Un homme meilleur
2017
1 h 17 min
Coming soon
Un homme meilleur ouvre une perspective novatrice en matière de prévention de la violence familiale. Il nous présente une vision inédite et nuancée non seulement du processus de guérison, mais aussi de la révélation que peut provoquer chez tous les intervenants la responsabilisation des hommes à l’égard de leur comportement violent.
This work deals with mature subject matter. Viewer discretion is advised.
Details
Un homme meilleur ouvre une perspective novatrice en matière de prévention de la violence familiale. Il nous présente une vision inédite et nuancée non seulement du processus de guérison, mais aussi de la révélation que peut provoquer chez tous les intervenants la responsabilisation des hommes à l’égard de leur comportement violent.
This work deals with mature subject matter. Viewer discretion is advised.
-
NoneAttiya KhanLawrence JackmanIris NgJordan KawaiEva PercewiczStephanie CorfieldElectric SquareJanette LuuRedlab DigitalClaire DobsonJesse FellowsMarcel RamagnanoIain Gardner
-
directionAttiya KhanLawrence Jackman
-
producerChristine KlecknerJustine Pimlott
-
executive producerSarah PolleyAnita LeeJane JankovicJanice DaweKathy Avrich-Johnson
-
editingLawrence Jackman
-
original musicLesley Barber
-
featuringAttiya KhanSteveTod Augusta-ScottAlex MazerElliot MazerSeth MartiniukSollange Umwali
-
associate producerLori Chodos
-
supplementary footageJennifer RowsomStanislaw BaruaMarcus MatyasCurry LeamenJohn PriceMark Caswell
-
location soundJason HopfnerMary WongBruce Cameron
-
stage handZach ZohrMark FeenstraStefan KucharDavid Doldersom
-
DITSet Shuter
-
additional DITCurry LeamenGregory Szymanski
-
production assistantShane MacKinnonRob Chodos
-
photographsMarina Dempster
-
titlesElectric Square
-
impact producerSteph Guthrie
-
narration consultantSoraya Peerbaye
-
researcherElizabeth Kalbfleisch
-
development production managerNagmeh Phelan
-
music supervisionJody Colero
-
transcriptsLaurel Toews
-
production accountantCandis BuderAdriana Aviles
-
accountantKay & Warburton
-
insuranceArthur J. Gallagher Canada
-
interim financingRogers Communications Inc.
-
manager, business affairsNava Rastegar
-
independent production officerLinda Fong
-
production supervisorMark Wilson
-
administrationStefanie Brantner
-
technical coordinatorMarcus Matyas
-
production coordinatorNatalie van DineAndrew Martin-Smith
-
marketingMelissa WheelerAmanda Laukys
-
account directorAhmad Ismail
-
DI producerLinda Johnston
-
coloristJason Zukowski
-
online editingDave Oliver
-
subtitlingZoé Major
-
sound editing supervisionJane Tattersall
-
dialog editingKrystin Hunter
-
sound editing - assistanceChris King
-
sound mixerMartin Lee
-
post-production managerAlex Aslund
-
musicianDrew JureckaLesley Barber
-
music recordingSydney Galbraith
-
music mixSydney Galbraith
-
editorial assistantJakob Thiesen
Education
Ages 14 to 18
Family Studies/Home Economics - Adolescent Development
Family Studies/Home Economics - Feminism
Health/Personal Development - Healthy Relationships
Health/Personal Development - Problem Solving/Conflict Resolution
Despite the awareness about the abuse in Attiya’s and Steve’s relationship, why did nobody intervene? Comment on why their individual history is never fully disclosed in the film. Identify the signs that showed that Attiya’s and Steve’s relationship was an unhealthy one. How does Steve’s participation in Attiya’s healing atone for his past and pave the way for him to become “a better man”? Discuss whether contemporary attitudes about relationship violence have given individuals greater power in interrupting this pattern. Explain.
