Indigenous Languages Playlist (Ages 15-17)

Accompanied by a song in the Lil̓wat7úl language, we follow a woman as she makes gwùshum, a Stl’atl’imx (Líl̓wat) dessert and a very special treat. From the harvesting of the xúsum (soapberries or salmonberries) to the construction of the corn-husk whisk, a dish is created that is equal measures mouthwatering and awe-inspiring.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge.

Expert fishers for their entire lives, Líl̓wat Elders Cora and Daniel Wells share their deep knowledge of salmon fishing, cleaning and smoking.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

The farming practices of residents of the Líl̓wat Nation near Mount Currie, B.C., are presented in a series of snapshots that illustrate the fertility of their territory and the people’s deep connection to their land.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

An intimate portrait of Marie Leo, a Sto:lo woman who was adopted into a Líl̓wat family as a baby. Marie’s gentle narrative of her remarkable early childhood demonstrates a deep connection to culture, land and family that continues to endure.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

Elder Marie Leo recounts her experiences going through puberty. Growing up on the Líl̓wat Nation near Mount Currie, B.C., Marie details the important process of preparing for womanhood. The various tasks and duties she undertakes demonstrate a complex, beautiful journey a young Líl̓wat person undergoes as they welcome adulthood and increased responsibilities.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Líl̓wat Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about Líl̓wat culture, histories and knowledge.

In a series of playful portraits, Stl’atl’imx (Líl̓wat) children and youth go about their daily duties at the community’s summer camp outside Mount Currie, B.C. Infused with a sense of love, togetherness and pride, this short documentary is a remarkable visual archive of a Stl’atl’imx (Líl̓wat) community through the beautiful faces of their young people.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge.

A series of still images follows master Stl’atl’imx (Líl̓wat) basket maker Mathilda Jim, from the harvesting of materials to the creation of a functional work of art. Told in the Lil̓wat7úl language, this short documentary evokes the powerful connection between language, knowledge and culture.

This short is part of the L’il’wata series. In the early 1970s, at the outset of her documentary career, Alanis Obomsawin visited the Stl’atl’imx (Líl̓wat) Nation, an Interior Salish First Nation in British Columbia, and created a series of shorts that provide personal narratives about their culture, histories and knowledge.

In this short film, Inuk artist Asinnajaq plunges us into a sublime imaginary universe—14 minutes of luminescent, archive-inspired cinema that recast the present, past and future of her people in a radiant new light. Diving into the NFB’s vast archive, she parses the complicated cinematic representation of the Inuit, harvesting fleeting truths and fortuitous accidents from a range of sources—newsreels, propaganda, ethnographic docs, and work by Indigenous filmmakers. Embedding historic footage into original animation, she conjures up a vision of hope and beautiful possibility.

ohpahowi-pīsimohk kēkā-mitātaht ēhakimiht, nēhiyāsis ēhisiyihkāsot Colten Boushie ēkīnipahiht ēpāskisoht nāway ostikwānihk ēkīsipihtokwēpayicik Gerald Stanley otaskīm wiya asci owīcēwākana. owiyasiwēwak kāwīyasiwātahkik ēwako itwēwak namoya ēmāyinikēt Stanley pikwihtē askiy pēhtācikātēw, kakwēcihikēmonāniwiw iyikohk pakwāsiwēwin ēhitakohk anita kanāta wiyasiwēwinihk ēkwa Colten opēyakohēmāwa ōta askiy ēkwa misiwihtē askiy nīpawistamwak kwayask kapaminikawiyak wiyasiwēwinihk isi. kwayask nansihkāc atoskātam Tasha Hubbard, nīpawistamāsowin: We Will Stand Up ita ēhācimot kākīhotiniht, pēhci-nāway ēwako ōma opaminikēwin ōta kāpaskwāk, ēkwa tān’si ōte nīkān kēsi miyopimātisicik iyiniwawāsisak ōta ēnehiyawāstēk.

māyitōtamowin wāpahcikātēw ōta cikāscēpayis. kwēyāci kiwihtamākawin ēwako pāmayēs kakanawāpahtaman ōma.

This animated short tells the story of Qalupalik, a part-human sea monster that lives deep in the Arctic Ocean and preys on children who do not listen to their parents or elders. That is the fate of Angutii, a young boy who refuses to help out in his family’s camp and who plays by the shoreline... until one day Qalupalik seizes him and drags him away. Angutii's father, a great hunter, must then embark on a lengthy kayak journey to try and bring his son home.

In this animated short, a self-important colonial explorer emerges from a sailing ship and plants a flag on the Arctic ice, as a bemused Inuit hunter looks on. Then the explorer plants another, and another, and another, while the hunter, clearly not impressed that his land has been “discovered,” quietly goes about his business. In this charming and humorous re-imagining of first contact between Inuit and European, Jonathan Wright brings us the story of a savvy hunter and the ill-equipped explorer he outwits.

