This rich selection of films made in Ontario between the 1930s and the 2020s provides a one-of-a-kind look at the experiences of the province’s unique communities.
Ink is our primal medium. It has always been with us, inscribing the evolution of humanity. The Colour of Ink uncovers the medium’s mystery and power through the eyes of Jason Logan, a visionary Toronto inkmaker. Working with ingredients foraged in the wild—weeds, berries, bark, flowers, rocks, rust—he makes ink from just about anything. Jason sends custom-made inks to an eclectic range of artists around the world, from a New Yorker cartoonist to a Japanese calligrapher. As the inks take on a life of their own, his playful alchemy paints a story of colour that reconnects us to the earth and returns us to a childlike sense of wonder.
On the heels of the Toronto Raptors’ historic NBA Championship and the record-setting number of Canadian draft picks, the Toronto hoop dream is more alive than ever. In this feature-length doc, director Ryan Sidhoo shines the spotlight on 12-year-old Elijah Fisher, 15-year-old Keone Davis and 18-year-old Cordell Veira as they navigate today’s youth basketball machine in pursuit of their own NBA dreams.
This animated short from Chris Landreth is based on the life of Ryan Larkin, a Canadian animator who produced some of the most influential animated films of his time. Ryan is living every artist's worst nightmare - succumbing to addiction, panhandling on the streets to make ends meet. Through computer-generated characters, Landreth interviews his friend to shed light on his downward spiral. Some strong language. Viewer discretion is advised.
Drowning in Dreams enters the dark and illusory world of one man's obsession. A story of greed and redemption, guilt and death, the film charts the course of a fatal dream as Fred Broennle plumbs the chilly depths of Lake Superior in a quest to raise the luxury steam yacht Gunilda. Run aground and sunk in 1911, with no loss of life and barely an afterthought by her wealthy American owners, Gunilda sat virtually intact in three hundred feet of water until one weekend in 1970, when Broennle and his diving instructor and partner Charles King Hague set out to find her. The fabulous wreck would soon cost Broennle a fortune, cause the death of King Hague, and change his own life forever. Torn between the duelling forces of greed and guilt over his partner's drowning, Broennle plunges into an hallucinatory lifetime project to raise Gunilda from the freezing waters. As his struggle becomes more and more desperate, we meet his son Tug, who, though deeply jealous of Fred's fixation on Gunilda, is himself drawn further and further into the web of his father's obsession.
This feature documentary takes us to the heart of the Jane-Finch "Corridor" in the early 1980s. Covering six square blocks in Toronto's North York, the area readily evokes images of vandalism, high-density subsidized housing, racial tension, despair and crime. By focusing on the lives of several of the residents, many of them black or members of other visible minorities, the film provides a powerful view of a community that, contrary to its popular image, is working towards a more positive future.
Tenants of public housing express some of their concerns and perceptions of the public housing positions of federal, provincial and municipal levels of government who make and administer policies that affect their lives. Controversial viewpoints, which will be useful in constructive discussion, are expressed.
Released in 1969, this short documentary was one of the most influential and widely distributed productions made by the Indian Film Crew (IFC), the first all-Indigenous unit at the NFB. It documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases—a right established by the Jay Treaty of 1794—Kanien’kéhaka protesters blocked the international bridge between Ontario and New York State. Director Michael Kanentakeron Mitchell later became Grand Chief of Akwesasne. The film was formally credited to him in 2017. You Are on Indian Land screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.
This short documentary studies the contrast between the sedate Toronto of the turn of the century and the thriving, expanding metropolis of 1951. Aerial views give evidence of the conversion of the old Toronto into the new--the city with towering skyscrapers, teeming traffic arteries, vast industrial developments and far-reaching residential areas housing over a million people.
Toronto's mid-century progress is also Canada's, as manifested in the building of Canada's first subway, and in the bustle of the nation's greatest trading centre--the Toronto Stock Exchange.
This short documentary features a portrait of Ottawa in the mid-20th century, as the nascent Canadian capital grew with force but without direction. Street congestion, air pollution, and rail traffic were all the negative results of a city that had grown without being properly planned. French architect and urban designer Jacques Gréber stepped in to create a far-sighted plan for the future development of Ottawa. With tracks moved, factories relocated, and neighbourhoods redesigned as separate communities, Ottawa became the capital city of true beauty and dignity we know today.