This short documentary offers an intimate portrait of Augusta Evans, an 88-year-old Secwépmec woman who has spent her life in the hills of the Williams Lake area of British Columbia, where she lives alone in a log cabin without running water or electricity. Born the daughter of a Chief, Augusta was forced to attend residential school and lost her treaty status when she wed her non-Indigenous husband. After seeing a woman lose her life in childbirth, Augusta taught herself midwifery from a book and delivered many babies, including her own daughter, whom she birthed alone in her cabin. Having lived through many losses and now surviving on a $250 monthly pension that barely covers wood and groceries, Augusta is a cherished member of her community, where she shares her knowledge and songs, and laments that the young people are not learning their language.
A film portrait of Angus Mowat, with commentary by his son, author Farley Mowat. At seventy-six, Angus still shows an enviable capacity for life, turning his hand to things that the leisure of retirement now makes possible. One of these is the rebuilding of an old fishing boat, converting it to sail. This is a picture of a man who has reached his later years with no slackening of interest in life, who finds a good and constant companion in nature, and contentment in the quiet isolation of his cabin by the shore.
Sometimes sad, sometimes witty, often bizarre, the prolific anecdotes of a retired cemetery superintendent provide insight into an intriguing, off-beat character. Here, as he wanders nostalgically through the cemetery grounds in Saint John, New Brunswick, his uninhibited thoughts touch upon everything from mourners to monuments.
When she was a student nurse, Pat Tucker received training in bedside care. Today, she puts those skills to good use in caring for her mother. Molly, 95, is confined to her bed for most of the day and requires round-the-clock attention. Like all of the heroes in the Caregivers series, Pat offers loving and conscientious care. Despite her nursing experience, she nevertheless feels exhausted by the incredible demands of looking after Molly.
Pat acknowledges the support of her family--especially her husband; she knows that without their help, she would be hard-pressed to carry on. At Molly's 95th birthday party, we see just how important this charming "wee soul" is to all the people who love her. Even if she's too frail to blow out the candles, Molly is still the link that keeps this family together.
Produced with the help of individual caregivers and community agencies across Canada, this is a "how-to" series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care system's strengths and weaknesses.
When Molly eventually dies, Pat is devastated. But through her tears she is clear about one thing: she would do it all over again. "Memories," she says, "last longer than dreams."
Sometimes Paul Oliver has to laugh to keep from crying. He's placed his mother, Jean, in a nursing home that cares for Alzheimer's patients. With bewildered fellow residents constantly interrupting and Jean's own erratic behaviour, Paul finds it hard to have a quiet moment with his mother. Yet he knows that his company and attention are vital to her.
Like all of the heroes in the Caregivers series, Paul is doing his best. Although he works full-time and lives an hour away, he still visits twice a week. Jean does not like the nursing home and she is often depressed. Her anger is vented on anyone near, including Paul. At other times Jean can be lucid and make Paul laugh with her sharp comments about fellow residents.
Produced with the help of individual caregivers and community agencies, this is a 'how-to' series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care
system's strengths and weaknesses.
What Paul finds most difficult is his mother's increasing memory loss. He's aware that, in time, she won't remember him at all, and he's determined to make the most of his visits. As Paul says, 'I try to make her laugh. I try to make whatever length of time she has left enjoyable.'
The strain of caring for his mother shows in the face of Kurt Weitz. He's alone, with no family available to help him provide the constant supervision she requires. Elizabeth, 88, suffers from a variety of illnesses, including Alzheimer's. Her dementia drains Kurt of all his energy. Even ordinary housework seems overwhelming.
However, like all of the heroes in the Caregivers series, Kurt carries on. Just before Kurt's father died, he left his son simple instructions: "Take care of mum." For eight years, Kurt has been doing his best to respect his father's whishes--but as Elizabeth only gets worse, he clearly needs some relief.
Produced with the help of individual caregivers and community agencies, this is a "how-to" series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care system's strengths and weaknesses.
Elizabeth cared for Kurt most of his life, and this son's love for his mother is obvious. Yet when Elizabeth dies, he admits to a strong sense of freedom. Kurt's mixed feelings are in fact common to everyone who faces the emotional challenges of caregiving. As he says, "I hate to say it, but the relief off my shoulders is just tremendous."
Meet Madeleine Fergus. Like all of the heroes in the Caregivers series, she is an ordinary person with extraordinary heart. For the last five years, Madeleine's life has been consumed by caring for her partially paralyzed mother, Rose. Madeleine took early retirement in order to care for Rose full-time. It's a job with long hours and little recognition. Yet despite the hardship and frustration, she finds caring for her mother naturally rewarding. When we first meet Rose in April, she is full of mischief. Although she is confined to a wheelchair, she likes to sing, go out, and get her hair done. By December, Rose is still able to help Madeleine decorate the Christmas tree. However, after battling a series of infections over the next six months, Rose deteriorates into total dependency. Madeleine, who makes do on two small pensions, must now seek more help from a system which can be difficult to access. Produced with the help of individual caregivers and community agencies, this is a "how-to" series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care system's strengths and weaknesses. To Madeleine, Rose is not only her mother but her best friend. When Rose dies, Madeleine's heart is broken but her spirit isn't. She knows she has no choice but to go on. As she says, "You've got to float with the tide."
In 1942, Doris and Tom Homewood vowed to honour each other in sickness and in health. Today, 54 years later, Doris is determined to keep the man she loves by her side. Doris insists on caring for Tom at home even though a massive
stroke has left him unable to walk or speak. Despite her 78 years, she displays remarkable strength in feeding, bathing and transporting her husband from bed to wheelchair and back.
