This summer, we're highlighting NFB films made from coast to coast in Canada. This channel spotlights films made across the West that feature the region's peoples, landscapes and filmmakers.
Please note: This film contains explicit language. Viewer discretion is advised. John Ware Reclaimed follows filmmaker Cheryl Foggo on her quest to re-examine the mythology surrounding John Ware, the Black cowboy who settled in Alberta, Canada, before the turn of the 20th century. Foggo’s research uncovers who this iconic figure might have been, and what his legacy means in terms of anti-Black racism, both past and present.
In this animated short, Ruby the pig seeks affirmation in the city around her after witnessing the accidental death of a stranger… and finds it in surprising places. With deft humour and finely rendered detail, When the Day Breaks illuminates the links that connect our urban lives, while evoking the promise and fragility of a new day. Winner of over 40 prizes from around the world, the film also features singer Martha Wainwright.
Western ballads played on guitar are the only sounds used in this romantic portrait of a cowboy. He rounds up wild horses, lassoing one of the high-spirited animals in the corral, and then goes for a glorious plunging ride across the spectacular Rocky Mountain foothills of Alberta.
This documentary short tracks the shift in the relationship of an individual to his work between the 19th century and today. Focusing on how nails are made, we first see a blacksmith laboring at his forge, shaping nails from single strands of steel rods. The scene then shifts from this peaceful setting to the roar of a 20th century nail mill, where banks of machines draw, cut, and pound the steel rods faster than the eye can follow.
In 1909, a dapper young remittance man is sent from England to Alberta to attempt ranching. However, his affection for badminton, bird watching and liquor leaves him little time for wrangling cattle. It soon becomes clear that nothing in his refined upbringing has prepared him for the harsh conditions of the New World. This animated short is about the beauty of the prairie, the pang of being homesick and the folly of living dangerously out of context.
Betty Ann, Esther, Rosalie, and Ben were only four of the 20,000 Indigenous Canadian children taken from their families between 1955 and 1985, to be either adopted into white families or live in foster care. As the four siblings piece together their shared history, their connection deepens, and their family begins to take shape.
This short film, crafted entirely out of NFB archival footage by First Nations filmmaker Caroline Monnet, takes us on an exhilarating journey from the Far North to the urban south, capturing the perpetual negotiation between the traditional and the modern by a people moving ever forward.
Part of the Souvenir series, it's one of four films by First Nations filmmakers that address Indigenous identity and representation, reframing Canadian history through a contemporary lens.
Snow Warrior is a love letter to the splendour of winter. It captures the beauty of a northern city through the eyes of a bicycle courier named Mariah. We see her ready herself and her bike for a gruelling day’s work of racing through the snow and traffic to get her deliveries into the hands of her customers.
Critic-turned-filmmaker Katherine Monk trains her lens on DJ Rhiannon Rozier in this short film about breaking the glass ceiling in a music industry dominated by men. The Vancouver-raised, university-educated Rozier was so intent on making a career in the Electronic Dance Music (EDM) scene that she did something she never thought she’d do: she posed for Playboy.
From the ranchlands of Alberta, a picture of the cattle drive as it is today, when big cattle-liners truck the livestock to receiving stations on the summer range. But archival photographs tell how it was in the old days when the cowboy was king, driving his herd by easy stages to distant, greener pastures. Big sky, undulating hills and distant mountains still hold the spell and romance of the West that old-timers remember.
This film deals straightforwardly with the consequences of a nuclear attack for the Canadian Prairies. The Prairies are singled out because of their proximity to huge stockpiles of intercontinental ballistic missiles located in North Dakota. Scenes include a visit to a missile base and to an emergency government bunker in Manitoba. A doctor, a farmer and a civil defence coordinator provide different perspectives on nuclear war. Although the film focuses on one region, it provides a model for people everywhere who would like to know more about their own situation but don't know what questions to ask.
This feature-length documentary chronicles the efforts of 8 athletes, both in their home countries before the August 1978 Commonwealth Games and during competition itself. The film was the official film of the 11th Commonwealth Games, held in Edmonton, Canada.
This animated film paints a vivid portrait of two strangers intimately linked by the shared ceilings, floors and plumbing of their apartments. When an unexpected problem arises, these comfortable connections are compromised. Wendy Tilby uses a painstaking animation process involving painting on glass and stop-action filming. Strings is a film as beautiful as it is haunting. Without words.
