Living in downtown Toronto to attend school, Lina Li returns to the comfort of home in Thornhill and her mother's cooking. In this candid short, filmmaker Lina Li and her mother engage in an intimate conversation about immigration to Canada, misunderstandings, barriers to communicating, love and the taste of home.

A rich and little-known part of Canadian history unfolds through the stories of the first Chinese women to come to Canada and of subsequent generations of Chinese Canadian women. It is an amazing tale of courageous women who left behind their families, knowing they would never see them again and of girls who were shipped off to the New World to marry men they had never met. These are the women who fought against the many forms of racism they faced in Canada while, at the same time, challenging sexism within their own communities. By passing on language, culture, and values to their children, these women defined what it means to be Chinese Canadian. Beautiful old photographs from family albums, the recollections of seven women who grew up in Canada in the first half of the 20th century, and the memories of narrator and director, Dora Nipp, whose grandfather came to Canada in 1881 to build the railway, create a remarkable story of stunning impact.

Filmmaker Karen Cho travels from Montreal to Vancouver to uncover stories from the last survivors of the Chinese Head Tax and Exclusion Act, a set of laws imposed to single out the Chinese as unwanted immigrants to Canada from 1885 to 1947. Through a combination of history, poetry and raw emotion, this documentary sheds light on an era that shaped the identity of generations.

Julia Kwan’s feature-length documentary Everything Will Be captures a significant moment of time in Vancouver’s Chinatown, with the influx of condos and new, non-Chinese businesses. The film follows a year in the life of several Chinatown denizens, including a 90-year-old Chinese newspaper street vendor and a second-generation tea shop owner, as they navigate this community in flux.

This documentary tells the personal story of filmmaker Jari Osborne's father, a Chinese-Canadian veteran. She describes her father's involvement in World War II and uncovers a legacy of discrimination and racism against British Columbia's Chinese-Canadian community. Sworn to secrecy for decades, Osborne's father and his war buddies now vividly recall their top-secret missions behind enemy lines in Southeast Asia. Theirs is a tale of young men proudly fighting for a country that had mistreated them. This film does more than reveal an important period in Canadian history. It pays moving tribute to a father's quiet heroism.

This feature documentary offers a whimsical tour through the history of Chinese magicians and performers in the Western world. Long Tack Sam was an internationally renowned Chinese acrobat and magician who overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful acts of his time. Filmmaker Ann Marie Fleming travels the globe searching for the story of her great-grandfather, the cosmopolitan Long Tack Sam. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first-person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century.

First-generation Chinese-Canadian filmmaker Michelle Wong returns to her birthplace, St. Paul, Alberta, to get reacquainted with her aging grandparents. Her visit becomes an emotional journey into the past and into herself as she documents their stories, their lives. Return Home touchingly explores intergenerational relations while capturing the spirit and experiences of early Chinese-Canadian immigrants and their role in Canadian history. Also available in a Chinese version.

Filmed at the Wing Fong Farm in Ontario, this documentary follows the tilling, planting and harvesting of Asian vegetables destined for Chinese markets and restaurants. On 80 acres of land, Lau King-Fai, her son and a half-dozen migrant Mexican workers care for the plants. For Yeung Kwan, her son, the farm represents personal and financial independence. For his mother, it is an oasis of peace. For the Mexican workers, it provides jobs that help support their children back home.

A young Chinese-Canadian couple is visiting family in Wuhan, epicentre of the virus, at the very moment the pandemic is declared. Interviewing his subjects in a novel socially distanced mode, director Weiye Su explores the culturally specific concept of Jia—an idea evoking family or home that acquires sharp new meaning during COVID times.