This short film introduces us to Sébastien Aubin, a French-speaking member of Manitoba's Opaskwayak Cree Nation. He works as a graphic artist for a living, but he's embarked on a personal spiritual and identity quest on the side. Attempting to transcend the material world, he's apprenticing in traditional Indigenous medicine with healer Mark Thompson. The relationship between the two figures marks the contrast between generations; between modernity and tradition. It makes the 360-degree turn from the values of the past to those of today strikingly apparent.
This documentary was made as part of the Tremplin program, with the collaboration of Radio-Canada.
This very short film from the Canada Vignettes series documents the annual pilgrimage that members of Saskatchewan’s Métis Catholic community make to St. Laurent, a village in the Duck Lake area that became the Métis nation’s spiritual centre at the time of the 1885 Northwest Rebellion.
Released in 1971, this lyrical short documentary marked the directorial debut of legendary Abenaki director Alanis Obomsawin. Filmed at a residential school in northern Ontario, it is composed entirely of drawings by young Cree children and stories told by the children themselves. Listening has been at the core of Obomsawin’s practice since the very beginning. “Documentary film,” she said in a 2017 interview, “is the one place that our people can speak for themselves. I feel that the documentaries that I’ve been working on have been very valuable for the people, for our people to look at ourselves… and through that be able to make changes that really count for the future of our children to come.”
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20155 min
Ivana Yellowback is a student and youth mentor in Winnipeg, Manitoba. As a Cree woman living in the city and away from her land, she struggles to maintain her spiritual identity. Knowing that other Aboriginal youth struggle as she does, she helps them find balance by re-engaging with traditional practices that have been suppressed for centuries.
"Some say when a child dies, you lose your future, and when an elder dies, you lose your past." Life Givers: Honouring Our Elders and Children is a poignant short film that testifies to the need to grieve and honour the memory of loved ones.
This short film is an edgy, searing portrait of an ex-gang member trying to make peace with his past. Rapper Shawn Bernard raps about the various struggles in his life, the choices he's made and their consequences, while poignantly recounting the loss of his sister. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
e an impressive debut - one wrought with emotion and hope.
This short film tells the story of Rocky Morin, a drummer who first felt the pull of the drum almost 15 years ago and hasn't looked back since. It's a powerful reminder of the need to maintain a strong connection to one's roots. First Stories is an emerging filmmaker program for Indigenous youth which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
Shoal Lake 40 women talk about their struggles, and those of their parents and grandparents, in trying to raise their families in a hazardous state of enforced isolation. Everyone in the community has a harrowing story of a loved one falling through the ice while trying to get across the lake, with pregnant women and new mothers fearing for their babies and having no choice but to make the trek in dangerous conditions. The film shows the key role of the community’s women in demanding funding for the road from three levels of government, and how their reconnection to culture and ceremony give them the strength to keep going.
The men of Shoal Lake 40 tell the story of life in the community from their perspective, in the lead-up to their annual powwow. Lorne Redsky works the outdated pump house; there is no money to fix basic systems and bottled water is required for everyday use. As Lorne focuses his energy on the monumental task of getting clean water to the powwow, community member Kavin Redsky prepares his regalia for dancing, a deeply personal process connected to his healing journey. The two men embody the powerful gifts of community, traditional culture, and medicines, which have given the people of Shoal Lake 40 the resilience to continue the fight for Freedom Road
This short documentary by celebrated filmmaker Alanis Obomsawin is a portrait of Eugene "Gene Boy" (pronounced Genie Boy) Benedict, from Odanak Indian Reserve (near Montreal, Quebec). At 17, he enlisted in the US Marines and was sent to the frontlines of the Vietnam War. This film is the account of his 2 years of service and his long journey back to Odanak afterwards.
This feature-length documentary explores the diabetes epidemic within Indigenous communities in Canada. Ojibway filmmaker Brion Whitford lives with the pain of advanced diabetes, but shunned traditional Indigenous medicine and healing practices. But as his health deteriorated, he had a change of heart. Join Brion as he connects with his culture, comes to grips with his own mortality, and tries to re-establish balance in his life.
This introspective short animation takes place In the village of Carcross, in the Tagish First Nation. Neighbourhood pillar Grandma Kay tell the local children the tale of how Crow brought fire to people. As the story unfolds, we also meet 12-year-old Tish, an introspective, talented girl who feels drawn to the elder. Here, past and present blend, myth and reality meet, and the metaphor of fire infuses all in a location that lies at the heart of this Native community’s spiritual and cultural memory.
