The people of Unamenshipu (La Romaine), an Innu community in the Cote-Nord region of Quebec, are seen but not heard in this richly detailed documentary about the rituals surrounding an Innu caribou hunt. Released in 1960, it’s one of 13 titles in Au Pays de Neufve-France, a series of poetic documentary shorts about life along the St-Lawrence River. Off-camera narration, written by Perrault, frames the Innu participants through an ethnographic lens. Co-directed by René Bonnière and Pierre Perrault, a founding figure of Quebec’s cinéma direct movement.
Alexis Joveneau, a Catholic priest with the Missionary Oblates of Mary Immaculate, worked in the Innu community of Unamenshipu (La Romaine) between 1960 and 1985, and appears in five NFB productions: Attiuk (1960), Ka Ke Ki Ku (1960), Le goût de la farine (1977), Le pays de la terre sans arbre ou le Mouchouânipi (1980) and La grande allure II (1985). Joveneau is seen in several scenes of Ka Ke Ki Ku, teaching Innu children and providing Innu-aimun/French translation.
In November 2017, during Canada’s National Inquiry into Missing and Murdered Indigenous Women and Girls, a number of Innu women from Unamenshipu testified that they had been sexually and physically abused by Joveneau, who died in 1992. Many other women subsequently came forward with similar allegations, and on March 29, 2018, a request for a class action was filed in Quebec Superior Court on behalf of the women against the Missionary Oblates of Mary Immaculate. The class action was authorized on November 16, 2021. The Oblates named in the suit include Alexis Joveneau, Omer Provencher, Edmond Brouillard, Raynald Couture and Édouard Meilleur.”
Drugs. They sneak into your life, into your veins. You wake up and you're all alone in the depths. But the Earth keeps turning. Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling studios and is part of the 2008 selection.
Lukas makes his rounds as a caseworker, delivering meds, gifts and good cheer to participants while exposing the dark history behind the addiction issues that plague Winnipeg's Aboriginal homeless population.
This short film is a chapter from Here At Home, a web documentary about mental health and homelessness that takes us inside the Mental Health Commission of Canada's At Home pilot project.
Three sisters and a brother, adopted as infants into separate families across North America, meet together for the first time in this deeply moving documentary by director Tasha Hubbard. Removed from their young Dene mother’s care as part of Canada’s infamous Sixties Scoop, Betty Ann, Esther, Rosalie and Ben were four of the 20,000 Indigenous children taken from their families between 1955 and 1985, to be either adopted into white families or to live in foster care. Now all in middle age, each has grown up in different circumstances, with different family cultures, different values and no shared memories. Birth of a Family follows them through the challenges, trepidations and joys of their first steps towards forming their family. Meeting all together for the first time, they spend a week in Banff, Alberta, sharing what they know about their mother and stories about their lives and the struggles they went through as foster kids and adoptees. As the four siblings piece together their shared history, their connection deepens, bringing laughter with it, and their family begins to take shape.
Betty Ann, Esther, Rosalie, and Ben were only four of the 20,000 Indigenous Canadian children taken from their families between 1955 and 1985, to be either adopted into white families or live in foster care. As the four siblings piece together their shared history, their connection deepens, and their family begins to take shape.
In the Yukon, an innovative program is bringing a traditional form of Aboriginal justice--circle sentencing--to the Canadian justice system. Sentencing circles don't focus on punishment. Instead, they bring together the perpetrator of a crime, his or her victims, and peers and family in an effort to bring healing to the community.
For many Aboriginal men in the North, going to jail was a natural extension of attending missionary-run schools. Brothers Harold and Phil Gatensby, who have both done their share of jail time, now participate in circles as a way to allow offenders to break the cycle of crime, court and prison. The program works so well that Aboriginals from the Yukon have helped set up similar programs elsewhere in Canada and in the US. The circle is a powerful alternative to prison terms imposed by courts--not only for Aboriginal people in the North but, potentially, for all communities.
This documentary focuses on the Yukon's Far North, where 280 Aboriginal people live in the village of Old Crow. Deep in this wilderness, the health of the children is a source of concern—the rise in obesity, diabetes and delinquency rates underscores the extent to which health and social problems are linked. With compassion and insight, this film shows how a handful of parents took control of a situation to ensure a future for their children.
