Heralding the “end of paper,” this experimental animated short is an abstract exploration of a number of big issues, from the ephemerality of the digital age to the practice of recycling. To create this painting in motion, Theodore Ushev took an animation film festival catalogue and set its pages alight with the broad strokes of a paintbrush.
This short animation presents the haunting story of two brothers who share the scars, though not the memories, of an untold history that has driven them to existential extremes. Combining high-speed camerawork, striking art direction and intricate animation sequences, acclaimed visual artist and filmmaker Randall Lloyd Okita crafts a poetic elegy to connectedness and survival.
In this short animation, Theodore Ushev signs a violent, brutal and troubling political statement in his own blood and narrates it in his own gravelly voice. All over the world, idealist revolutionaries shed their blood to denounce injustices. Yet blood is also the very symbol of life. Sketches drawn using the filmmaker’s own blood explore this paradox. Why fight for ideals, noble though they may be, if you must die for them in the end? Are rebellion and insurrection egotistical deeds, or are they lessons in pure altruism? Poetic and philosophical, the film explores these complex and important questions.
An elderly Japanese man boards a ferry bound for an unknown island. As he looks out over the water, the falling rain triggers a string of memories, including of a childhood experience in Fukuoka and a brief encounter many years later, aboard a smoke-filled seaside train. The only constant is the rain, a woman and Mount Fuji. When the man arrives on the island, it begins to pour, and a mysterious woman on a motorbike greets him…
Directed by Latvian filmmaker Vladimir Leschiov, Rainy Days looks at three key moments in its protagonist’s life, when events that should have happened never come to pass, yet change the course of his existence. The unique animation technique used to create the film, consisting of black tea and ink on paper and precise, delicate drawn lines, conjures a warm and tranquil atmosphere that mirrors the man’s graceful acceptance of his fate—and his awareness that all we have is what is.
A modern adaptation of the myth of Hercules, BAM tells the story of a young boxer struggling to negotiate between his shy, bookish nature and a divinely violent temper. Where does this rage come from? Is it psychological or environmental - or is it something altogether more primordial?
This short animation begins with a newspaper, discarded on a public bench, whose headlines warn of unusual phenomena. A gust of wind animates the paper's pages, conjuring strange and fantastical creatures: a bridge that becomes a caterpillar, a steeple turning into a bird, a dome transformed into an octopus. Elemental forces have been unleashed. Skilfully wielding paper cut-outs, origami, and a healthy dose of humour, filmmaker Emmanuelle Loslier plunges us into a fantastical world in which Montreal’s urban landscape has never been so alive.
This funny short animation was written and created by Tali (At Home with Mrs. Hen) and is inspired by the filmmaker’s misadventures as a school bus driver in the Eastern Townships. Our protagonist dreams of becoming a bus driver in order to cruise down quiet country lanes and connect with nature, her young charges and their parents. But her idyllic view of her new job is sorely tested after she meets her surly boss, named Killer, and discovers that winding roads can prove treacherous in winter, especially with a faulty clutch. Through her cheeky humour and oblique look at the reality of people living in the Quebec countryside, Tali delivers a film that is unique, witty and touching.
In this short animation, the archetypal hero takes a journey through seven stages: birth, childhood, mission, labyrinth, monster, battle and death/rebirth. Through purely abstract, moving images, the corresponding emotional states are conveyed: calm, love, joy, surprise, fear, anger/hate, and death/rebirth leading again to calm. The cycles continue until the stars burn out and there is nothing left. Minotaur was created stereoscopically in IMAX® Sandde (Stereoscopic ANimation Drawing Device) , the world's first freehand stereoscopic 3D animation software.