Featuring archival images and compelling interviews, this documentary captures Rhonda Larrabee's quest to unearth the Indigenous heritage her mother felt forced to hide from her. Now, as proud Chief of the New Westminster Band, she works tirelessly to revitalize the Qayqayt First Nations. Tribe of One was produced as part of Reel Diversity, an initiative organized in partnership with CBC Newsworld.
This short documentary from the Canadian Artists series presents the art of Emily Carr, the Canadian painter who found exciting subject matter on British Columbia's Pacific Coast, with its giant trees and its Indigenous villages, totems and carvings. When Carr visited the Ucluelet Indian Reserve on Vancouver Island in 1898, the Nuu-chah-nulth people gave her the name Klee Wyck, meaning “Laughing One.” Her canvases are shown here amidst the landscapes and places where they were painted. At the end of the film Tse-shaht painter George Clutesi is pictured as Carr left her paintbrushes and other materials to him.
This short documentary tells the story of the first Jewish settlers to Winnipeg, people who fled European persecution at the turn of the century and founded a new community in a Canadian city.
Julia Kwan’s feature-length documentary Everything Will Be captures a significant moment of time in Vancouver’s Chinatown, with the influx of condos and new, non-Chinese businesses. The film follows a year in the life of several Chinatown denizens, including a 90-year-old Chinese newspaper street vendor and a second-generation tea shop owner, as they navigate this community in flux.
In this feature documentary, husband-and-wife team Karsten Heuer and Leanne Allison (Being Caribou), along with their 2-year-old son and dog, retrace the literary footsteps of Canadian writer Farley Mowat. They canoe east from Calgary towards the Prairies (the geography of Farley's Born Naked and Owls in the Family) and then traverse the same paths that Mowat took more than 60 years earlier in Never Cry Wolf and People of the Deer. Their epic 5,000 km journey—trekking, sailing, portaging and paddling—ends in the Maritimes, at Mowat's Nova Scotia summer home.
This film is a revealing portrait of a tough cop with a big heart. Sergeant Bernie "Whistling" Smith walks the beat on Vancouver's Eastside, the hangout of petty criminals, down-and-outs and a variety of characters. His policing is unorthodox. To many drug users, petty thieves and prostitutes in this economically depressed area he is more than the iron hand of the law, he is also a counsellor and a friend.
Just north of the City of Edmonton lies Poundmaker’s Lodge, an addiction and mental-health facility specializing in treatment for Indigenous people. Founded in 1973 and still operational today, the Lodge’s programs and services are Indigenous-run and based in culturally appropriate recovery and healing techniques. Framing the short documentary with the words of the great Plains Cree Chief Pîhtokahanapiwiyin (Poundmaker), Alanis Obomsawin presents a frank examination of the root causes of substance abuse in Indigenous communities and how the absence of love and support – exacerbated by the impacts of colonialism and racism – created a legacy of alcoholism for some individuals.
This short documentary focuses on prairie sculptor Joe Fafard. If there's one thing Joe knows, it's cows. He knows the way they tuck in their forelegs to lie down to ruminate and the way a calf romps in the barnyard. He also knows his friends and neighbours in the farming community of Pense, Saskatchewan—and he sculpts them all in clay, as eloquent and quirky miniatures. Joe's work has been exhibited throughout Canada as well as in Paris and New York, and this film offers a glimpse into his process, his aesthetic, and the charming prairie community in which he lives.
In this short documentary vignette, members of the Alpine Club of Canada display their skill and talk to host Fred Davis about why they climb. The film take us to a ten-thousand-foot peak in Yoho National Park, a practice slope on Grouse Mountain near Vancouver, and a steep precipice known as Devil's Leap, providing ample scope for a demonstration of mountain climbing.
A short, classic documentary that takes us to Calgary's famous stampede of the 1940’s. In the rolling foothills of Alberta, the colts and horses run free with wild grace and speed, until it’s round-up time. Some are destined for the Calgary Stampede, the most exciting time for cowboys and ranchers who compete in the dusty ring to win at roping, bronco-busting, bulldogging a steer, and chuck-wagon racing, risking life and limb.