In this feature documentary, filmmaker René Siouï Labelle retraces the path of his ancestors and surveys their territories, recording images of stunning beauty. He unveils a historical journey known to very few as he reflects upon the identity of the Wendat nation. In French with English subtitles.
This film profiles a number of Mi’kmaq and Maliseet artists from Nova Scotia and New Brunswick, showing their similarities and differences, samples of their work and the sources of their inspiration. It offers a remarkable look at Indigenous art and spirituality in Atlantic Canada.
In this feature-length documentary, filmmaker Loretta Sarah Todd takes viewers on a visually lush journey, exploring the significance of land, memory, and knowledge to the Kainai Blood Nation of Southern Alberta.
The catalyst for this expressionistic journey is the return of belongings of the Kainai, collected by Europeans during colonial times and kept in distant museums. As the community's elders examine the objects and share stories first-hand, they reveal how the rich threads of Kainai life thrive from one generation to the next.
Get an up-close look at daily life among the Longhouse People with this short documentary from 1951. It depicts the rites and rituals of this Indigenous community, including a rain dance, a healing ceremony, and the celebration of a newly chosen chief.
The story of the Jesuit martyrs who lived with the Wendat converts in the region near what is now Midland, Ontario. The film is of wide interest since it reconstructs a period of Canadian history, especially of Indigenous life, at the very beginning of European settlement. The village and the Jesuits' buildings are exact models from archeologists' reconstructions. The story is based on the Jesuit Relations, the actual journals of mission life that still make for thrilling reading.
This film discusses topics of trauma and abuse. Viewer discretion is advised. Meneath: The Hidden Island of Ethics dives deeply into the innate contrast between the Seven Deadly Sins (Lust, Gluttony, Greed, Sloth, Wrath, Pride and Envy) and the Seven Sacred Teachings (Love, Respect, Wisdom, Courage, Truth, Honesty and Humility), as embodied in the life of a precocious Métis baby. Brought to life by Terril Calder’s darkly beautiful stop-motion animation, her inner turmoil of abuse is laid bare with unflinching honesty. Convinced she’s soiled and destined for Hell, Baby Girl receives teachings that fill her with strength and pride, and affirm a path towards healing. Calder’s tour-de-force unearths a hauntingly familiar yet hopeful world that illuminates the bias of colonial systems.
William Commanda, whose Algonquin name is Ojigkwanong, was born on the Maniwaki reserve in Quebec in 1913. The story of his early life is a familiar one: the loss of Indigenous culture, numbing poverty and escape into alcohol. In 1961 Commanda, then chief of his reserve, was terminally ill. He had a vision that would transform his life and those of his people. Imagining a Circle of all Nations, his first gesture was to reconcile the Algonquins and Iroquois. Since then, he has devoted himself to the reconciliation of peoples and cultures. The message of this old sage is universal: healing is the main priority and can only be achieved through forgiveness and tolerance. In this, he shares much with other remarkable individuals who managed to wash politics clean of resentment: Gandhi, Martin Luther King, the Dalai Lama and Nelson Mandela. In French with English subtitles.
This documentary offers an engrossing portrait of Gene Harry, devoted husband, father, and foster father. He's also a Church Minister, champion dragon boat racer, long-boat canoe paddler, and Eagle Spirit Dancer in the traditional Salish Long House. In short, he's remarkable. And when he speaks, people listen. Discover why with this up-close look a the humble, yet charismatic, First Nations spiritual healer.
This short documentary from 1966 shows life in the Chipewyan community on a reserve in Northern Saskatchewan, where new ways of living don’t conflict with traditional activities. You’ll meet Moise MacIntyre, who is satisfied living along the lake with its fish and the game in the nearby woods, despite having the opportunity to leave. Free from the burden of having to succeed in the traditional sense of financial earnings, these people have created a sense of community that more than makes up for what they may otherwise lack.
This short film traces Pete Standing Alone's personal journey from cultural alienation to pride and belonging. As a spiritual elder, teacher, and community leader of the Kainai Nation of Southern Alberta, Pete works with youth to repair the cultural and spiritual destruction wrought by residential schools. At age 81, he has come full-circle in his dedication to preserving the traditional ways of his people.
