Animated Motion: Part 2

The first part of this series by Norman McLaren deals only with tempo. It starts by showing the disc travelling in one move (1/24 of a second) from A to B, and progressively demonstrates slower and slower tempos.

The third in a series of five colour films that offer an introduction to the basic techniques of film animation. McLaren explains and demonstrates different aspects of movement that are essential to the animator’s art. In this case it is the pause and irregular movement.

In this fifth part, Norman McLaren deals not with motion (if motion is defined as a change of location in two- or three-dimensional space) but with change--change in the amount and color of light within an otherwise static screen. Normally, the animator combines such change with motion, but here it is studied in isolation.

In this fourth film, Norman McLaren explains and illustrates composite motion, where two of the categories of motion occur simultaneously in one action, such as the motions of jointed or pivoted parts (as occur in animal and human movements). Also shown is a human gesture with increasing amounts of emotion; and finally, the phenomenon of 'strobing' in animation is examined.

This feature length documentary is a journey into Norman McLaren’s process of artistic creation. A cinematic genius who made films without cameras and music without instruments, McLaren produced 60 films in a stunning range of styles and techniques, collecting over 200 international awards and world recognition. Drawing on McLaren's private film vaults, a gold mine of experimental footage and uncompleted films, this film explores McLaren's methods, including his celebrated "pixillation" technique.

This compilation of 9 NFB animation films is presented by Leonard Maltin. Included in the collection are Begone Dull Care, The Cat Came Back, Log Driver's Waltz, Getting Started, The Street and more.

This documentary shares a behind-the-scenes look as husband and wife Alexandre Alexeieff and Claire Parker demonstrate the pinboard technique of film animation they invented together. With a group of NFB artists and animators, they share and explore the techniques and astounding visual effects achieved by filming patterns and shadows created using 240,000 pins.

In this short film, Norman McLaren is literally caught by his own film tricks. As he attempts to welcome an audience, he is frustrated by an animated microphone with a will of its own.

This short documentary presents Flash William Shewchuck, a one-man movie industry operating in the Canadian wilderness. Combining the roles of film producer, director, cameraman, actor, promoter, projectionist and ticket taker, Flash finances his company by working on road gangs in the Yukon, or in the oil fields and pulp mills between projects. In this film, he discusses his latest feature, Dawson City Joe, and reveals some aspects of his style and technique.

This short animation was created using tests created in the production of A Chairy Tale (1957) by master of animation Norman McLaren. Flocons is set to the music of Tchaikovsky and features none other than Canadian filmmaker Claude Jutra, who plays a character imprisoned in the celluloid on which McLaren paints directly. Flocons aims to celebrate the 100th anniversary, in 2014, of Norman McLaren’s birth.

This short film paints a portrait of Oscar®-winning filmmaker Co Hoedeman (The Sand Castle, Ludovic). It focuses on 3 aspects of his life – family, farm, and studio. We see excerpts of his work and watch him create a new animation clip.