Michèle Cournoyer came to the NFB with a background in the fine arts. During the 1970s, she made her own independent shorts, including a striking experimental collage films. Arriving at the NFB in the early 1990s, she would make inventive use of the rotoscope, a technique that allows animators to draw over live-action footage. She turned to a new medium with The Hat (1999), a work executed in ink. Rendered in minimalist black and white, the film addressed the difficult visual metaphors. The Hat won worldwide acclaim-and Cournoyer went on to tackle similarly challenging subjects with Accordion (2004) and the chilling Robes of War (2008). Mastering the art of film without words, she has left us speechless.

This interview is part of Making Movie History: A Portrait in 61 Parts.

A woman plays out her existence on the screen of her life. Alcohol is the essence of her being. She imbibes her youth and becomes completely absorbed by the desire to satisfy her thirst. Moving from parties to binge drinking, pleasure to distress, joy to delirium, she lets herself be lulled by the undulating waves of bottles. She floats in the intoxicating liquid, sees her childhood re-emerge, and feels as if she is a tiny fish lost in an ocean of madness. Her craving for alcohol engenders a burning passion. Drinking becomes a fatal embrace... On the verge of drowning in the torrent of this insane obsession, will she find the strength to rise to the surface?

Soif is a tragedy in five acts centered on a woman who must confront the fate of her existence. Michèle Cournoyer (The Hat) has created another hard-hitting film. She broaches a sensitive topic in her inimitable style, using black ink on paper to render dazzling metamorphoses.

A creative young girl manages to turn the most tiresome household chores into a musical adventure that reveals her true talent for song.

This animated short explores the connections between sex, love and technology.

This animated short is a lyrical exploration of the impact of war on women, their bodies and their families.

In this animated short, a woman, taking on her lover's fantasies, adorns herself in her finest feathers and assumes a seductive but demeaning role.

A young woman works as an exotic dancer in a bar. She recalls an incident from her childhood in which she was physically abused by a male visitor. This inner journey brings back painful memories, including the obsessive image of a hat.