Inspired by an Inuit poem first assigned to paper in 1927, this animated short evokes the beauty and power of nature, as well as the bond between mother and daughter. As her daughter looks on, an Inuit woman creates a wall hanging filled with images of the spectacular Arctic landscape and traditional Inuit objects and iconography. Soon the boundaries between art and reality begin to dissolve.

This animated short tells the story of Qalupalik, a part-human sea monster that lives deep in the Arctic Ocean and preys on children who do not listen to their parents or elders. That is the fate of Angutii, a young boy who refuses to help out in his family's camp, opting instead to play by the shoreline. But one day, Qalupalik seizes him and drags him away. Angutii's father, a great hunter, must then embark on a lengthy kayak journey to try and bring his son home.

In this feature-length documentary, 8 Inuit teens with cameras offer a vibrant and contemporary view of life in Canada’s North. They also use their newly acquired film skills to confront a broad range of issues, from the widening communication gap between youth and their elders to the loss of their peers to suicide.

ᕿᒧᔅᓯᖅ ᐅᓯᔪᖅ ᐃᓄᒡᕼᐅᐃᑦ ᐃᓚᒌᓂᑦ ᐃᖏᕐᕋᕗᑦ ᓯᕕᑐᔪᒃᑯᑦ ᓯᑯᒃᑯᑦ ᐊᑯᑭᑦᑐᓂᑦ. ᓯᑰᑉ ᐊᑖ ᐊᐅᑉᐸᓕᐊᑎᓪᓗᒍ --- ᕿᒻᒦᑦ ᒪᐅᕙᑉᐳᑦ ᐃᖏᕐᕋᓂᕐᒥᓂ, ᐃᒫᓚᐅᖅᐸᑦᑐᑎ. ᓇᕙᕋᓇ, ᐃᓐᓇᖅ ᐊᒻᒪᓗ ᖃᒧᑎᒥᑦ ᐃᑭᒪᔪᖅ, ᐊᖏᕈᑎᖃᖅᑯᖅ ᓂᕆᐅᓇᓐᖏᑦᑐᓂᑦ ᐊᓯᔾᔨᐸᓪᓕᐊᔪᓂᑦ ᐅᑭᐅᖅᑕᖅᑐᒥᐅᑕᓕᒫᓄᑦ ᓴᖅᑭᐅᒪᔪᓂᑦ.

1860-ᖏᓐᓂᑦ ᓇᕙᕋᓇᐅᑉ ᓯᕗᕚᖓ ᑕᑯᓐᓇᒐᖃᓲᖅ --- ᐊᖓᒃᑯᖅ ᕿᑭᖅᑖᓗᒻᒥᐅᑕᖅ, ᑲᓇᑕᒥ ᐊᑎᓕᒃ ᕿᓪᓚᖅᓱᐊᒥᑦ --- ᐃᖏᕐᕋᓚᐅᖅᓯᒪᕗᖅ ᐊᔾᔨᐅᖏᑦᑐᒃᑯᑦ ᑲᔾᔮᓇᖅᑐᒃᑯᑦ, ᓯᕗᒃᑲᑕᖅᑐᓂ ᐃᓅᖃᑎᖏᓐᓂᑦ ᐊᑯᑭᑦᑐᓕᐊᖅᑐᑎ. ᑖᔅᓱᒪ ᐊᖓᒃᑰᑉ ᐃᓚᒌᓕᖅᑐᑎ ᑭᖑᕚᖃᓕᖅᑐᓂ ᓇᕙᕋᓇᒃᑯᓐᓂᑦ ᑐᓴᖃᑦᑕᐅᑎᓕᕆᓂᒃᑯᓪᓗ ᐊᒻᒪᐃᓪᓗᓂ. ᐊᕐᕌᒍᐃᑦ 150 ᐅᖓᑖᓄᑦ, ᓇᕙᕋᓇ ᕿᓪᓚᖅᓱᐊᑉ ᐃᖏᕐᕋᕕᒥᓂᖓᓂᑦ ᑐᔾᔭᐃᓯᒪᕗᖅ ᐅᑎᒧᖔᖅ ᑲᓇᑕᒧᑦ ᐊᒻᒪᓗ ᐳᓚᕋᓕᖅᑐᓂ ᑲᓇᑕᒥᐅᑕᓄᑦ ᐃᓪᓗᒃᑯᖏᓐᓄᑦ.

