A director and producer at the NFB for many years, Robert Forget was the driving force behind the creation of Le Vidéographe in 1971. In the spirit of commemorating an era, the NFB decided to mark the 50th anniversary of this artist-run centre with a short video vignette.
At a critical moment in the history of the written word, as humanity’s archives migrate to the cloud, one filmmaker goes on a journey around the globe to better understand how she can preserve her own Romanian and Armenian heritage, as well as our collective memory. Blending the intellectual with the poetic, she embarks on a personal quest with universal resonance, navigating the continuum between paper and digital—and reminding us that human knowledge is above all an affair of the soul and the spirit.
This short documentary from 1956 catches up with several talented Canadians who have found a home in the entertainment or arts scenes of London and Paris. Among them are Toronto-born Beverley Baxter, a baronet and MP who claims that London has a history of being invaded (first the Romans, now the Canadians), and then-aspiring novelist Mordecai Richler, who feels he has a better chance of making a living in England than he does back home.
New Health Service for Garment Workers: Jointly operated by management and union, the Fashion Industries' Health Center in Montréal plays watchdog to the health of International Ladies' Garment Workers Union members through its free diagnostic service. Steelworkers Go to Press: An employee of the Stelco Steel plant in Hamilton, Cecil Lewis doubles as editor of a monthly union newspaper that keeps local members informed of union aims and activities.
This short film takes a look at Prince Edward Island through the eyes of Jim McNeil, editor and publisher of the Eastern Graphic, the Island's only weekly. Filmed during the 1974 provincial election, the film places particular emphasis on grass-roots politicking and the newspaper's role in reporting on it.
Birth of a Book: A look at the Canadian literary field showing authors who have made the grade, such as Morley Callaghan, Hugh MacLennan, Gabrielle Roy and Roger Lemelin. Eskimo Work Arctic Coal Mine: Baffin Island Inuit of Pond Inlet find easy cash and a ready market for the product of their surface coal mine. Dispatch Riders Perform Cycle Capers In Kingston, Ontario: the display team of the Royal Canadian Corps of Signals stages a dare-devil motorcycling exhibition.
Winter Dogs Days: The fourth annual dog derby at Maniwaki, Québec, brings racing teams from different parts of eastern Canada and the United States to compete for honours on the twenty-mile snow-bound course. Steelworkers Go To Press: One of Stelco Steel's ten thousand employees in Hamilton, Cecil Lewis doubles as editor of Steel Shots, a monthly paper reporting on union aims and off-work activities.
In this short 1958 fiction film, a young man gives up a steady job to tackle the uncertain task of writing for a living. In telling his experiences, this film conveys a general picture of the literary field in Canada and the incentives it offers, or fails to offer, the creative writer. Opinions, encouraging and otherwise, are expressed by a Canadian publisher, a television producer, and friends of the young writer who want to see him make his mark.
This documentary offers a witty and engaging view of Canada's history through the unique perspectives of its political cartoonists. Duncan Macpherson, Robert LaPalme, Aislin, and others chime in on the most notable cartoons from more than 50 artists while we also enjoy the reactions of the targets. As one cartoonist proclaims, "A picture is worth a thousand words. A cartoon, well done, is worth a thousand pictures."
This short film from 1948 takes an in-depth look at local newspapers and their relationship to the community they serve. Following the weekly editor of one such hometown paper for a day, the film tracks the local events that will be news tomorrow. In town, we meet the people whose names are scattered through the pages: the mayor and his hope of a new city hall, the local angler who breaks a record and even the lacrosse team, sharing spectators with the band concert in the park.
This short drama is a portrait of Nova Scotian journalist and politician Joseph Howe (1804-1873) and his battle for freedom of press. When, in 1835, Howe was accused of seditious libel, no lawyer dared defend him. Choosing to defend himself, he addressed the jury for over 6 hours, urging jurors to leave an unshackled press as a legacy to their children. Though the judge instructed the jury to find Howe guilty, jurors took only 10 minutes to acquit him - a landmark event in the evolution of press freedom in Canada.