This short documentary journeys into the spiritual world of traditional Indigenous medicine, a world inhabited by Dr. Mary Louie (a spiritual leader of the Syilx or Okanagan Nation), and her husband Ed Louie. With a lifetime of experience in the ways of spirituality, they are committed to practices that keep them accountable to the spirit world, their people, and Mother Earth. When one of the crew members get sick while shooting, his subsequent care is recorded for the purposes of this film.
This short documentary follows three Indigenous women as they practice ancestral forms of worship: drumming, singing, and using sweetgrass. These ancient spiritual traditions may at first seem at odds with urban life, but to Indigenous people in Canada who are used to praying in natural settings, the whole world is sacred space.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
This documentary looks at various Indigenous spirituality programs that run in western Canadian federal penitentiaries, as well as in some provincial institutions. These programs are led by elders, with assistance from liaison officers. They include workshops, ceremonies, and other traditional methods that help put the incarcerated back in touch with themselves, their culture, and their spirituality. A unique glimpse of the lives of Indigenous inmates.
This short documentary takes a poignant look at cultural misunderstanding and its toll on a family's grief. When filmmaker Gerald Auger lost his father, the local Anglican priest refused to allow the family to bury their father in the traditional Cree way - with the drum and the smudge - because he was buried on Anglican church property. Gerald sets out to resolve his hurt and anger and his path leads him to some unexpected places.
Second Stories follows on the heels of the enormously successful First Stories project, which produced 3 separate collections of short films from Manitoba, Saskatchewan, and Alberta. Second Stories builds on that success by continuing the training with 3 of the 12 Indigenous filmmakers who delivered such compelling short documentaries. Produced in association with CBC, APTN, SCN, SaskFilm and MANITOBA FILM & SOUND.
In a quest to rediscover the spiritual values of his own people, an African filmmaker from the Gourmantche tribe of Burkina Faso visits the Atikamekw of Northern Quebec. The resulting documentary is a dialogue between those who divine the future in the sand with those who use snow-encased sweat lodges to reconnect with the spiritual world.
A moving portrait of actress Tantoo Cardinal, travelling through time and across the many roles she’s played, capturing her strength and her impact—and how she shattered the glass ceiling and survived.
This short film offers a snap-shot of life in Fort Frances, Ontario, as some of its community members prepare to gather in a special place that will bond their hearts and minds. By engaging in ceremony and celebrating their language, culture and land, the people are creating “Zaagi’idiwin”—a symbol of their truth, their story and their own reconciliation, which is community-defined, beautiful and inspiring.
In the last forty years, Canada has seen a major population shift of Indigenous peoples to the urban centres like Toronto which has become home to the largest urban Indigenous population in the country (an estimated 65,000).
Today's urban Indigenous peoples (both those with a direct connection to land-based reservation life, and those who have always lived in cities) are developing an urban Indigenous culture. They are discovering ways to integrate important expressions of traditional culture into city life, including the tradition of the Elder: a person of great wisdom who dispenses advice, settles disputes, and acts as a model and arbitrator of acceptable behaviour.
Meet Vern Harper, Urban Elder, who walks the "Red Road" in a fast-paced, urban landscape. The camera follows Vern as he leads a sweat lodge purification ceremony, watches his 11-year-old daughter Cody at a classical ballet rehearsal, conducts a private healing ceremony, participates in a political march of 150,000 people, and counsels Indigenous prisoners at Warkworth Federal Prison.
In his own voice, Vern Harper tells the Urban Elder story of how he reaches into the past for his people's traditions, blending those old ways into the present so that the future can be a time of personal growth and spiritual strength.
Some Stories follows a group of Indigenous youth from the Nipissing (Nbisiing) region who come together through the North Bay Indigenous Friendship Centre and explore the importance and impact of stories in their lives.
Diane Obomsawin's whimsical animated short follows medicine man Walk-in-the-forest on a walk in the woods that leads to the discovery of an intriguing secret world.
In 1903, a unique and magnificent Whaler's shrine was shipped from Friendly Cove, on the far northwest coast of Canada, to the Museum of Natural History, New York. The shrine had lain at the cultural heart of the Mowachaht, whale hunters and fishermen who had lived at Friendly Cove for thousands of years. In the 1960s and '70s, all but one family left their ancient village--they
moved to Vancouver Island, to a new site under the walls of a pulp mill. They suffered extremes of pollution, violence, alcohol.... Then, in the 1990s, in defiance of the agony of their history and to overcome the grief of the present, the Mowachaht and their neighbours, the Muchalaht, revived their songs and dances, revisited their shrine and rediscovered their pride.