ᓇᕙᕋᓇ ᐃᓚᒥᓂ ᐃᓚᖃᖅᑐᓂ ᑕᒪᒃᑮᓂᑦ ᐊᑯᑭᑦᑐᕐᒥᐅᓂᑦ ᑲᓇᑕᒥᐅᓂᓪᓗ ᐊᕐᕌᒍᑕᒫᖅᓯᐅᑎᖏᓐᓂᑦ ᐊᓯᕙᖃᑎᖃᖅᑯᖅ. ᑕᑯᔭᖃᖅᑯᕐᓗ ᐊᔾᔨᒌᓐᖏᓐᓂᖏᓐᓂᑦ ᐊᑦᑐᖅᑕᐅᓯᒪᓂᖏᑦ ᓯᓚᑎᒥᓄᑦ ᐊᒻᒪᓗ ᕿᒪᐃᓐᓇᕋᔅᓴᐅᖏᑦᑐᓂᑦ ᐊᓯᔾᔨᖅᑐᓂᑦ ᐊᓯᕙᕐᓂᕆᕙᑦᑕᖏᑕ ᐱᔾᔪᓯᖏᓐᓄᑦ. ᐊᑐᖅᓯᒪᔭᖏᑎᒍᑦ, ᓇᕙᕋᓇ ᓂᕆᐅᑉᐳᖅ ᓇᓗᓇᐃᔭᖅᓯᒪᑦᑎᐊᖅᑐᓂ ᐊᒻᒪᓗ ᐱᓪᓗᐊᑕᓂᑦ ᓱᓕᔪᓂᑦ ᓴᖅᑮᔪᒫᖅᑐᑦ ᐃᓱᒪᓕᐅᕈᑎᑦᑎᐊᕙᐅᓗᓯ ᐊᓐᓇᐅᒪᓂᒃᑯᑦ.

ᖁᕕᐊᓲᑎᖃᖅᑯᖅ ᑖᒃᑯᐊ ᓄᓇᓖᒃ ᑲᓲᑎᕙᓐᓂᖏᓐᓄᒃ, ᓇᕙᕋᓇ ᐱᔪᓐᓇᓂᕐᒥᑦ ᓂᕆᐅᓐᓂᖃᕐᓂᒥᓪᓗ ᒪᑭᒪᔾᔪᑎᖃᖅᐸᑉᐳᖅ ᓯᕗᕚᖏᑕ ᐆᒻᒪᔾᔭᕆᓚᐅᕐᓂᖏᓐᓄᑦ ᐅᓪᓗᒥᐅᓕᖅᑐᖅ ᓯᓚᕐᔪᐊᕐᒥᑦ ᐅᑭᐅᖅᑕᖅᑐᒥᑦ ᐃᓄᐃᑦ ᐅᓇᒻᒥᓇᖅᑐᓂᑦ ᐊᑐᖅᑕᒥᒍᑦ ᐃᓅᖃᑎᒌᓐᓂᒃᑯᑦ ᐊᒻᒪᓗ ᐊᕙᑎᓕᕆᓂᒃᑯᑦ.

Click here for the English version
Click here for the Greenlandic version, Katinngat

This short documentary depicts the formation in 1959 of the first successful co-operative in an Inuit community in Northern Québec. The film describes how, with other Inuit of the George River community, the Annanacks formed a joint venture that included a sawmill, a fish-freezing plant and a small boat-building industry.

This classic short film shows how to make an igloo using only snow and a knife. Two Inuit men in Canada’s Far North choose the site, cut and place snow blocks and create an entrance--a shelter completed in one-and-a-half hours. The commentary explains that the interior warmth and the wind outside cement the snow blocks firmly together. As the short winter day darkens, the two builders move their caribou sleeping robes and extra skins indoors, confident of spending a snug night in the midst of the Arctic cold!

This documentary shows the inspiration behind Inuit sculpture. The Inuit approach to the work is to release the image the artist sees imprisoned in the rough stone. The film centers on an old legend about the carving of the image of a sea spirit to bring food to a hungry camp.

Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.

This short documentary filmed in Pangnirtung features 2 elders reminiscing about the dances held in their community 50 years ago. One of the elders is master accordion player Simeonie Keenainak, and soon he's making toe-tapping music with his instrument. In this celebration of the pleasures of music and dance, Keenainak plays for the enjoyment of friends, family, and the community at large.

Stories from Our Land: 1.5 gave 6 Nunavut filmmakers the opportunity to each create a 5-minute short. Each film had to be made without the use of interviews or narration while telling a northern story from a northern perspective. The project was a collaboration between the NFB and the Nunavut Film Development Corporation.

A beautiful music video featuring the talented group Uashtushkuau singing an emotional song, in Innu, about the importance of protecting Aboriginal languages. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile DVD.

In Betsiamites, everyone uses French instead of Innu for numbers. A charming film that will help you see why!

Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile DVD.

An intimate glimpse into the life of Cree author, musician, playwright, and storyteller Tomson Highway, who is the 2022 recipient of the Governor General’s Performing Arts Award for Lifetime Artistic Achievement. Through his warmth and Cree humour Tomson invites us into his home in Gatineau, Quebec, where he shares stories about his parents, reasons for living, and the power of music as a language in and of itself.

A beautiful music video featuring the talented group Uashtushkuau singing an emotional song, in Innu, about the importance of protecting Aboriginal languages. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 Selection - Wapikoni Mobile DVD.