The NFB is committed to respecting your privacy

We use cookies to ensure that our site works efficiently, as well as for advertising purposes.

If you do not wish to have your information used in this way, you can modify your browser settings before continuing your visit.

Learn more
Skip to content Accessibility

Eskimo Artist: Kenojuak

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Kinngait (formerly known as Cape Dorset). This film was nominated for the 1963 Documentary Short Subject Oscar®.

Your rental expires on
None
You've already purchased this film.
Download it from My purchases.

Details

This documentary shows how an Inuit artist's drawings are transferred to stone, printed and sold. Kenojuak Ashevak became the first woman involved with the printmaking co-operative in Kinngait (formerly known as Cape Dorset). This film was nominated for the 1963 Documentary Short Subject Oscar®.

  • director
    John Feeney
  • script
    John Feeney
  • editing
    John Feeney
  • producer
    Tom Daly
  • camera
    François Séguillon
  • sound
    Ron Alexander
  • sound editing
    Michael McKennirey
  • animation
    Pierre L'Amare
  • music
    Eldon Rathburn

Education

Ages 12 to 17

Notes

Groups of students find Inuit tales and represent them dramatically. Possibility: Use shadow puppets as in film, with students as narrators. Students research, make presentations about Inuit people in the arts, e.g. Lucie Idlout, Zacharias Kunuk, Susan Aglukark. Class visits museum or gallery displaying Inuit art. Or, students find Inuit prints or stone work books in library, bring to class. Students do pieces of art (drawing, collage, construction) inspired by visit or prints in books.

More educational content

Eskimo Artist: Kenojuak
Purchase options
Licence Information
Already paid to see this film?
Licence Information
Download licence details
Personal & Single-Classroom Use

Who it’s for:

Individuals watching for personal use, and parents or teachers wishing to screen a film for a single class in Canada.

What it allows:

  • Private, personal viewing in Canada and worldwide.
  • Screening the film for a single class in Canada.
  • Downloading and watching offline.

What it does not allow:

  • Screenings or events for multiple classes, school boards, or campus-wide events.
  • Community, public or institutional screenings or events.

Bonus materials are not included with the downloaded film.

Institutional Use

Who it's for:

Organizations, government departments, businesses and non-profits. For other institutions seeking licensing options, please contact info@nfb.ca .

What it allows:

  • Internal screenings for employees, members or patrons.
  • Screenings open to the public on the organization’s premises, with no admission fee and outside the commercial cinema circuit.
Looking to host a one-time public screening instead?

Who it's for:

Public libraries, community groups, NGOs and other organizations wishing to host a one-time public screening in Canada with no admission fee.

How to request a screening:

Complete the “Request to screen an NFB film” form.

For any questions, email communityscreenings@nfb.ca.

Streaming restrictions

Films purchased as downloads (DTO) cannot be hosted on a streaming server without prior authorization.

To request permission to add these films to an institutional or educational streaming server, contact info@nfb.ca.