This feature-length documentary from Inuvialuit filmmaker Dennis Allen is an emotional and revealing exploration of addiction among Indigenous people in Canada.
After years of struggle and shame, 5 Indigenous Canadians bravely come forward with their stories of substance abuse, presenting the sensitive topic of alcoholism in an honest and forthright manner. Alex, Paula, Desirae, Stephen, and Dennis himself maintain a deep and devoted commitment to their traditional culture to achieve long-term sobriety. Through their voices, this insightful doc offers an inspirational beacon of hope for others.
This intimate documentary paints a portrait of one Cree woman who left life on the streets to re-emerge as a powerful voice counseling Indigenous adults and youth about abuse and addiction. Raised in foster homes and caught up in drugs and prostitution by the age of 13, Donna Gamble shares her exhilarating and tumultuous journey and what motivated her to turn her life around. Together with her mother and daughters, Donna is working to shatter the cycle of addiction that has plagued their family for generations.
Alberta's Blood Indians: On their reserve near Cardston, Alberta, the Kainai take action against waste and want, to improve living standards. Music Master: All the world of music reaches blind Paul Doyon, piano virtuoso, through his "seeing fingers." Sky Sentries: Jet planes of the Royal Canadian Air Force's famed 401 Squadron scream through the skies over Montréal in an air defense exercise.
This documentary focuses on John Diabo, a cherished member of a tight-knit family in the Mohawk community of Kahnawake. In 1998, John, tortured by drug addiction for over a decade, ended his life at the age of 31. Through moving testimony and family photographs, this film tells the intimate story of his life… and death.
Amid a severe housing crisis that made international headlines in 2011, the federal government imposed third-party management on the Attawapiskat First Nation. In response, the First Nation’s leadership filed a challenge in federal court, claiming the appointment was unreasonable, contrary to law and harmful to community members. Alanis Obomsawin documents the remarkable judicial review that ensued in April 2012 in this companion work to her feature documentary The People of the Kattawapiskak River.
This short documentary introduces us to Randy Baleski, a Winnipeg high school teacher and former boxer who has a unique approach to helping students at risk of not graduating: get them in the ring. We watch him work with two Indigenous teens from troubled backgrounds as they slowly come to understand that boxing is more than just a sport… it's a way of life.
Acclaimed Métis filmmaker Christine Welsh brings us a compelling documentary that puts a human face on a national tragedy – the epidemic of missing or murdered Indigenous women in Canada. The film takes a journey into the heart of Indigenous women's experience, from Vancouver's skid row, down the Highway of Tears in northern BC, and on to Saskatoon, where the murders and disappearances of these women remain unsolved.
In this feature-length documentary, Alanis Obomsawin tells the story of Shannen’s Dream, a national campaign to provide equitable access to education in safe and suitable schools for First Nations children. Strong participation in this initiative eventually brings Shannen's Dream all the way to the United Nations in Geneva.
Hope, from first time documentary filmmakers Stuart Reaugh and Thomas Buchan, follows artist Ken Paquette, his partner Winnie Peters and their five boys (ages four through fifteen) as they struggle to cope during a year of wrenching change.
The family lives on the Schkam Native Reserve, across the river from the town of Hope. The town is a transitory place at the junction of three highways. After 18 years together, Ken and Winnie's troubled relationship dissolves when Rick, a tattooed ex-con, moves in and assumes the role of stepfather. Winnie's eldest son Kenny leaves the home. Ken settles in town, where he sells his paintings outside the local pub, earning enough for rent and the occasional trip to McDonalds with his kids. Over the course of four seasons, the family cycles through poverty, addiction, violence and love, but when winter bleeds into spring, a final confrontation sparks irrevocable change.
With painterly attention to the ordinary details of life in an interior town - dark mountains shrouded in mist, rotting abandoned cars amidst the vaulted green spaces of the forest - the film captures two very different senses of time. The permanence of the land set against an explosive human drama that exists for fragile moments, before life and circumstances move on.