The Duplessis years, labour violence, the far-reaching policies of Jean Lesage, the B&B Commission, the emergence of the Parti Québécois, the FLQ and the October Crisis of 1970--these were tense times fraught with change. Commenting on their significance and on Le Devoir's involvement is a roster of eminent spokesmen: political leaders, historians, writers, journalists, and Le Devoir's renowned editor-publisher, Claude Ryan.
This feature length documentary by Jacques Godbout tackles a topic all too rarely explored in the media: terrorism in Canadian society. From Montreal to Vancouver, and Quebec City to Toronto, exasperated individuals find a new calling as self-style saviours of humanity and decide to mete out their own justice. Part reportage, part essay and part critical analysis of the phenomenon, this film includes first-hand accounts by Serge Daoust, Franco Piperno, François Schirm, Pierre Vallières and young militants from the journal Révoltes.
"Fais ce que dois" (Do what you must) was the motto Henri Bourassa gave to the newspaper he founded in 1910. An attitude of vigorous independence has characterized the Montréal daily ever since. This film and the following one examine Le Devoir's influence over the years, how it has interpreted and treated local, national and world issues--the wartime conscription question, for example. Interviewed in Part 1 is the founder's daughter, Anne Bourassa.
Following Fiona Garrick in her print shop, this short film reveals the story behind the creation of a children's book. Whether writing, engraving, mixing ink colours, operating a 100-year-old printing press or hand binding, she treats every aspect of bookmaking with extraordinary skill and craft. In the era of superstores and media conglomerates, Garrick takes us along on a special journey of careful, contemplative creation.
This feature documentary is a portrait of Montreal political cartoonists Aislin and Serge Chapleau. In the pages of The Montreal Gazette and La Presse, respectively, they’ve been skewering politicians for 30 years. But who are these biting satirists? The film seeks to answer this question through interviews with the cartoonist's friends, families, colleagues, and even a few of their favourite victims, including Gilles Duceppe and Louise Beaudoin. Featuring many of their classic cartoons, Nothing Sacred pays tribute to gifted iconoclasts whose hilarious characters have seeped into our collective consciousness.
This feature documentary is a profile of Canadian press tycoon Roy Thomson, whose single-minded attention to business brought him riches, power, and even a baronetcy in England. A native of Timmins, Ontario, Thomson had a tremendous career as publisher, television magnate, financier, and owner of many newspapers, including leading London dailies. The film is a frank study of an equally frank man.
In this feature documentary, art and business collide with a look at how artists and artistic integrity achieve success in the marketplace. Sketches on artists and the art world are combined with exploration by the filmmaker of his own relationship to art. The film features artists General Idea, Mendelson Joe, Jack Pollock, Arnold Edinborough, Vera Frenkel, Colette Whiten, David Buchan and Pat Fleisher.
This feature documentary takes us through the twists and turns of judicial proceedings pitting Canadian mining companies Barrick Gold and Banro against author Alain Deneault, his co-writers and publisher Éditions Écosociété, following the 2008 release of the book Noir Canada, which raised troubling questions about the controversial practices of Canadian mining companies in Africa. Silence is Gold is a legal and political thriller that captures years of intense psychological tension.
This short documentary profiles Sophie Wollock and the newspaper she founded for the western suburbs of Montreal in l963, The Suburban. A weekly paper distributed free to some 45,000 homes, most of them anglophone, The Suburban became famous for the strongly worded editorials written by Wollock, mainly on the subject of Québec nationalism. The film looks at the paper, then under the guidance of her son, and sums up some of Wollock's more impassioned editorials.
This short documentary is a portrait of a tiny town, Lakefield, Ontario, and its independent weekly, the Herald. Across North America, newspapers are dying, but in Lakefield, Terry McQuitty, the town paper’s publisher, carries on a rich, 150-year-old tradition. Set to the pace of small-town life, Unheralded is a testament to the vital role newspapers can still play, and the close bond between reporter and reader.
A behind-the-scenes look at the making of the 100th anniversary issue of Saturday Night magazine. The film follows a number of prominent Canadian writers as they research and write stories for this special edition. Interviews with Antonine Maillet, Robertson Davies, Mordecai Richler, David Macfarlane, Margaret Atwood and Peter Foster are featured, as well as excerpts from some of their stories.