Theodore Ushev: Unseen Connections

The Physics of Sorrow tracks an unknown man’s life as he sifts through memories of his youth in Bulgaria through to his increasingly rootless and melancholic adulthood in Canada.

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Heralding the “end of paper,” this experimental animated short is an abstract exploration of a number of big issues, from the ephemerality of the digital age to the practice of recycling. To create this painting in motion, Theodore Ushev took an animation film festival catalogue and set its pages alight with the broad strokes of a paintbrush.

An intimate look into the mind of Niall McNeil, an artist and performer with Down syndrome, and his unique chosen family. In Lay Down Your Heart, Niall introduces us to his many “family members,” his multiple “children,” his renowned “ex-wife” and director of the film Marie Clements, and other bonds forged through open-hearted creativity.

This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.

Ink is our primal medium. It has always been with us, inscribing the evolution of humanity. The Colour of Ink uncovers the medium’s mystery and power through the eyes of Jason Logan, a visionary Toronto inkmaker. Working with ingredients foraged in the wild—weeds, berries, bark, flowers, rocks, rust—he makes ink from just about anything. Jason sends custom-made inks to an eclectic range of artists around the world, from a New Yorker cartoonist to a Japanese calligrapher. As the inks take on a life of their own, his playful alchemy paints a story of colour that reconnects us to the earth and returns us to a childlike sense of wonder.

In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.

TRIGGER WARNING: This film contains scenes depicting homophobia and violence, which may be disturbing to some viewers.

Someone Like Me follows the parallel journeys of Drake, a gay asylum seeker from Uganda, and a group of strangers from Vancouver’s queer community who are tasked with supporting his resettlement in Canada. Together, they embark on a year-long quest for personal freedom, revealing how in a world where one must constantly fight for the right to exist, survival itself becomes a victory.

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army on the basis of anti-black racism. Fast-forward to 2013: the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Director Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris, as she challenges electoral corruption and fights to protect the right to citizenship for all people.

Celebrate Black Canadian cinema with the NFB. Explore our collection of films from Black filmmakers across Canada.

How can refugee children integrate into Quebec’s school system, given the unspeakable violence they’ve experienced? Following a psychologist specializing in conflict-related trauma, Unspoken Tears pays tribute to the admirable resilience and survival strategies of these “small adults,” whose spirit the bombs and camps have not completely crushed, at a time when it is vital to raise awareness in Western societies of migration-related issues and children’s rights.

A short documentary essay on solitude, filmed in Spanish and narrated by filmmaker Rosana Matecki, Saturday Night offers a poetic and bittersweet snapshot of aging in an urban setting, viewed through the lens of dance. An immersive soundscape and a delicate tempo set the mood for this intimate exploration of resilience and nostalgia.

This animated short by Theodore Ushev depicts the maelstrom of anguish that tormented Arthur Lipsett, a famed Canadian experimental filmmaker who died at the age of 49. His descent into depression and madness is explored through a series of images as well as sounds taken from Lipsett's own work.