C'est l'aventure d'un personnage entré dans un pays hostile habité par un démon. Une poursuite s'engage, au bout de laquelle, coincé dans une arène, le héros se fait voler tous ses biens. Mais un jour, il réglera ses comptes avec l'esprit dominateur. Film sans paroles.
Ce court métrage d'animation 2D raconte l'histoire d'un monstre qui rôde dans une maison, telle une ombre insaisissable venue troubler le sommeil d'un gamin et de ses deux sœurs. Avec une terrifiante habileté, il s'infiltre tour à tour dans leurs pensées pour réveiller leurs plus grandes peurs. Pour l'adolescente, la pire crainte serait de ne pas correspondre à l'idéal de beauté véhiculé par les médias.
D'où viennent ces monstres qui nourrissent leur sentiment d'insécurité? Pourquoi exercent-ils tant de pouvoir? Conçu pour de jeunes spectateurs, ce film d'animation plein d'humour favorisera les échanges sur l'origine des angoisses suscitées par l'image corporelle. Film sans paroles.
This bilingual film features the Commissioner of Official Languages and two intermediate school students. The Commissioner explains, in English and in French, the Official Languages Act, his duties and the activities of his Office under the Act. A number of light-hearted situations simulated in the film demonstrate how individual efforts can put Canada's two official languages on an equal basis.
This film depicts a world where space is geometric, noise is absent, and nothing happens until a small white cube comes bumping along, stirring up movement where before there was none. Chased by a wicked demon, the cube symbolizes the inner struggle that goes on inside each one of us: the confrontation, or evasion, of one's private demons. Film without words.
An investigation into how language is changing in the age of COVID-19. The complete upheaval of social relationships today is leading to the reinterpretation of certain terms, which have suddenly taken on a fatal connotation. This film is a funeral mass in memory of the word “contact.”
This short animation is bleak and apparently grim, but it is an assertive statement on self-determination and the fundamental need for both dark and light. This is the first professional film by Jo Meuris.
Produced as part of the first edition of the NFB’s Hothouse apprenticeship. Theme was "Water and Our Relationship to It".
Seeking shelter from a thunderstorm, a man sits in a pub watching the ice in his glass melt away. Howie Shia marries his graphic illustration style with subtle animation and a haunting soundtrack to conjure up anxiety and foreboding. He used pen and ink on tracing paper and later composited and coloured digitally.
Produced as part of the second edition of the NFB’s Hothouse apprenticeship.
This animated short tackles the subjects of personal space, conflict, and conflict resolution in the workplace. At the office, tempers flare as two coworkers who are sitting dangerously close find themselves bumping elbows and spilling ink. The film demonstrates four common approaches to interpersonal tensions: retreat, aggression, denial and - finally – negotiation.This film is part of the ShowPeace series of lively animated films about conflict resolution. This series has received support from UNICEF and Justice Canada.
In this animated short from Richard Condie (The Big Snit), an old fool meets a young fool at a crossroads in the 14th century. The old fool stays behind while the young fool skips blindly down the wrong road. The old fool must then teach his young apprentice about the consequences of taking the wrong road. A quirky tale told without words.
In an intensely personal document about healing from childhood sexual abuse and torture, four women and two men speak honestly and eloquently of painful childhood experiences, the "angels" who guided them along the way, and their deeply felt commitment to building a better world for children. The video is unusual for its positive focus on healing, confronting anger and the search for peace.
This animated short by Theodore Ushev depicts the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at the age of 49. His descent into depression and madness is explored through a series of images as well as sounds taken from Lipsett's own work.
In this feature film, an engineer from Paris flies to Montreal (on Air Canada Flight YUL 871), partly on business, partly in search of parents displaced by World War II, and partly because of the prevailing restlessness of the age. He achieves little that is conclusive, but in the short time between his arrival and departure he has a love affair, enjoys a flight over Montreal and the Expo pavillions, and is adopted by a little girl.
For more background info on this film, visit the NFB.ca blog.