Doris has learned to accept the isolation that Tom's silence brings. However, like all of the heroes in the Caregivers series, she is still a vibrant person. Never away from Tom for more than an hour, she goes for walks, helps her daughter with the farm work, and feeds the horses.
Produced with the help of individual caregivers and community agencies, this is a 'how-to' series with soul. Shot over the course of a year, these five episodes immerse you in the joys and sorrows of providing care. The caregivers featured in the series are honest and open about their feelings--and their eloquent insights offer an assessment of our health-care
system's strengths and weaknesses.
After a bout with pneumonia, Tom dies in hospital and Doris is left to
cope with her loss. As she says, 'I guess it just takes time... but I'll get a hold. And I'll get there.'
This short documentary is a portrait of two remarkable old-timers of Vancouver Island's west coast. Both are in their 80s; both have an enviable zest for life. Chief David Frank teaches the ancient Indigenous songs and dances of his people to some 60 grandchildren. Bert Clayton still backpacks his prospector's gear through high mountain bush. From different cultures, these two men share a mutual life philosophy and over 40 years of friendship.
Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.
This documentary introduces us to Stephen Jenkinson, once the leader of a palliative care counselling team at Toronto's Mount Sinai Hospital. Through his daytime job, he has been at the deathbed of well over 1,000 people. What he sees over and over, he says, is "a wretched anxiety and an existential terror" even when there is no pain.
Indicting the practice of palliative care itself, he has made it his life's mission to change the way we die - to turn the act of dying from denial and resistance into an essential part of life.
This short film retraces the life of Herman Smith Johannsen – the man who introduced the sport of cross-country skiing to Canadians. From past to present, his life story is portrayed through pictures from sports newsreels, Norwegian archives and his family album. The film catches up with him at both the Canadian Ski Marathon, where he is the honoured guest, and on a return trip to his native Norway.
This short film tells the story of what happens when the world around you changes but you remain the same. Legault is an elderly gentleman whose aging cabin now sits in a new suburb of Montreal. No longer surrounded by fields and woods, it has become an eyesore in a newly developing neighbourhood. A warm and humorous story about learning to change with the times.
Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.
Frank Jenkinson, eighty-two, has been digging for fish for twenty-five years. His unorthodox conservationist practices have increased the numbers of the salmon population in the Jarvis Inlet from a modest 500 to 25 000. Using a spade and accompanied by his dog, Frank wades up and down the stream, digging for the newly hatched salmon that lie buried in the gravel. Without his intervention they risk dying before reaching maturity.
This short film focuses on the legend of a lost gold mine and a river in the Northwest Territories that lured men to their doom. Albert Faille, an aging prospector, set out time and again to find hidden gold. His route took him through the wild and awesome land particularly suited to the mood of this Canadian odyssey.
Peeling back the layers of her grandmother's life, filmmaker Linda Ohama discovers a painful, buried past in this feature-length documentary. Asayo Murakami, 103 years old, recalls life in Japan, her arrival in Canada as a "picture bride," her determination to marry a man of her choice, the bombing of Hiroshima and the forced relocation of her family during WWII. Beautifully rendered dramatic sequences are merged with an exquisite collection of memories, feelings, images and voices. Culminating in an emotional reunion with a long-lost daughter, this film is a personal reflection of Japanese-Canadian history and a testament to one woman's endurance and spirit.
Sixty-six-year-old Ivy Granstrom jogs, skis, bowls, gardens and does carpentry work. Sometimes she walks into a wall. Due to insufficient care at birth, she enjoys only 4.5% vision, but she doesn't let blindness interfere with her life. She practises the art of "mind over eyes."
Paraskeva Clark, artist, socialist, feminist, is her own woman at her own cost. This film is a cameo of an irascible and oftentimes touching artist whose work has won her a place in exhibitions and private collections. Born in Russia in 1898, she eventually married a Canadian and moved to Toronto. Because her canvases reflect a strong social conscience, she had to struggle hard to earn a place in the nation's ultra-conservative galleries.
For some people it is the later years that release the passion and confidence for self-expression in the arts. This film shows one of them, Cecil Richards, close to his seventieth year, who spends his time working alone at his Lakefield, Ontario, retreat, in what he calls the "honest" media of sculpture--wood, clay, stone and bronze. For anyone interested in the nature of an artist and his inspiration, here is a relaxed, absorbing study.
A 105-year-old Acadian agrees to be filmed one Sunday as she goes about her daily routine and ruminates on life. Filmed by her great-grandson, Aldéa Pellerin-Cormier comments wisely on politics, sex and religion. From getting ready in the morning to drinking her nightcap before bed, every moment is punctuated with a witticism or existential thought. Respectful of the old woman's privacy, Daniel Léger's first documentary looks at wisdom, serenity and enjoyment of life. In French with English subtitles.
This short character documentary gives an intimate look at retiree George Fulfit as he constructs his biggest ever ship in a bottle. With infectious good spirits, running commentary and an abiding passion for his craft, George creates intricate tall ships in painstaking miniature, and shares the secret to the question we all wonder: ‘how’d they get that in there?’
This short documentary offers an intimate portrait of two women in their mid-sixties—one homosexual, the other heterosexual—whose love for one another and the music they create together transcends differences. Florence and Shirley's lifelong attachment is a heartwarming connection that defies categorization.
In this feature-length documentary, acclaimed filmmaker Dorothy Todd Hénaut chronicles a critical two-year period in the lives of her parents, Mildred and Bob Todd. The Todds, retired octogenarians, live a simple but full life by the river in rural Ontario until a sudden change in their health forces a change in their lives. Their old routine of tending the garden and visiting with friends is replaced by hospital stays and home care. And even though the couple’s tenderness and mutual care soften the reality of diminishing strength, Hénaut’s film reveals a gritty, sensitive look at the human aging process.