Ruthless Souls follows Jackalope "Jackie" Cambell, a tough as nails Ojibwe artist born and raised in the strange land of Winnipeg, Manitoba. On the first anniversary of her partner's tragic death, she's back at work and spends her free time, drinking and smoking up "on the regular". Trying to cope with the guilt around her partner's death due to complications from gender reassignment surgery, she finds that her relationships are on the brink.
I Hear You is a non-conforming medical drama about a group of gender oppressed women and non-binary people, who each struggle with sexual health issues, and the newly graduated doctor who believes she can help them as they all navigate the frustrations of the Western medical system and their own personal limitations to find hope and help on the other side.
This short film is inspired by a stormy same-sex relationship in the Manawan community of the Atikamekw Nation, which led to a suicide.Since 2004, Wapikoni Mobile has been giving Indigenous youth the opportunity to speak out using video and music. This short film was made with the guidance of the traveling Wapikoni Mobile studios and is part of the 2007 Selection—Wapikoni Mobile DVD.
In community archives across British Columbia, local knowledge keepers are hand-fashioning a more inclusive history. Through a collage of personal interviews, archival footage and deeply rooted memories, the past, present and future come together, fighting for a space where everyone is seen and everyone belongs. History is what we all make of it.
k.d. lang shares her perspective on preferring silence and listening to making noise as one of the 2023 recipients of the GGPAA for Lifetime Artistic Achievement. A musician, 2SLGBTQI+ activist, daughter and icon, lang transcends categorization. Here, she delves into the essence and significance of musical expression, examining its emotional impact on both the performer and the audience.
A window onto the world of a theatre giant, and an opportunity to discover the man behind the words. Michel Marc Bouchard discusses his youth and talks candidly about what has motivated him over the years to speak out and share his concerns, which resonate here at home and across the globe.
An animator dissects his own body, extracting memories, emotions and fears that will nurture his work. As he cuts into his skin with a scalpel, various symbolic objects recalling his past emerge. Reaching the heart after cracking his ribs, he succeeds in identifying the burden he’s been dying to cast off.
Uncle Thomas: Accounting for the Days is about the special relationship between Regina Pessoa and her uncle. The film is a testament to her love for this eccentric, who was an artistic inspiration and played a key role in her becoming a filmmaker. A moving tribute to a poet of the everyday.
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Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh. A film from the Alambic collection, a creative lab by the NFB’s French Program Animation Studio that’s designed for emerging filmmakers.
Since its inception in 1976, Toronto Council Fire Native Cultural Centre has been a place in which the urban Indigenous community could feel safe, learn and grow. Council Fire uses cultural teachings and creates space to restore Indigenous identity, especially for its youth. At the core of Council Fire’s history and teachings is the drum, which they refer to as “our mother.” In Full Circle, we get to know the members of the Toronto Council Fire Youth Program as they embark on new journeys. We meet a drum group that lays down tracks at a professional recording studio and a group of young dancers who showcase their moves at a dance studio.
This feature-length documentary traces the journey of the Haisla people to reclaim the G'psgolox totem pole that went missing from their British Columbia village in 1929. The fate of the 19th century traditional mortuary pole remained unknown for over 60 years until it was discovered in a Stockholm museum where it is considered state property by the Swedish government.Director Gil Cardinal combines interviews, striking imagery and rare footage of master carvers to raise questions about ownership and the meaning of Indigenous objects held in museums.
In this follow-up to his 2003 film, Totem: the Return of the G'psgolox Pole, filmmaker Gil Cardinal documents the events of the final journey of the G'psgolox Pole as it returns home to Kitamaat and the Haisla people, from where it went missing in 1929.