Go west, young man, to Deadman Creek, and the quixotic world of Matt Sandvoss, a Wild West-obsessed visionary determined to build a “ghost town” in a remote part of British Columbia. But Matt’s mission raises questions for Gerald Carter, a Cree resident of Deadman Creek, about the age-old stereotypes of cowboys and Indians, the commodification of sacred land and the troubling gap between fantasy and history.
This short documentary presents the empowering story of Rodney "Geeyo" Poucette's struggle against prejudice in the Indigenous community as a two-spirited person (gay, lesbian, bisexual, and transgender). First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
Lorne Olson's short documentary presents a vision he had of two-spirited people dancing, laughing, and smiling. His vision spurs him to rediscover the strength of the past to better face the challenges of today. This funny and buoyant film documents his touching journey.Second Stories follows on the heels of the enormously successful First Stories project, which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Second Stories builds on that success by continuing the training with 3 of the 12 Indigenous filmmakers who delivered such compelling short documentaries. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
This documentary from Martin Duckworth features young adults from two distinct Winnipeg neighbourhoods on either side of the Red River who struggle to overcome geographical and cultural barriers. High school students from the predominantly Indigenous North End and their peers from the Francophone district of St. Boniface work together to produce a play on the origins of the Métis.
Their collaboration raises questions about how these youths foresee their role and place within their respective communities and how these minority communities co-exist with the predominant culture. The film also tackles issues of intolerance, racism and discrimination.
This short film offers a fresh, inventive look at the Internet and asks us to consider this question: does the Web provide Indigenous people with a sense of community? Single mother Michelle plunges into the often-humorous world of online dating. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
Far from home and cut off from family and friends, Montreal’s Indigenous homeless population is the focus of No Address. Dreams of a better life in the big city can be met with harsh realities, as the individuals in this documentary recount. Often trying to flee circumstances created by colonialism and the effects of assimilation, the First Nations and Inuit people in this work share frank stories about their lives and the paths that took them to the streets of Montreal. Alanis Obomsawin presents an honest, stark portrayal of endemic homelessness while giving voice to those so often overlooked or made invisible on the streets of every city in Canada.
This documentary is an inquiry into what came to be known as Saskatoon's infamous "freezing deaths," and the schism between a fearful, mistrustful Indigenous community and a police force harbouring a harrowing secret.One frigid night in January 2000 Darrell Night, an Indigenous man was dumped by two police officers in -20° C temperatures in a barren field on the city outskirts. He survives the ordeal but is stunned to hear that the frozen body of another Indigenous man was discovered in the same area. Days later, another victim, also Native, is found. When Night comes forward with his story, he sets into motion a chain of events: a major RCMP investigation into several suspicious deaths, the conviction of the two constables who abandoned him and the reopening of an old case, leading to a judicial inquiry.
This intimate documentary paints a portrait of one Cree woman who left life on the streets to re-emerge as a powerful voice counseling Indigenous adults and youth about abuse and addiction. Raised in foster homes and caught up in drugs and prostitution by the age of 13, Donna Gamble shares her exhilarating and tumultuous journey and what motivated her to turn her life around. Together with her mother and daughters, Donna is working to shatter the cycle of addiction that has plagued their family for generations.
Tracey Deer grew up on the Mohawk reserve of Kahnawake with two very firm but unspoken rules drummed into her by the collective force of the community. These rules were very simple and they carried severe repercussions: 1) Do not marry a white person, 2) Do not have a child with a white person.
This short documentary by Colin Low is an invitation to a gathering of the Káínaa of Alberta - as the Sun Dance is captured on film for the first time. The film shows how the theme of the circle reflects the bands' connection to wildlife and also addresses the predicament of the young generation, those who have relinquished their ties with their own culture but have not yet found a firm place in a changing world.
Take a hilarious and bittersweet journey into the hearts and minds of some very ordinary, extraordinary young Canadians with this feature-length documentary. The filmmaker, assuming the role of Clint Star, seeks out his far-flung buddies, young Indigenous people like himself. They talk about sex and life, love and abuse, and 500 years of oppression—all with humour, grace and courage.
This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government.Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Indigenous objects held in museums.