Stateless

Some dreamers have the power to inspire us, bring us together, and help us reconnect with our humanity. Alain Philoctète, a Haitian artist and activist who settled in Quebec, returns to the country of his birth to develop a permaculture project with local farmers. There, he has an emotional reunion with family members and his former comrades in arms, whose ideals remain unshaken despite the lingering aftermath of the 2010 earthquake and political instability. However, Alain, who is suffering from cancer, has to undergo treatment in Montreal, where his loved ones provide the same degree of affection and solidarity as he receives in Haiti. Director Will Prosper films this inspiring dreamer on his hopeful quest, chronicling the challenges of exile and illness with the personal, knowing touch of a longtime friend. With a rich score composed by Jenny Salgado, Kenbe la, Until We Win offers a cinematic journey that will move viewers to ponder the importance of embracing ideals and passing them on.

Raised in a refugee camp in the West Bank while her mother was in prison, Walaa dreams of becoming a policewoman in the Palestinian Security Forces (PSF). Despite discouragement from her family, even her beloved brother Mohammed, Walaa applies and gets in.  But her own rebellious behaviour and complicated relationship with her mother are challenging, as are the circumstances under which she lives.

Following Walaa from 15-21, with an intimate POV, What Walaa Wants is the compelling story of a defiant young girl navigating formidable obstacles, learning which rules to break and follow, and disproving the negative predictions from her surroundings and the world at large.

WARNING: This film discusses the topic of childhood sexual assault. Viewer discretion is advised.

Why be silent about the most serious matters? Doesn’t silence perpetuate suffering? From the 1950s to the 1980s, Catholic priests sexually abused many young boys in the francophone towns of New Brunswick. These scandals only came to light when the victims were in their fifties, provoking shock and outrage in the media and the public. Why did the affected communities keep silent so long, preferring secrecy to justice and truth? Profiting from their positions of influence to impose a “pious silence” on their parishioners, authority figures built an abusive system that tells us as much about the type of oppression specific to the Acadian population as it does about the blanket denials issued by the Catholic Church. Called to confront the power of this collective silence, veteran filmmaker Renée Blanchar meets with survivors in an attempt to untangle the deeply rooted reasons for this secrecy. With The Silence, she takes us as close as she can to the humanity of these broken men, revealing the forces that, today as in the past, have the power to unite or divide Acadian communities.

Please note: This film contains explicit language. Viewer discretion is advised.

John Ware Reclaimed follows filmmaker Cheryl Foggo on her quest to re-examine the mythology surrounding John Ware, the Black cowboy who settled in Alberta, Canada, before the turn of the 20th century. Foggo’s research uncovers who this iconic figure might have been, and what his legacy means in terms of anti-Black racism, both past and present.

In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.

In this feature-length documentary, filmmaker Patricio Henriquez seeks to untangle the web of lies surrounding the Chilean navy's training vessel, the Esmeralda. Heralded as a symbol of national pride, a dark secret lies behind the facade of the ship the Chileans call The White Lady: Following the 1973 coup d'état, it was used as a floating prison. Thirty years later, the victims of the dictatorship are demanding justice. The Dark Side of the White Lady is a fascinating journey to uncover the truth.

How can refugee children integrate into Quebec’s school system, given the unspeakable violence they’ve experienced? Following a psychologist specializing in conflict-related trauma, Unspoken Tears pays tribute to the admirable resilience and survival strategies of these “small adults,” whose spirit the bombs and camps have not completely crushed, at a time when it is vital to raise awareness in Western societies of migration-related issues and children’s rights.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

Julia Kwan’s feature-length documentary Everything Will Be captures a significant moment of time in Vancouver’s Chinatown, with the influx of condos and new, non-Chinese businesses. The film follows a year in the life of several Chinatown denizens, including a 90-year-old Chinese newspaper street vendor and a second-generation tea shop owner, as they navigate this community in flux.

For decades, Colombia has ranked first among countries in the number of social leaders assassinated. From 2002 to 2009, more than 470 leaders were killed by paramilitary militias in the pay of companies ready to do anything to crush the unions. Among these unscrupulous corporate brands were bottling plants of Coca-Cola company products.

These unpunished crimes spur U.S. activists Dan Kovalik, Terry Collingsworth and Ray Rogers into an ambitious crusade against the soft drink giant, accusing them of turning a blind eye to the misdeeds brought to their attention. By following the relentless efforts of this unshakeable trio, The Coca-Cola Case takes us on a fascinating legal road-movie, against a backdrop of denunciation campaigns claiming: Stop Killer Coke!

After five years of struggle, will Coca-Cola yield in the end? And on the verge of a settlement, what will the victims choose—cash, or power and integrity?

With candor, humour and courage, a group of African-Canadian women challenge cultural taboos surrounding female sexuality and fight to take back ownership of their bodies. Combining her own journey with personal accounts from some of her radiant, endearing friends, co-director Habibata Ouarme explores the phenomenon of female genital mutilation and the road to individual and collective healing, both in Africa and in Canada.