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Indigenous Land Claims and Rights (Ages 15-17)

8 films
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Discover the history, legal battles, and progress surrounding Indigenous land rights in Canada, highlighting their cultural significance and ongoing struggles for recognition. Pour visionner cette sélection en français, cliquez ici. Films in This Playlist Include Kanehsatake: 270 Years of Resistance You Are on Indian Land Honour of the Crown Power The Invisible Nation Trick or Treaty? No Turning Back Incident at Restigouche

Up next: Kanehsatake: 270 Years of Resistance
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Indigenous Land Claims and Rights (Ages 15-17)

Discover the history, legal battles, and progress surrounding Indigenous land rights in Canada, highlighting their cultural significance and ongoing struggles for recognition.

Pour visionner cette sélection en français, cliquez ici.

Films in This Playlist Include
Kanehsatake: 270 Years of Resistance
You Are on Indian Land
Honour of the Crown
Power
The Invisible Nation
Trick or Treaty?
No Turning Back
Incident at Restigouche

Playlist

  • Kanehsatake: 270 Years of Resistance
    Kanehsatake: 270 Years of Resistance
    Alanis Obomsawin 1993 1 h 59 min
    In July 1990, a dispute over a proposed golf course to be built on Kanien’kéhaka (Mohawk) lands in Oka, Quebec, set the stage for a historic confrontation that would grab international headlines and sear itself into the Canadian consciousness. Director Alanis Obomsawin—at times with a small crew, at times alone—spent 78 days behind Kanien’kéhaka lines filming the armed standoff between protestors, the Quebec police and the Canadian army. Released in 1993, this landmark documentary has been seen around the world, winning over a dozen international awards and making history at the Toronto International Film Festival, where it became the first documentary ever to win the Best Canadian Feature award. Jesse Wente, Director of Canada’s Indigenous Screen Office, has called it a “watershed film in the history of First Peoples cinema.”
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  • You Are on Indian Land
    You Are on Indian Land
    Michael Kanentakeron Mitchell 1969 36 min
    Released in 1969, this short documentary was one of the most influential and widely distributed productions made by the Indian Film Crew (IFC), the first all-Indigenous unit at the NFB. It documents a 1969 protest by the Kanien’kéhaka (Mohawk) of Akwesasne, a territory that straddles the Canada–U.S. border. When Canadian authorities prohibited the duty-free cross-border passage of personal purchases—a right established by the Jay Treaty of 1794—Kanien’kéhaka protesters blocked the international bridge between Ontario and New York State. Director Michael Kanentakeron Mitchell later became Grand Chief of Akwesasne. The film was formally credited to him in 2017. You Are on Indian Land screened extensively across the continent, helping to mobilize a new wave of Indigenous activism. It notably was shown at the 1970 occupation of Alcatraz.
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  • Honour of the Crown
    Honour of the Crown
    Tom Radford 2001 47 min
    François Paulette has devoted more than 25 years of his life to resolving a battle that is more than a century old. Senior negotiator for the Smith's Landing First Nation, Paulette is determined to see the Canadian government honour promises made to the Thebatthi (Chipewyan) people in an 1899 treaty. Shot in northern Alberta and Ottawa, Honour of the Crown is a fascinating behind-the-scenes look at the turbulent final years of this fight.

    Plunged into seemingly endless negotiations, Paulette and his brother, Chief Jerry Paulette, struggle to reclaim nine tracts of land and $33 million in compensation. Featuring interviews with tribal, provincial and federal government representatives, this documentary provides a rare glimpse into one community's success in settling a 100-year-old treaty obligation of the Crown.
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  • Power
    Power
    Magnus Isacsson 1996 1 h 16 min
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  • The Invisible Nation
    The Invisible Nation
    Richard Desjardins  &  Robert Monderie 2007 1 h 33 min
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  • Trick or Treaty?
    Trick or Treaty?
    Alanis Obomsawin 2014 1 h 24 min
    Covering a vast swath of northern Ontario, Treaty No. 9 reflects the often contradictory interpretations of treaties between First Nations and the Crown. To the Canadian government, this treaty represents a surrendering of Indigenous sovereignty, while the descendants of the Cree signatories contend its original purpose to share the land and its resources has been misunderstood and not upheld. Enlightening as it is entertaining, Trick or Treaty? succinctly and powerfully portrays one community’s attempts to enforce their treaty rights and protect their lands, while also revealing the complexities of contemporary treaty agreements. Trick or Treaty? made history as the first film by an Indigenous filmmaker to be part of the Masters section at TIFF when it screened there in 2014.
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  • No Turning Back
    No Turning Back
    Gregory Coyes 1996 47 min
    This film follows the aftermath of the Oka crisis, which brought Indigenous rights into sharp focus. After the barricades came down, the Royal Commission on Aboriginal Peoples was created, and travelled to more than 100 communities and heard from more than 1,000 representatives. For two-and-a-half years, teams of Indigenous filmmakers followed the Commission on its journey.
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  • Incident at Restigouche
    Incident at Restigouche
    Alanis Obomsawin 1984 45 min
    On June 11 and 20, 1981, the Quebec Provincial Police (QPP) raided Restigouche Reserve, Quebec. At issue were the salmon-fishing rights of the Mi’kmaq. Because salmon has traditionally been a source of food and income for the Mi’kmaq, the Quebec government’s decision to restrict fishing aroused consternation and anger. Released in 1984, this groundbreaking and impassioned account of the police raids brought Alanis Obomsawin to international attention. The film features a remarkable on-camera exchange between Obomsawin herself and provincial Minister of Fisheries Lucien Lessard, the man who’d ordered the raid. Decades later, Jeff Barnaby, director of Rhymes for Young Ghouls, cited the film as an inspiration. “That documentary encapsulated the idea of films being a form of social protest for me... It started right there with that film.”
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