The directors lived alongside the family over the course of a year, becoming an intimate part of events. This style of on-the-ground filmmaking provides a startling level of immediacy. The film imposes no external narrative; each family member offers a unique voice, describing their frustration and anger with each other, as well as their love and dreams for a better life. Raw honesty and a deep humanism explode stereotypes, capturing the joy and laughter, as well as the pain of this complex family, in a fully realized portrait of people and place.
This documentary profiles the tiny Ojibway community of Hollow Water on the shores of Lake Winnipeg as they deal with an epidemic of sexual abuse in their midst. The offenders have left a legacy of denial and pain, addiction and suicide. The Manitoba justice system was unsuccessful in ending the cycle of abuse, so the community of Hollow Water took matters into their own hands. The offenders were brought home to face justice in a community healing and sentencing circle. Based on traditional practices, this unique model of justice reunites families and heals both victims and offenders. The film is a powerful tribute to one community's ability to heal and create change.
In this feature-length documentary, Alanis Obomsawin tells the story of Shannen’s Dream, a national campaign to provide equitable access to education in safe and suitable schools for First Nations children. Strong participation in this initiative eventually brings Shannen's Dream all the way to the United Nations in Geneva.
The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.
Vocational and academic education programs are introduced as a way to prepare Indigenous people for city life in this short documentary film. As families move out to northern Ontario's Elliot Lake from neighbouring reserves, programs such as these are used to integrate them into society. Through this film, we hear from some of the families who stayed, and some who returned.
Leading Indigenous activists, thinkers and community organizers – including Harold Cardinal, Walter Dieter, Mary Ann Lavallee and Duke Redbird – have a frank conversation about the broken relationship between the Government of Canada and Indigenous people. Taking place in 1967, the discussion remains deeply resonant today, where the same issues persist. The group expertly parse the “unconscionable” treaty agreements, the intricacies of the Indian Act, and the political system as tools designed to prevent Indigenous self-determination and economic independence. They explore what it means to be “Indian”, and offer radical new ideas for Indigenous self-governing policies, some of which were developed by individuals in this group, and others that are still being fought for today. This film was produced as part of Challenge for Change/Société Nouvelle (CFC/SN), a ground-breaking community engaged documentary program run by the NFB from 1967 to 1980. The program pioneered participatory and experimental storytelling in film and video, with a focus on the perspectives of Indigenous and marginalized communities whose voices were rarely represented in the media landscape. In 1968, the Challenge for Change program established the “Indian Film Crew”, marking the beginning of a movement of Indigenous filmmaking at the NFB, and in Canada.
Shaushiss Fontaine sings a joyful song about the devastating effects of drugs.
Since 2004, the travelling studios of Wapikoni Mobile have enabled Quebec First Nations youth to express themselves through videos and music. This short film was made with the guidance of these travelling
studios and is part of the 2008 Selection - Wapikoni Mobile
Annie Smith-St-Georges is an Algonquin mother and wife who led a largely uneventful life. Then tragedy struck in 1990, when her teenage son Yanik ended his life. Annie wanted to forget and yet to remember, to understand and yet to deny. Then one day she had a vision of a glass teepee ten storeys high, in Ottawa, to house a National Aboriginal Arts and Performance Centre. The building would be designed by the renowned architect Douglas Cardinal, in memory of her son and for all young Natives struggling to find meaning in life. We meet Annie and her husband eight years later, during the final year of their crusade for the glass teepee. A traditional habitat made from non-traditional material would successfully meld past and present. Annie wishes to give back to her people their ancestral pride and dignity. It's a time of hope. Annie now knows that, and she says it for anyone to hear: "Kwekànamad," the wind is changing. Some subtitles.
Follow filmmaker Elle-Máijá Tailfeathers as she creates an intimate portrait of her community and the impacts of the substance use and overdose epidemic. Witness the change brought by community members with substance-use disorder, first responders and medical professionals as they strive for harm reduction in the Kainai First Nation.
This short documentary depicts an Aboriginal Winnipeg teen’s struggle to stay in school and away from local gangs. Filmed over 2 years, the film is a moving portrait of one family trying to break the cycle of addiction, violence and poverty in an environment filled with anger and despair.
