Une dramatisation inspirée des Relations des Jésuites. En 1638, dans le pays des Hurons, des missionnaires sont menacés d'une condamnation à mort et pendant la nuit, le plus jeune d'entre eux s'interrogera avec angoisse sur sa vocation et son action.
Il est à noter que le film Le festin des morts a été produit en 1965 et qu’il reflète les attitudes et la pensée de son époque. Certaines séquences pourraient sembler offensantes au public actuel, mais le film doit être vu comme un produit culturel de l’époque dont il est issu. La perspective de la population canadienne et celle de l’ONF ont évolué : depuis la création du film, nous avons pris conscience des droits, des réalités et des points de vue des peuples autochtones. En ajoutant sans cesse à sa riche collection de films réalisés par des Autochtones et mise à la disposition du public au Cinéma autochtone, l’ONF continue de s’employer à combattre les stéréotypes visant les Autochtones et à dépeindre avec exactitude la diversité des expériences que vivent leurs communautés.
The story of the Jesuit martyrs who lived with the Wendat converts in the region near what is now Midland, Ontario. The film is of wide interest since it reconstructs a period of Canadian history, especially of Indigenous life, at the very beginning of European settlement. The village and the Jesuits' buildings are exact models from archeologists' reconstructions. The story is based on the Jesuit Relations, the actual journals of mission life that still make for thrilling reading.
(Please note that Mission of Fear was produced in 1965 and reflects the attitudes and thinking of its era. To modern audiences, parts of the film may be perceived as offensive, but it must be seen as a cultural product of the era in which it was produced. The perspectives of Canadians (and the NFB) have evolved and become more conscious of Indigenous rights, realities and points of view since the making of the film. Through its rich collection of Indigenous-made films, available at Indigenous Cinema, the NFB continues to strive to challenge stereotypes about Indigenous people and accurately depict the diverse experiences of Indigenous communities. )
This feature-length film tells the story of the passion between Marie de l’Incarnation, a mid-seventeenth-century nun and God, her "divine spouse." Fusing documentary and acting by Marie Tifo, whom we follow as she rehearses for this demanding role, the film paints an astonishing portrait of this mystic who abandoned her son and left France to build a convent in Canada, where she became the first female writer in New France.
Part of the Daughters of the Country series, this dramatic film features a young Ojibwa girl from 1770 who marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.
This documentary is a portrait of modern-day Pondicherry, an ancient city near the southern tip of India. For several centuries an outpost of France, the city is now home to Auroville, a spiritual community growing on its periphery. There, European and North American devotees of Sri Aurobindo, a Bengali poet and mystic, come to live the contemplative life. Their guru is a 94-year-old woman from France. This mecca of sorts is seen through the eyes of Albert Jordan, a professor from Concordia University, in Montreal, who spent a year there with his family in 1971.
In 1903, a unique and magnificent Whaler's shrine was shipped from Friendly Cove, on the far northwest coast of Canada, to the Museum of Natural History, New York. The shrine had lain at the cultural heart of the Mowachaht, whale hunters and fishermen who had lived at Friendly Cove for thousands of years. In the 1960s and '70s, all but one family left their ancient village--they moved to Vancouver Island, to a new site under the walls of a pulp mill. They suffered extremes of pollution, violence, alcohol.... Then, in the 1990s, in defiance of the agony of their history and to overcome the grief of the present, the Mowachaht and their neighbours, the Muchalaht, revived their songs and dances, revisited their shrine and rediscovered their pride.
This documentary reveals some of the hidden history of Blacks in Canada. In the 1930s in rural Ontario, a farmer buried the tombstones of a Black cemetery to make way for a potato patch. In the 1980s, descendants of the original settlers, Black and White, came together to restore the cemetery, but there were hidden truths no one wanted to discuss. Deep racial wounds were opened. Scenes of the cemetery excavation, interviews with residents and re-enactments—including one of a baseball game where a broken headstone is used for home plate—add to the film's emotional intensity.
This documentary short is a portrait of Scottish-born journalist, politician, and rebellion leader William Lyon McKenzie. The first mayor of Toronto, he was an important leader during the 1837 Upper Canada Rebellion. This film portrays his election, his later defeat, his exile, and his fight for responsible government.
This short drama is a portrait of Quebec lawyer and politician Louis-Joseph Papineau (1786-1871). A proud, defiant man, skillful in parliamentary debate, and Speaker of the Lower House, his heart was with the people being pillaged by the business elite. When legislation became the instrument of private advantage, Papineau brought government to a standstill.
This short historical reenactment is a portrait of Canadian Father of Confederation Charles Tupper. The film harks back to a time when the idea of a federal union was still hotly debated, when it was unclear whether Nova Scotia would come in or remain out. It studies a bigger-than-life politician who won over both his bitterest opponent, Joseph Howe, and the people of this Maritime province, to finally lead Nova Scotia into the Canadian Confederation in 1867.