This short documentary offers a look at Stampede Week in Calgary and the show’s main performers – the cowboys and their horses. After the herds come thundering in, the focus shifts to one cowboy in particular, and we follow him as he travels from rodeo to rodeo, always reaching for the grand prize on the back of a bucking bronco.
This documentary follows the rodeo circuit as experienced by Canadian world-champion cowboy Kenny McLean. The film follows him on the stampede trail from Texas to Alberta, with scenes of bronco busting, calf roping and steer wrestling. It is what he does for a living, but his real life is with his wife and infant son on his ranch in British Columbia.
If you've ever bought a wonder wallet, a food slicer, a canapé maker, a patty stacker, a miracle brush or a super knife, you may know that the CNE, the Calgary Stampede, and virtually every home show, car show, craft show, fall fair and ploughing match in Canada has at least one thing in common. At hallway intersections and bleacher exits work the second cousins of the carnival barker, the crowd pleasers and teasers, jugglers of people, product and pitch: the point-of-sales professionals known as pitchmen. This documentary looks at the psychology of the impulse sale and provides a view of the world of commerce, salesmanship and advertising at the grass-roots level.
This documentary short is an introduction to the Bella Bella (Heiltsuk) of Campbell Island, 500 km North of Vancouver on the Pacific Coast. Since the coming of settlers, these fishing people have watched their ancient Heiltsuk culture and their independence all but disappear. Today, in an energetic attempt to become self-sufficient, they are regaining both - successfully combining economic development with cultural revival.
We hear the Heiltsuk language spoken in the film (Haíɫzaqvḷa).
This short animation is director Ann Marie Fleming’s animated adaptation of Bernice Eisenstein’s acclaimed illustrated memoir. Using the healing power of humour, the film probes the taboos around a very particular second-hand trauma, leading us to a more universal understanding of human experience. The film sensitively explores identity and loss through the audacious proposition that the Holocaust is addictive and defining.
A questioning filmmaker from Québec finds out how Vancouver's poets and painters look at life and art. Among the people seen are sculptor Donald Jarvis, painters Jack Shadbolt, Joy Long and Margaret Peterson, and printmaker Sing Lim.
After losing his best friend, an elderly pug named Henry must depend on his owner for help and companionship. Writer/director Ann Marie Fleming (Window Horses) makes visible the tender work of caretaking in her new animated short, Old Dog. All dogs (and people) should be so lucky and so loved.
This short film pays tribute to director, screenwriter and actress Sarah Polley. Her latest film, Stories We Tell, a feature length documentary about her family history, premiered at the 2012 Venice Film Festival, then screened to unanimous acclaim at the Telluride Film Festival, the Toronto International Film Festival, and the Sundance Film Festival. It was called “a brilliant film: an enthralling, exquisitely layered masterpiece” by Maclean’s film critic Brian D. Johnson. Here, a whimsical, playful film tells the story of the kinds of stories Polley tells. Using humorous, simple line animation, the film comments on the messiness of life and art.
Produced by the NFB in co-operation with the National Arts Centre and the Governor General's Performing Arts Awards Foundation on the occasion of the 2013 Governor General's Performing Arts Awards.
In this joyful portrait, filmmaker Ann Marie Fleming animates the formative days and musical career of Calgary-born identical twins Tegan and Sara Quin. Their remarkable journey over the past 20 years has often intersected with notions of identity—as artists, as individuals, as sisters, as queer women, and as leading activists in the LGBTQ community. Their musical progression parallels and amplifies their commitment to bringing the marginal to the mainstream.
In this short animation film a prairie landscape undergoes a metamorphosis from rural idyll to over-urbanized dystopia. Director Anne Koizumi laments the changing face of her hometown of Calgary in this critique of the bacteria-like spread of suburbia and exurbia.
Produced as part of the third edition of the NFB’s Hothouse apprenticeship.
This short documentary features a group of seniors called the "U of Agers" who meet twice a week at the University of Alberta to do gymnastics. The U of Agers are just "ordinary" people trying to do "extraordinary" things and confirm that if they can do gymnastics, then others in Canada have the potential to excel at whatever inspires them.
As a young woman finds herself lost in daydreams while clumsily performing the tradition of making pierogies, she invokes the presence of her grandmother, who guides her through the messy ritual. The film is a fusion of hand-drawn animation, folk art and stereoscopic drawings made in space, by Calgary illustrator and filmmaker Kiarra Albina.