Uprooted at age 5 or 6 to study in White schools, the children of the Wemotaci community are now scarred adults trying to recover their Atikamekw identity.
Since 2004, Wapikoni Mobile has been giving young Aboriginals the opportunity to speak out using video and music. This short documentary was made with the guidance of these travelling studios and is part of the 2007 Selection - Wapikoni Mobile DVD.
Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.
This short documentary tells the unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker. The film captures the domestic details of their life together and documents their hassles with work, money and the law.
Far from home and cut off from family and friends, Montreal’s Indigenous homeless population is the focus of No Address. Dreams of a better life in the big city can be met with harsh realities, as the individuals in this documentary recount. Often trying to flee circumstances created by colonialism and the effects of assimilation, the First Nations and Inuit people in this work share frank stories about their lives and the paths that took them to the streets of Montreal. Alanis Obomsawin presents an honest, stark portrayal of endemic homelessness while giving voice to those so often overlooked or made invisible on the streets of every city in Canada.
The Nitinaht Chronicles is a searing portrait of a small Indigenous community on Canada's west coast struggling to come to terms with a legacy of sexual abuse, incest and family violence. Seven years in the making, the film is a first-hand look at the extraordinary efforts of the people of Nitinaht to overcome the cycle of physical and sexual abuse that touched the lives of nearly all the members of the community.
The Nitinaht Chronicles is a searing portrait of a small Indigenous community on Canada's west coast struggling to come to terms with a legacy of sexual abuse, incest and family violence. Seven years in the making, the film is a first-hand look at the extraordinary efforts of the people of Nitinaht to overcome the cycle of physical and sexual abuse that touched the lives of nearly all the members of the community.
This feature documentary profiles an Indigenous community coming to terms with a legacy of sexual abuse, incest and family violence. The film follows the Ditidaht First Nation over a seven-year period, after a respected elder is found guilty of sexual assault. Award-winning filmmaker Maurice Bulbulian records the community's stories, becoming a part of their healing process. With the hope and courage of participants, the powerful interviews in this film play a key role in helping the community overcome the cycle of abuse. The continuing, devastating effects of the residential school system are also revealed; in this system, physical, emotional and sexual abuse were all too often routine. The Nitinaht Chronicles contains strong language, including graphic sexual detail. Please preview before showing to an audience.
The Nitinaht Chronicles is a searing portrait of a small Indigenous community on Canada's west coast struggling to come to terms with a legacy of sexual abuse, incest and family violence. Seven years in the making, the film is a first-hand look at the extraordinary efforts of the people of Nitinaht to overcone the cycle of physical abuse that touched the lives of nearly all the members of the community.
Follow the Eagle is a short film that reminds us of the importance of our elders, especially in the inner city. It focuses on the Elders-in-Training project, created to help next-generation Elders take on their role.
Slo-Pitch introduces us to Brian Arrance, an HIV-positive Cree man. Brian introduces us to the Downtown Eastside Slo-Pitch League, which provides family-oriented recreation in the heart of the city and shares how he's found fun and support in the League.
These two short documentaries were produced as part of program aimed at providing Indigenous people with the opportunity, and skills, to tell their stories.
Just north of the City of Edmonton lies Poundmaker’s Lodge, an addiction and mental-health facility specializing in treatment for Indigenous people. Founded in 1973 and still operational today, the Lodge’s programs and services are Indigenous-run and based in culturally appropriate recovery and healing techniques. Framing the short documentary with the words of the great Plains Cree Chief Pîhtokahanapiwiyin (Poundmaker), Alanis Obomsawin presents a frank examination of the root causes of substance abuse in Indigenous communities and how the absence of love and support – exacerbated by the impacts of colonialism and racism – created a legacy of alcoholism for some individuals.
The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.
This powerful short documentary showing Indigenous youth resistance and emerging voices that will continue to define the landscape of Indigenous cultural and political activism for the next generation. Members of the National Youth Council, including Duke Redbird and Harold Cardinal, have a powerful exchange with a hostile white priest about the failures of the education system in relation to Indigenous people. The group tackles issues including segregated residential schools, the denial of citizenship rights, loss of language, and mass incarceration, many of which persist or continue to be stumbling blocks in the relationship between Indigenous people and the Government of Canada today.
