss filmmaker Georges Schwizgebel animates this adaptation of Adelbert von Chamisso's The Strange Story of Peter Schlemil (1814), a fantastic tale inspired by Goethe's Faust. His film L'homme sans ombre is a reflection upon human nature and an allegory celebrating the magic of performance. Virtuoso Georges Schwizgebel's images are wonderfully mobile and textured, his composition formally elegant. (Each cel is freshly repainted with the characters and settings.) He is a master conjurer whose images become a bewitching choreography. The animator's eye guides the painter's hand, and vice versa. A film without words.