Produced as part of the 6th edition of the NFB’s Hothouse apprenticeship.
This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government.
Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Indigenous objects held in museums.
This short documentary tells the intensely personal story of Namrata Gill – one of the many real-life inspirations for Deepa Mehta’s Heaven on Earth – in her own words. After six years, Gill courageously leaves an abusive relationship and launches a surprising new career.
A portrait of Jean Bessie Lumb, a Chinese-Canadian woman. Mrs. Lumb talks candidly about the prejudice she felt during her childhood in Vancouver, her arranged marriage, her occupation, raising children, and intermarriage.
This documentary paints a picture of Arab men that is vastly different from what we’re accustomed to. In this antidote to mainstream-media depictions of Arabs as terrorists and extremists, we get to meet Jay, Ghassan and their friends, who gather at Jamal’s Eden Barber Shop to discuss politics, religion and family over a cut and a shave. Often funny, sometimes sad, this engaging film documents the challenges these men face integrating into Canadian life while preserving their identity and culture.
In this documentary short, Vancouver architect Stanley King demonstrates his method for involving the public in urban design. Called the "draw-in/design-in”, the method is applied to a downtown Vancouver area slated for redevelopment. How can it be made to best serve the needs of the people who will use it? Here, sketches prepared by students and refined by adults are used to guide city planners.
This short documentary focuses on a man-made island that became the first federal sanctuary for wildlife in Canada. Situated an hour east of Edmonton, it houses one of the world's densest collections of wildlife, maintained by Parks Canada. Elk Island offers a glimpse of the behind-the-scenes activity of the island.
Filmmaker and bestselling author Vivek Shraya’s ode to a popular Edmonton gay bar that closed in 2007. With pulsating neon-light animation, Reviving the Roost is a story about community complexity and longing, and an elegy to a lost space.
In this cinema vérité documentary, director Rosie Dransfeld captures the gritty and dangerous world of Edmonton's sex trade workers where, in a post-Pickton era, women now voluntarily provide police with DNA samples for future postmortem identification.
This documentary uses frequent dramatic re-enactments to trace the tale of the Edmonton Grads women's basketball team, which was formed in 1915 and disbanded in 1940. During that time, the team was Canadian Champion (1922-1940), North American Champion (1923-1940), and World Champion (1924-1940). Their phenomenal record of 502 wins and 20 losses remains unrivalled by any team in any sport. Shooting Stars is a thorough historical look at female athletes in an era when sports were a man’s game.
This short documentary introduces us to Lennard Island, a tiny island near Tofino, British Columbia, and the family of 4 who are its sole occupants. There we meet the lightkeeper’s son, Steven Thomas Holland, age 10, and his father, mother and brother. A gracious host and great fan of his island home, the boy takes us on a tour and dispels any ideas that living in isolation might be boring. This film is part of the Children of Canada series.
A case study of municipal government and the influence of citizens acting as a group. The case study is that of Edmonton, but the problems shown are those of many cities: urban renewal, traffic congestion, zoning, etc.
In this short documentary from the 70s, we get a glimpse of life inside an artistic community in the mudflats area of North Vancouver. An anti-establishment group, they live as squatters, rejecting drugs while practicing a philosophy of love for the universe. They also reject the values of mainstream society, as embodied by the mayor of North Vancouver, who wants to turn their “home” into a shopping centre.
This animated short tells the story of Seraphim "Joe" Fortes, one of Vancouver's most beloved citizens. Born in the West Indies, Joe Fortes swam in English Bay for over than 30 years. A self-appointed lifeguard at first, he became so famous that the city of Vancouver finally rewarded him with a salary for doing what he loved best. He taught thousands of people to swim and saved over a hundred lives. Yet there were some who did not respect him because of his skin colour. Through his determination, kindness and love for children, Joe helped shift attitudes.
This documentary short is about Penticton, BC, and what happens when students from the only high school in town graduate. Most know that job opportunities and higher education lie elsewhere, most likely in Vancouver. So, for one memorable week, they go through a whirlwind of formal ceremonies, wild celebrations, hi-jinks and farewells that involve the whole population of this Okanagan Valley community.