The people of the Attawapiskat First Nation, a Cree community in northern Ontario, were thrust into the national spotlight in 2012 when the impoverished living conditions on their reserve became an issue of national debate. With The People of the Kattawapiskak River, Abenaki director Alanis Obomsawin quietly attends as community members tell their own story, shedding light on a history of dispossession and official indifference. “Obomsawin’s main objective is to make us see the people of Attawapiskat differently,” said Robert Everett-Green in The Globe & Mail. “The emphasis, ultimately, is not so much on looking as on listening—the first stage in changing the conversation, or in making one possible.” Winner of the 2013 Donald Brittain Award for Best Social/Political Documentary, the film is part of a cycle of films that Obomsawin has made on children’s welfare and rights.
In the '60s, the Mushuau Innu had to abandon their 6,000-year nomadic culture and settle in Davis Inlet. Their relocation resulted in cultural collapse and widespread despair.
Six months following the events of her documentary The People of the Kattawapiskak River, Alanis Obomsawin returns to the Cree community of Attawapiskat in northern Ontario, whose severe housing crisis in 2011 made international headlines. While the public outcry resulted in some short-term relief for the most in need, Obomsawin reveals that the crisis persists in the isolated First Nation. Relief homes sent to the community are not equipped to deal with the harsh winter, as overcrowding and homelessness remain daily realities. Despite their ordeals, the residents of Attawapiskat remain strong, united in love and a belief that a better future must be achieved.
Richard Cardinal died by his own hand at the age of 17, having spent most of his life in a string of foster homes and shelters across Alberta. In this short documentary, Abenaki director Alanis Obomsawin weaves excerpts from Richard’s diary into a powerful tribute to his short life. Released in 1984—decades before the Truth and Reconciliation Commission—the film exposed the systemic neglect and mistreatment of Indigenous children in Canada’s child welfare system. Winner of the Best Documentary Award at the 1986 American Indian Film Festival, the film screened at New York’s Museum of Modern Art in 2008 as part of an Obomsawin retrospective, and continues to be shown around the world.
Stories of resistance, strength and perseverance are laid bare in this examination of a dark day in Canadian history. At the height of tensions at Oka, Quebec, in 1990, Kanien’kehá:ka (Mohawk) women, children and Elders fled their community of Kahnawake out of fear for their safety. Once past the Canadian Army that surrounded their home, they were assaulted by angry non-Indigenous protesters who pelted their convoy with rocks. This visceral display of hatred and violence – rarely seen so publicly in Canada – shocked the nation and revealed the severity of the dangers that faced the Kanien’kehá:ka in their struggle to defend a sacred site.
This film is the fourth in Alanis Obomsawin’s landmark series on the Mohawk resistance at Oka that would become a pivot point in contemporary relationships between Indigenous nations and Canada.
This short documentary from 1955 discusses the status of Indigenous populations in Canada and their struggles within Canadian society. The emphasis is on positive change.
In 1975, Annie Mae Pictou Aquash, a 30-year-old Nova Scotia born-Mi'kmaq, was shot dead, execution style, on a desolate road in South Dakota. Nearly three decades later the crime remains a mystery.
Aquash was highly placed in the American Indian Movement (AIM), a radical First Nations organization that took up arms in the 1970s to fight for the rights of their people.
The Spirit of Annie Mae is the story of Aquash's remarkable life and her brutal murder. It is a moving tribute from the women who were closest to her: the two daughters who fled with their mother when she hid from the FBI; the young women she inspired to embrace Native culture; and the other activists, including Buffy Sainte-Marie and investigative journalist Minnie Two Shoes, who stood in solidarity with her.
All are still trying to understand why she met such a violent death. Follow them on their journey as they celebrate the life of a woman who inspired a generation of Indigenous people.
