Ce long métrage documentaire se penche sur le refus des pêcheurs gaspésiens de se soumettre à une planification décrétée par les deux paliers de gouvernement. À Saint-Yvon, malgré un quai en ruines, à Cloridorme et à l'Anse-au-Griffon, on continue à pêcher malgré les mesures officielles (ARDA, BAEQ, ODEQ), qui prévoient l'élimination de la pêche côtière, l'abandon de villages (« installations à disposer ») et le regroupement des pêcheurs dans des centres urbains de pêche industrielle.
In this feature-length documentary by Alanis Obomsawin, it's the summer of 2000 and the country watches in disbelief as federal fisheries wage war on the Mi'kmaq fishermen of Burnt Church, New Brunswick. Why would officials of the Canadian government attack citizens for exercising rights that had been affirmed by the highest court in the land? Casting her cinematic and intellectual nets into history to provide context, Obomsawin delineates the complex roots of the conflict with passion and clarity, building a persuasive defence of the Mi'kmaq position.
In this installment of the Eye Witness series from 1948, we watch as Canada's long-time prime minister, Mackenzie King, retires and his successor, Louis St. Laurent, takes the reins. We then head to Manitoba's Netley marsh, where three of the continent's main duck breeds meet, creating a hunter's paradise. On the BC coast, whaling resumes after a five-year halt, and finally, all across Canada we watch children collect pennies and nickels to buy school supplies for European children.
On June 11 and 20, 1981, the Quebec Provincial Police (QPP) raided Restigouche Reserve, Quebec. At issue were the salmon-fishing rights of the Mi’kmaq. Because salmon has traditionally been a source of food and income for the Mi’kmaq, the Quebec government’s decision to restrict fishing aroused consternation and anger. Released in 1984, this groundbreaking and impassioned account of the police raids brought Alanis Obomsawin to international attention. The film features a remarkable on-camera exchange between Obomsawin herself and provincial Minister of Fisheries Lucien Lessard, the man who’d ordered the raid. Decades later, Jeff Barnaby, director of Rhymes for Young Ghouls, cited the film as an inspiration. “That documentary encapsulated the idea of films being a form of social protest for me... It started right there with that film.”
By using film as a means of communication, the people of Fogo Island, Newfoundland, voice some of their concerns. This film discusses efforts to obtain provincial support for the United Maritimes Fisheries Co-op to run the Seldom fish plant, and comments on the subsequent decision by the Newfoundland government in favour of the Yellow Fish Company.
This short film from Colin Low presents the problems faced by the people of Fogo Island, Newfoundland and what keeps them committed to the land. Witness some of the magic of the island, as seen through the eyes of children, and understand why its inhabitants cling to its shores.
Maude Barlow is a crusading warrior for social justice and the leader of Canada's largest citizens' rights group, the Council of Canadians. This feature film portrays Barlow's progress from young Ottawa housewife, quietly reading Germaine Greer alone at home, to outspoken activist, locking horns with such formidable opponents as media magnate Conrad Black and Thomas D'Aquino of the Business Council on National Issues. On the front lines in the battle against the Free Trade Agreement (NAFTA) and the Multilateral Agreement on Investment (MAI), Barlow cautions against "the rise of corporate rule”, arguing that such agreements enhance the international mobility of corporations at the expense of Canadian social programs and jobs.