The short documentary looks at some innovative approaches to providing services and accommodation for battered women in rural, northern, and Native communities. Filmed in Thompson and Portage La Prairie, Manitoba, and West Bay Reserve, Ontario, the film introduces the women who operate and use various types of accommodation such as transition houses, transition apartments, and safe houses. The shelter on West Bay Reserve is singled out as a project that was built by women for women to stand as a reminder that the Reserve will not tolerate violence against women. A Safe Distance is part of the The Next Step, a 3-film series about the services needed by and available to battered women.
This documentary looks at various Indigenous spirituality programs that run in western Canadian federal penitentiaries, as well as in some provincial institutions. These programs are led by elders, with assistance from liaison officers. They include workshops, ceremonies, and other traditional methods that help put the incarcerated back in touch with themselves, their culture, and their spirituality. A unique glimpse of the lives of Indigenous inmates.
This short documentary zooms in on Churchill, Manitoba, on the western curve of Hudson Bay. The town boomed for a while after it became the railhead seaport for the shipment of Prairie grain. It also changed the way of life of the First Nations and Inuit population. "Four levels of government," says one, "and the town's biggest industry is the liquor store." In this film, local inhabitants say what they think of the changes and why they decided to stay when others moved on. Please note that this is an archival film that makes use of the word “Eskimo,” an outdated and offensive term. While the origin of the word is a matter of some contention, it is no longer used in Canada. The term was formally rejected by the Inuit Circumpolar Council in 1980 and has subsequently not been in use at the NFB for decades. This film is therefore a time-capsule of a bygone era, presented in its original version. The NFB apologizes for the offence caused.
This documentary is an inquiry into what came to be known as Saskatoon's infamous "freezing deaths," and the schism between a fearful, mistrustful Indigenous community and a police force harbouring a harrowing secret.
One frigid night in January 2000 Darrell Night, an Indigenous man was dumped by two police officers in -20° C temperatures in a barren field on the city outskirts. He survives the ordeal but is stunned to hear that the frozen body of another Indigenous man was discovered in the same area. Days later, another victim, also Native, is found. When Night comes forward with his story, he sets into motion a chain of events: a major RCMP investigation into several suspicious deaths, the conviction of the two constables who abandoned him and the reopening of an old case, leading to a judicial inquiry.
Chee Mamuk Program Manager Lucy Barney explains her theory of THE BRAID — how First Nations weave together culture and health to deal with drug use in their communities. She talks about why many First Nations people who use drugs do not access mainstream clinics.
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This short documentary offers an Indigenous perspective on the devastating experience of searching for a loved one who has disappeared. Volunteer activist Kyle Kematch and award-winning writer Katherena Vermette have both survived this heartbreak and share their histories with each other and the audience. While their stories are different, they both exemplify the beauty, grace, resilience, and activism born out of the need to do something.
In 1903, a unique and magnificent Whaler's shrine was shipped from Friendly Cove, on the far northwest coast of Canada, to the Museum of Natural History, New York. The shrine had lain at the cultural heart of the Mowachaht, whale hunters and fishermen who had lived at Friendly Cove for thousands of years. In the 1960s and '70s, all but one family left their ancient village--they
moved to Vancouver Island, to a new site under the walls of a pulp mill. They suffered extremes of pollution, violence, alcohol.... Then, in the 1990s, in defiance of the agony of their history and to overcome the grief of the present, the Mowachaht and their neighbours, the Muchalaht, revived their songs and dances, revisited their shrine and rediscovered their pride.
The rights of First Nations children take centre stage in this monumental documentary. Following a historic court case filed by the Assembly of First Nations and the Child and Family Caring Society of Canada against the federal government, Alanis Obomsawin exposes generations of injustices endured by First Nations children living on reserves and their families. Through passionate testimony and unwavering conviction, frontline childcare workers and experts including Cindy Blackstock take part in a decade-long court battle to ensure these children receive the same level of care as other Canadian children. Their case against Canada is a stark reminder of the disparities that persist in First Nations communities and the urgent need for justice to be served.
Filmed in cinéma vérité style, this feature-length doc follows a group of incarcerated men with troubled pasts as they undergo treatment based on Indigenous philosophy at the Waseskun Healing Center. Director Steve Patry spent a full year with these men, gaining their trust and confidence. The result is a remarkable and gripping film about learning to overcome suffering and finding balance.